King Of Wings With Comet 252/Linear By Wayne Pinkston Via Flickr: This Formation Is Called The King Of

What are you using as light sources? These are amazing photos.

Hi and thanks for looking. Yes, I am using light sources for many of these photos. The lights are turned down really low to match the intensity of the stars, and them the scenes are captured as a single exposure. The lights are so low that they are hard to see in person, but show up well on a 30 second exposure. I have an earlier post on Tumblr that talks about the brands of lights I use. Most are dimmable Video LED light panels with warming filters of Halogen hand held spotlights that I reflect off of nearby objects (reflected light). I describe the types of lights I use here:   

http://lightcrafter.smugmug.com/About-Nightscapes

Scroll down until you see “About Equipment”

Cheers, Wayne

To Walk an Alien Land... by Wayne Pinkston Via Flickr: Website, Instagram, Facebook To Walk an Alien Land... He sat foot upon the barren rock of a new world, new to man. There was a residual atmosphere of Nitrogen and Carbon Dioxide but little or no Oxygen. There was widespread evidence of erosion indicating a prior abundance of water but there was little surface water now. They had spent decades in deep sleep and a small exploratory force had recently been awakened by the autopilot to resupply within the nearest system. There was little need for anyone to leave the ship as all resupply functions could be performed remotely by robotics. Spacesuits were still primitive and rarely used, but there were always a few who savoured the experience of walking a new world... If you like photos like this then come and join us in a workshop in July in this location. For details see my website or DM me here at Flickr. Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!

Questions and Answers

How to take vertical photos and panoramas:

Question: What do you use to mount the camera vertically for your panos?

Answer: I use an "L" bracket. Here are photos from a Google search:

https://www.google.com/search?q=l+bracket+camera&client=safari&rls=en&biw=1584&bih=1295&source=lnms&tbm=isch&sa=X&ved=0ahUKEwit5fCbseLPAhXJHT4KHaYqAu0Q_AUICSgC

It screws on the bottom of the camera, and will attach to the tripod head either horizontally or vertically. It is Much better than turning the tripod head vertically, with the camera hanging to the side. The camera, when vertically with the L bracket, is balanced over the center of the tripod, and is much more stable than if you turn the whole tripod head sideways. Also, because the center of rotation is closer to the sensor plane there is much less parallax. Parallax has not been an issue for me. I use an Acratex L bracket and tripod head. There are many brands, and you just need to make sure the L bracket fits with whatever tripod head you are using. You can also use a nodal rail to further prevent paralax, This helps to center the sensor plane right over the center of rotation. In my night images paralax problems have not been a issue however when using the Acratex L bracket. Hope this helps, Cheers, Wayne

http://waynepinkstonphoto.com

Questions and Answers

Do you hire guides?

Question: Do you hire Guides to find locations?

 Answer:  Do I use guides? Mostly no. Rarely I hire a guide. Sometimes I go with other photographers that know the area. Typically I go to scout an area before I shoot it. I research it on the internet and I have many hiking books for the West and Southwest USA. I thoroughly research the area online and in hiking books. 

Many times I see a photograph online that looks like a good night location, and I start researching that location. I prefer to go to places that do not have many people or one that has not received much attention at night. I like to find new places rather than just photograph the classic old ones. 

I go there and scout the area out in daylight. I record the GPS track or hike on my smart phone with the Gaia GPS app. It is a very good app. 

I check the place out to see if it is suitable for night landscapes. I mark the sites I want to photograph. I then follow the GPS track back there at night. Everything looks different at night. Everything, lol. 

I do a lot of hiking at night so it is easy to get lost. Use the GPS! Recording the GPS data is also great for using the next year or later, and also for communicating with other people. For example, there is a good place to photograph that I found in the Bisti Badlands of New Mexico that I found before I used the GPS app, and I never found it again, despite looking several times. 

For a big overview of a place that is new to me I might hire a guide to take me around and give me the big picture before I start exploring on my own. 

Learn how to use a GPS app on a smartphone! You can get the GPS signal even when you are out of cell phone range. Many of the places I go do not have a cell signal, but GPS still works.

Cheers, Wayne

Dec, 2016

Tower of Silence by Wayne Pinkston Via Flickr: Website Instagram Facebook Tower of Silence - Beautiful white hoodoo in southern Utah I was honored to be on the Podcast "F-Stop Collaborate and Listen" with host @mattpaynephoto. He interviews Landscape and Nightscape Photographers about a variety of topics. His relaxed style makes the podcasts enjoyable and interesting. He helps you see the people behind the photos. You can listen to my interview here: fstopandlisten.podbean.com/ Teaching point: There are now LED light panels with adjustable color temperatures. The standard Light Panels with warming filters (which make the color temp around 2700K) are wonderful for warm structures like the red rock throughout much of Utah and northern Arizona, but are not realistic for structures like these white Hoodoos. With adjustable color temperatures you can adjust the light to the foreground structures. Regular LED lights are too blue to be realistic, and can have a color temperatures up to 6500K. For this scene I wanted a more neutral color temperature that would show the white color of the hoodoos accurately and used a color temperature of 4000K to 4200K for these photos, which worked well.

Delicate Arch by Wayne Pinkston Via Flickr: Website, Instagram, Facebook The world doesn’t really need another photo of Delicate Arch, lol, but it took me multiple tries to get a clean image, so I’m posting it anyway. I have been thwarted by clouds, wildfires, and people, and on one occasion when I took friends there I even found that I forgot to put my camera n my backpack! Note to self: If you forget your camera then you might as well forget the tripod as well. 😳 Anyway, the locations so crowded I started dreading going there. This time everyone went home by 1:00 a.m. and I had the location to myself for 1-2 hours until the clouds rolled in. Yeah!!! By the time I poised in the arch the clouds had arrived, so I removed my silhouette from the cloudy photo and placed it into the clear sky photo, so this is a blend. Thanks for looking!

The Red Toadstool by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Beautiful hoodoo in Southern Utah. This is called the Red Toadstool, and I’m guessing it is about 18 feet, 6 meters high, maybe a little larger. Low Level Lighting was used with an LED light panel on a 3 meter light stand located on a rocky mound about 10-15 meters away to the right, turned down very low. There is also a small LED light behind the hoodoo but it was turned down so low that it’s not really visible. ___________________________________________. Made from 21 light frames and 1 dark frame in Starry Landscape Stacker. 22 mm, f/2.8, 15 seconds, ISO 10,000. Thanks for looking!

The Milky Way over the Coral Sea by Wayne Pinkston Via Flickr: This image was taken along the NE coast of Australia, between Cairs and Port Douglas, along the area known as the Coral Sea. This is the area of the Great Barrier Reef. We had planned a vacation with some friends, and the conditions did not to look favorable for any night photography, so I almost did not take my tripod. I happened to notice that this area was remarkably dark on the Dark Sky Finder App, and there would be a few hours of darkness after Moonset in the early a.m. on 2 nights we were there, so I took the tripod along and I was glad I did. After the moon set the Milky Way and stars were as beautiful as I had ever seen them, with the structure of the Milky Way and gas clouds clearly visible to the naked eye. It was a great experience to be there just to see the sky. The light pollution in the distance is a resort and the town of Cairns. This is a panorama of approximately 210 degrees. This is a combination of 15 vertical images, taken with a Canon 6D camera, and a Canon 16-35 mm lens, at f 2.8, 16 mm, 20 sec exposures, and ISO 12,800. Combining images in a panorama remarkably decreases noise. The Milky Way arches high overhead in the Southern Hemisphere, so you need a lot of vertical coverage to include it all, especially later in the night. The moon had just set so the was a little ambient light still remaining when I took this series. Hope you enjoy! 

In The Still of The Night by Wayne Pinkston Via Flickr: This is Flattop Arch in the Bisti Badlands of New Mexico, located about 36 miles (60 Km) south of Farmington. There are relatively few visitors here and at night the probability is that you will be there alone. It's a rough terrain after you traverse the initial flat area near the parking lot. It's a highly varied landscape with areas of clustered hoodoos, flat areas, ridges and ravines, and a number of small arches. There are a number of hoodoos that look like wings or tables balanced on a rock pedestal. In this photo there is a constant or static light behind the arch, and the front lighting is reflected light from a hand held halogen spotlight. The light is reflected off a formation to my right. This was taken with a Canon 6D camera and a Nikon 14-24 mm lens at f 2.8, 30 sec, 14 mm, and ISO 6400. This is a single exposure. Hope you enjoy! Please join me at: Website Facebook Blog

Peek-A-Boo by Wayne Pinkston Via Flickr: Website, Instagram, Facebook This is a panorama of several photos taken with a 12 mm f/2.8 fisheye lens. I’ve included 2 photos. The first photo is the image after the distortion was corrected in Photoshop. The second image is before the correction. Note the angled horizon in the second image. The camera and lens were pretty severely angled to get the entire opening in the image. There is Low Level Lighting (LLL) with 2 Goal Zero Micro Lanterns. One is behind me to my left and one is down the ravine to get some light on the more distant walls. Both are turned to low and are covered with a handkerchief to further diffuse and lower the light. The Goal Zero Mini has a very nice neutral to slightly warm light colour temperature. 12 mm, f/2.8, 25 sec., ISO 8000. I actually like the one with the crooked horizon a little better, but someone will complain, lol. This recess is somewhat like a cave or alcove and somewhat like a small canyon, not sure what to call it. Maybe a cave-yon? 😂 The Milky Way lines up beautifully at certain times of the year making this a great spot. This is in the Navajo Nation and you need a Navajo guide to go there.