o heya so i uhh created a somewhat iffy transcription of the soundtrack version of Death Valzer (that song that plays during practice when Suzy faints)
i say "somewhat iffy" because although it is 1000% accurate to the note, there are some parts where the hands/fingers awkwardly overlap (not to mention the right hand eternally playing octaves). i'm pretty sure the actual recording used two separate takes for what i have transcribed here as the left and right hand parts, which is why these issues exist :/
i suggest using this score as a guideline but ultimately playing what feels right/comfortable. otherwise, play it with a friend on a separate piano
also i'll be working on a transcription of the in-film version which is slightly different. but anyway
The communication and information tech of Terry Gilliam’s “Brazil” (1985).
I could've sworn I read somewhere that "sweet" in Elizabethan parlance is essentially the Old English version of "queer". I can't find any reliable sources to back up that claim but if that context is to be believed, Faust calling Meph "sweet mephistopheles" gives off the same vibes as "gay bowser"
girl breakfast
nothing will make you think "i have got to get weirder" more than finally feeling comfortable enough around other people to admit to interests of yours that you think make you a freak and a weirdo only to realize with a combination of embarrassment and relief that you're like a normie to them
drew this for my priv twt but you guys can have it too