!!!!!!!!!
#prosnape #fucksnaters #uwu #antimaruaders
“Before you know it it’s 3 am and you’re 80 years old and you can’t remember what it was like to have 20 year old thoughts or a 10 year old heart.”
— This is the scariest fucking text post I’ve ever read (via fuckinq)
I was rewatching Nailed It on Netflix, which is a baking competition show except instead of competent bakers it’s just normal people trying to make highly detailed and complicated cakes with not enough time and it’s hilarious
And now I’m just thinking of Stephen and Tony as a couple team
Stephen is trying to take control, but he doesn’t actually know what he’s doing and his hands don’t allow him to do detail work well, so he’s just yelling at Tony trying to get him to do it right, but Tony is even more incompetent
Stephen- “WE’VE WATCHED THIS ENTIRE SHOW TWICE, HOW ARE WE MESSING SO MUCH UP?!”
The other teams are Thor & Bruce and Bucky & Sam
This is for all the writers who:
Have never finished a project
Don’t have publishing as their big goal
Write purely for enjoyment
Can’t/don’t stick to an idea
Don’t put their work out for people to read
Write purely as a hobby
You are just as valid and talented as writers who have been published, or have finished projects. You are still a writer, even if you don’t have other people read your work. You don’t have to pursue the same goals and have similar accomplishments to other people to be valid as a writer.
You are valid, you are important, and you are talented.
WAIT. Not to be controversial but. What if I just enjoy life for what it is right now instead of stressing about what I’ve yet to get out of it. What if I choose to enjoy this time……I know that once it goes, I won’t get it back from anywhere
When Five first jumped into the future and found himself in the apocalypse and found his siblings’ bodies at the mansion, he wouldn’t have found Ben’s body but wouldn’t know why.
Do you think he stayed there a while, picking through the rubble, searching for a body that wasn’t there, just to make sure, wondering what it meant? Do you think that for a while he held on to this tiny crazy speck of hope that maybe, someway, somehow, Ben had survived? His body wasn’t at the mansion so maybe he’s still out there. Maybe he wasn’t alone, maybe he had one sibling left if he could just find him somehow.
But then of course he would have found Vanya’s book. And he learned that Ben wasn’t the lucky one, just the opposite. And Five’s smart and he’s practical. From the beginning he’d known that there was almost no chance of Ben still being alive. He’d just wanted so very badly to believe.
That’s a turning point for Five. That moment when he knows for certain that his brothers and sisters– all of them– are dead. And he is utterly alone. And the only thing that matters, is changing that.
If it's okay, could you write a meta on harry potter? Not the series but the character. And maybe discuss some of his dynamics with others if it's not too much?
Harry issuch an under-appreciated character, which is somewhat ridiculous given thatnot only is he the protagonist but he’s a well-written and multi-faceted character,with a lot of nuances, a compelling backstory and great dynamics with many ofthe main characters. Yet parts of the HP fandom will literally hate on him foranything; today I ran across a post which blasted a twelve-year-old Harry fornot financially supporting the Weasley, ignoring the fact that, you know, he’s twelve and the fact that theWeasleys would in no way ever accept Harry’s money.
Harryovercomes a lot throughout his life, and this is even before the whole ChosenOne crap was placed on his very young shoulders. For the first eleven years ofhis life, Harry literally never experienced love, support, affection or evenproper care. He was often neglected, at times outright abused by the Dursleys,and I think these years and these circumstances shaped Harry more than thefandom tends to recognise. A lot of his stubbornness and refusal to seek helpfrom adults would have stemmed from this, as he spent eleven years believingthat adults couldn’t or wouldn’t help him. His generosity and caring naturealso probably stems from this, having experienced neither in early years of hislife, he has a desire to share both.
Harryalso has a deep aversion to fighting and negativity, and unlike Ron andHermione, he derives no pleasure from arguing or fighting. He gets genuinelyupset whenever Ron and Hermione take their verbal sparring too far, oftensnapping at them and telling them to let it go. Harry spent so many years in avolatile environment, so many years where a single wrong word or look couldproduce an explosion, that his natural instinct is to avoid conflict andarguments, which is somewhat ironic given the argumentative natures of both ofhis best friends.
Harry isa character who doesn’t change much over the series. This isn’t to say that hedoesn’t grow or evolve as acharacter. He definitely undertakes his own journey, and goes from an isolatedand insecure young boy into a strong and heroic young adult. But who he is athis core never really changes. He holds onto his goodness, his self-righteousnessand his “saving people” attitude until the very end. If you look at hischaracterisation in the first novel compared to his characterisation in thelast novel, it is remarkably similar. He is still a person who will walk intocertain death to save others, still a person who believes in bravery and doingthe right thing, and even if his faith in those around him has been tested andstretched – and in some cases broken – his general belief in the good in theworld prevails.
Harry is such a genuinely good person, like,there are few characters out there who contain as much goodness and forgivenessas Harry does. He is always genuinely outraged and upset at what he perceivesto be wrongdoings, such as Snape’s unfairness and favouritism or Umbridge’s reignof terror. He also refuses to kowtow to authority if he believes they are inthe wrong, such as when both Fudge and Scrimgeour try to sway him to theirsides. Harry’s genuine goodness and belief in what is right, in what is fair is one of his defining charactertraits, and it amazes me that a lot of the fandom does not seem to see or acknowledgethis side of him.
I havealways found Harry to be quite an isolated character, and I believe that thistoo stems from his upbringing and his life with the Dursleys. Growing up in anenvironment where he received no support, where he had no friends and no familymembers who paid attention to him turned Harry into a very self-sufficient andsolitary person, and if you look closely at his inter-personal relationships, itbecomes apparent that all of his close relationships are with people who arealso isolated and/or lonely in their own way.
Ron andHarry bond almost instantly when the two meet on the Hogwarts Express, bothdelighted to make one another’s acquaintance. Despite his large family, Ron isalso a solitary person, not being particularly close to any of his siblings andoften feeling fierce competition with them. Harry not having had a singlefriend before in his life is keen to make one, but even at this young age candistinguish between a genuine offer of friendship (Ron) and a friendship whichmay come with strings attached or an inequality within the dynamic (Malfoy).
DespiteRon’s occasional jealousy (which is nowhere near as fierce or as prevalent asparts of the fandom would have you believe) Ron and Harry’s friendship is anequal partnership, mirroring that of James and Sirius. Both Ron and Harryhave a penchant for trouble making, and Ron does occasionally come across assomewhat callous and cruel, but both have a deep desire to do good and believein bravery and heroics, all of which bonds them and cements their friendship. Ithink they recognise the loneliness and desire for close bonds in one another,and both give and take over the course of the friendship, providing one of thestrongest friendships on the written page.
Harry’sfriendship with Hermione is somewhat different. While again, he has bonded withsomeone who is quite an isolated character and he is close to Hermione andobviously cares for her deeply, his dynamic with her is neither as free or as easy as his dynamic with Ron. He and Hermione are close to one another, butthey are both closer to and connect better with Ron than they do with eachother, and this is evident whenever the two spend long periods of time togetherwithout Ron’s presence, such as when Harry and Ron have their falling outduring GoF or when Ron leaves them during Deathly Hallows. When Harry is withRon one-on-one it is still easy and fun, but when it is just him and Hermione,things are different, and it really does show how integral Ron is to the Trio,and how his presence balances the dynamic within the group.
Harry’srelationships with people outside of the main Trio also reflect this tendencyto bond with isolated and/or lonely characters, as evidenced by his closefriendship with Luna and even his romantic relationship with Ginny. Bothgirls are initially presented as isolated characters who gain friends over thecourse of the books. Luna in particular is a very lonely soul, and I thinkHarry’s fondness for her stems from him relating to this loneliness.
EvenHarry’s relationships with the adults in his life follow the same pattern, asthe four closest adult friendships he has – Sirius, Lupin, Hagrid andDumbledore – are all with figures who are quite isolated. Sirius, of course,being incarcerated for much of his life and having lost all his friends hasbecome an isolated figure, and his relationship with Harry seems to combinethat of cool uncle and nephew with the dynamic of best friends. As much asSirius does genuinely love and care for Harry, there is a part of him that does see Harry as a James substitute,but the same can be said for the way in which Harry views Sirius, as asurrogate parental figure, as well as someone who can provide a link to hisparents.
Lupin andHagrid both also provide this link in their own ways, Lupin more so thanHagrid, having been a Marauder and someone who was close to both James andSirius. Harry’s relationship with Lupin feels somewhat like a mentorship which gradually moves into genuine friendship. His relationship with Hagrid, ofcourse, is just beautiful from the start and develops into one of the deepestand most heartfelt relationship of Harry’s. Hagrid, too, is another somewhatisolated soul, spurned for his freakish size and odd attachment to dangerouscreatures.
Harry’s relationship with Dumbledore really deserves its’ own meta, I feel like entirevolumes could be written about the nuances, intricacies and levels of thatrelationship, but once more, it shows Harry bonding with someone who has hadtheir fair share of isolation and loneliness, and who can identify with thepain and struggle Harry faces over the course of the series.
All up,Harry is just a wonderful character, rich, multi-faceted and very endearing. Ihave always loved Harry for his big heart, his desire to do what’s right, his stubbornnessand the determination he applies to every task he undertakes. He really is awoefully under-appreciated character and I often feel that the fandom ignoreshim and overlooks how amazing he actually is, and that is a real pity, becausethey’re missing out on a great character by doing so.
Nothing to see here just some tua pilot script highlights
I’ve seen, shared, and created plenty of posts about how to make your writing better, but I’ve decided, fuck that. It is 2020 and everything feels like crap and here’s a guide for how to enjoy your own writing more.
(Obviously! Like everything! Not all of these will work for everyone! These are just reminders for people who feel they could be a little sillier in their writing!)
1. Write at your own pace! It seems simple but deadlines that you can’t reach won’t help you. (And don’t force yourself to do Nano when it’s not your style.)
2. Write fanfic! All types of fanfic! Shitty OCs, OOC interpretations of characters, self inserts, etc etc etc. Write it without the intention of posting anywhere.
3. Write fanfic… of your own stories. Canon is a construct but that soulmates AU is real if only you write it.
4. Mercilessly switch between WIPs! Abandon them whenever you get bored! Write only the most interesting scenes!
5. Write without a plot! You don’t need to have conflict to have fun.
6. Fuck plot continuity. Write the scenes that make you happy. If they don’t line up? Who gives a shit.
7. If you read something you wrote and it’s not finished, don’t feel guilty. Just. Don’t. Your stories don’t deserve finishing; they provided you happiness as you wrote them, and that’s what’s important. (It’s the process, not the product.)
8. If you write something that’s sad, make it cathartic instead of depressing. Angst is great and all, but don’t stack sad scene upon sad scene for the sake of sadness.
9. Fuck genre. It’s okay if you aren’t sure whether your story is sci-fi or fantasy, it’s okay if you include random paranormal aspects in your historical romance, it’s GREAT if you blur the line between realistic and speculative. Don’t trap yourself in history which has been built upon marketability.
10. Write like no one’s ever gonna read it. It will help you in the long run. It doesn’t matter if it slows your “objective” improvement, it will help you feel less dependent on validation from others and make you write because–and only because–you want to write.