Classic Polish Movie Posters - TAKSÓWKARZ (Taxi Driver) Directed By: Martin Scorsese (1976)

Johann Baptista Großchedel - The Magical Calendar (A Synthesis of Magical Symbolism from the Seventeenth-Century Renaissance of Medieval Occultism), 1620. The Magical Calendar is an ancient masterpiece in Western Hermeticism showing the secret cosmological tables of Celestial and Magical correspondences. They are based in part on extensive tables in Agrippa, book 2, chapters 4-14, but go well beyond anything in Agrippa, especially sigils. It is said to be one of the most important documents from the seventeenth-century Renaissance showing the hidden Magical Symbolism of the Rosicrucians.

Here’s a piece by @laurenmarxart from 2015 titled “To Kill the Goose That Laid the Golden Egg.” We’re excited to announce that we’ve booked a show for @laurenmarxart and @courtneybrims in late 2018. What an incredibly talented and perfectly matched duo! Looking forward to it! For early online previews, join our email list via www.beinart.org 👉LINK IN BIO👈 http://ift.tt/2rgLLgowww.beinart.org 👉LINK IN BIO👈 http://ift.tt/2rgLLgo

Chamunda by Shuvankar Biswas

Yin Yang Snake, YINTAT

Old Pencil Sharpener in Action

Bodilisk - Gods and Monsters

Hedi Xandt

Lisa Taylor by Helmut Newton for Vogue, June 1975

Crisse Besson  -  https://www.facebook.com/Crisse-662818093784353 -  https://www.facebook.com/fred.besson.146  -   https://www.amazon.com/Books-Didier-Crisse/s?ie=UTF8&page=1&rh=n%3A283155%2Cp_27%3ADidier%20Crisse

Illustrations by Nick Sullo 

Nick Sullo is a visual artist from Austin, California. Within the field of visual effects, he has contributed to projects such as Taboo, Netflix Stranger Things, Pirates of the Caribbean: Dead Men Tell No Tales, San Andreas and Iron Man 3.  

I was born and raised in California where I went to art school and started my career in Visual Effects for Film. I started out as a fine artist since I was a kid doing illustrations, paintings, printmaking and started experimenting in digital when I was 12 and once I got my hands on a Wacom and a copy of Photoshop that my neighbor had in his music studio it took off from there. I’ve been doing VFX for about 8 years now and in 2015 got back into illustration and recently painting again. 

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The Light and So Much Else, 1931, Paul Klee