This Video I Filmed For My Children While They Were Playing In One Of The Amusement Parks In Gaza. I

appalachia is devastated. towns i loved, towns i visited all the time, are gone. not damaged, GONE. they are leveled to the ground. there is nothing left but rubble and ruin. people are dead. appalachia is poor to begin with and relies on tourism for a lot of its income, and multiple of those tourist locations are just...gone.

my town is okay, but it's flooded and wrecked. trees are blocking all but one way out of our neighborhood. power lines are hanging limp in the roads. we've been without power for over 24 hours and will continue to be without power for likely another 24+. disabled people and poor people are GOING to die from this. gods save appalachia.

For everyone here on my Tumblr I need y’all to stop what you’re doing and really lock in to the genocide happening in Gaza right now. I will post as many links as I can but the best you can do right now is be loud as fuck! About this.

TLDR Isreal has cut off all water, electricity and telecommunications within Gaza in a complete blackout and Gaza has lost their voice. Israel has already threatened to bomb Al Shifa hospital, which is currently a shelter for around 50k-60k Palestinians. These are images of Gaza Strip from an HOUR AGO. They are literally slaughtering and wiping out generations of Palestinians as we speak.

Please I need to see y’all talking about this and being loud for Palestine. Your anime yaoi twink hyperfixation will still be here tomorrow but literally thousands of innocent people may not.

your competition isn't other people.

it's your procrastination, your ego, the unhealthy food you're consuming, the knowledge you neglect, the negative behavior you're nurturing and your lack of creativity.

compete against that.

help girl i drifted out to sea [x]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

my trick for getting through grad school is learning to navigate the quadrants with all their nuances

people are calling what happened today in gaza “the flour massacre”

the flour massacre

these people just wanted to get food for their families, something as basic as flour, one of the things that the very core of humanity is built on, and israel used it as a trap to murder them in cold blood

evil is not enough of a word. there is not a word to describe what they are doing to palestine. they are bleeding her out, they are torturing her and crushing her and hoping that nothing is left to remember her by when they are done. how can anyone stand and watch what is being done with indifference? how can you watch this level of human suffering, this crime against life and feel nothing, do nothing

T. S. Eliot's The Waste Land was a Gloomy Prophecy about Gaza?!

Millions of people are preparing to celebrate the festive Adha Eid soon, while Gaza is drowning in death, depression, despair, and pain.

Thinking about my family in Gaza desperately trying to escape death on a daily basis and the magnitude of destruction inflicted on beautiful Gaza, the melancholic whispering of T. S. Eliot's famous lines from his masterpiece The Waste Land echo in my head and shatter my soul. They go:

"Unreal city I had not thought death had undone so many"

What could be more hellish than living in constant fear for your life? Why should having food and water be a daily struggle? How could the world be desensitized to this extent? How did my beautiful Gaza turn into a Wasteland on the watch of the world as a whole?!

I am desperately trying to relocate my family to Egypt temporarily, hopefully, until the war is over. Your help saves lives.

Please Donate, reblog and Share with your friends.

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Donate to Death chases my family in Gaza; help me save them, organized by Mahmoud Khalaf

People say: "Family always comes First," and to that, I say: "Amen!".… Mahmoud Khalaf needs your support for Death chases my family in Gaza;

@el-shab-hussein @ibtisams @sar-soor @90-ghost @nabulsi

As I kid, I wanted to be a savior, trailblazer, the prophecy child. I wanted a big life, with ups and ups like the breasts of mountains and lows like the depths of valleys full of forgotten debris. I was convinced the great flood was knocking at my door, beckoning me to become someone bigger. A juvenile fantasy, a hazy dream.

I'm 19 now. It's not a grand big life, I'm no hero. I love my friends and sunday mornings. I like cats and strawberries. No flood, no rapture, no calamity- just quiet weekdays and sleepy weekends. But oh my days, I am full, finally.

-Ritika Jyala, excerpt from The Flesh I Burned