I’ve been a fool!
How often is Stan sad, for whatever reason, and he’s a sulker. Always looking worriedly into the distance, sighing heavily, hiding his head on his knees… and Richie sidles up next to him and like, pokes him and is like “Staaaaaan…”
And Stan mumbles “Stop it Richie,” and Richie spends the next indeterminate period of time making bad jokes and doing lame impressions and Stan’s like “You’re not funny Richie,” but Richie is like “Then why are you smiling?”
And Stan’s like “I’m not smiling!” Only because of that he has to start fighting back a smile. And pretty soon Richie cracks his worst joke yet and Stan full on grins and Richie’s like “Holy shit we’re witnessing a miracle!” and he does another terrible impression and Stan pushes Richie away like “I mean it Richie,” only it’s too late.
Because Stan is full on giggling now, and then Richie goes in for the kill: Stan is ticklish. Only Richie has access to this arcane and powerful knowledge. Stan basically made Richie swear not to tell anyone else, and as collateral he has a polaroid of Richie dressed up as Sailor Moon.
It’s too effective, and soon Stan is crying laughing and he forgot what he was even moping about. And Richie sing songs his refrain of “Smile for me Stanley!”
Because Richie wants everyone around him to be happy. If Richie can’t be happy, he tries his hardest to make everyone else happy. Poor Richie. Good thing Stan is a perceptive bitch! Because when Richie is down he always brings him little gifts. Home baked cookies, the latest comic book Richie was eyeing at the store after he blew his allowance on ice cream, maybe a pressed wildflower??
Why must my feelings be "rational"? Is it not enough to sit quietly in my hawaiian shirt, deranged?
It’s only natural that novels and short stories are usually dialogue heavy - it’s a written medium. We need the characters to talk. However, a lot of the time we have difficulty writing dialogue.
Hopefully these tips will help some people!
Relationships and voices matter. Unique voices matter, and character relationships will affect how they speak. Think of how strangers or friends or siblings would interact. Even friendly strangers will hold themselves back a little. Think of how Iroh and Zuko from ATLA talk, for example. Their relationship is clear from how they speak, and they have unique voices. Iroh frequently spouts wise idioms and is generally calm and serene, while Zuko is all anger and urgency. Think about how your characters feel about each other and how they might interact.
Summarise the boring parts. A common mistake in bad writing can be to repeat in the dialogue what was just described in the inner monologue…exactly how it was just described. You don’t need to do this; summarise it. Reword it. And you don’t need the characters to go through the usual motions of small talk every time they meet. It’s boring and a waste of words.
Avoid name drops and dialogue tags. At least, don’t use them too much. People don’t say each other’s name constantly in dialogue without a reason (see Captain Holt repeatedly saying “Rosa” in B99 because he didn’t want her to feel dehumanised. This was for comedy but the point stands). Dialogue tags are fine, but they should feel invisible. Try to use verbs more extravagant than “said” or “asked” sparingly, and don’t end every piece of dialogue with a dialogue tag. As long as every new piece of dialogue is on a new line, it should be clear who’s speaking, and it won’t bore the reader. This will also help vary your prose/sentence structure.
Create pauses through narrative. By breaking the dialogue up with narrative, the characters will pause in the reader’s mind without you having to specify that they’ve paused. This is a handy way to avoid using dialogue tags too much. It can also make the dialogue easier to read if it’s not all smushed together with no breaks. Especially if you have a long passage of one person speaking; long, rambling speeches aren’t that popular anymore (not that they have no place, but that’s another story).
Dialogue isn’t perfect. People make mistakes; they forget words and lose their train of thought when they speak. They change topics and get lost in the moment. This can add realism to your dialogue, and can be a fun way to show character. But don’t do it too much or the scene will go on too long without getting to the point. And try to avoid too many ‘um’s and ‘er’s - they may be common in real life but they can drag the prose down if used too much.
An example I have is from Big Hero 6 (a movie I love by the way, but this was bad): Tadashi: What would mom and dad say? Hiro: I don’t know. They’re gone. (this is good, this is fine) Hiro: … They died when I was three, remember? (NOOO)
Dialogue should show something important. There’s a common idea that dialogue has to move the story forward or get cut out. This isn’t necessarily true. However, dialogue should tell the reader something about the characters or the world they live in. This comes back to cutting out the usual mundane small talk. Dialogue doesn’t have to move the plot, but it should be there for a reason, even if it’s to show the relationship between two characters, or how they feel about something that isn’t central to the plot. It doesn’t have to move the plot forward, but there has to be some reason for the reader to see it.
Fantasy/Sci-Fi Writers: use apostrophes! “I am not”, “I did not”, “I do not” - this can feel unnatural if all your dialogue is like this. You don’t need to write all your dialogue like this. Don’t be afraid of the apostrophe! Apostrophes are great! It won’t make your characters seem too modern, I promise. Don’t make the dialogue too awkward or stiff. After a while, they’ll stop sounding human.
Write your dialogue like a script. If you’re struggling with the dialogue in a scene, try writing it like a script and omit the narrative (aside from very basic actions). I’ve done this once or twice; sometimes it’s easier to figure out what you want your characters to say when you’re not bogged down by writing the narrative, especially in a scene where the dialogue is especially important. You can incorporate the narrative later.
Read your dialogue out loud. Reading out loud can help you see how your dialogue will sound to the reader. It can help you spot weird sentence structures, or if something sounds out of character or inhuman. You can also get an idea of the characters’ voices. If you have a willing friend (and you’re not too embarrassed), try to get them to read with you!
Colour-code your dialogue. This is a trick you can use for scenes with more than two characters. By colour-coding the dialogue, you can clearly get a sense of each character’s voice, see who’s speaking the most or the least, etc. You can use this to redistribute roles and dialogue in the scene, or maybe experiment with adding or subtracting characters depending on their contribution to the scene. It can also help you keep track of all the characters, which is generally harder in written medium when you can’t see the group in front of you.
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Hii :) do you have headcanons for the Bichie Instagram edit?
babe you know i do!!!
this ask is referencing this bichie edit i made a few days ago
So I’m gonna start with their bios which come from this quote that I posted a few days ago.The context is that Bill is breaking down about Georgie and Richie is (in his own way) comforting Bill. It’s sort of implied that this is the first time Bill has shared his feelings with anyone about this.
For me this sort of sets the tone that Richie is the one who can be there for Bill while Bill is there for everyone else. Like, he’s the Losers’ leader and he takes that responsibility seriously so he’s strong for them.
But sometimes he can’t be and for that he has Richie.
So ever since that conversation “you would?” “’course.” has become kind of a thing for them, like a secret code in both serious and light situations.
for example:
When Bill is feeling super frustrated by his stutter he vents to Richie about how he technically got strategies from his speech therapist but his parents won’t give him time to practice with them. “Well shit, I could practice with you Big Bill.” “You would?” “Course.”
When Richie gets it pretty bad from the Bowers gang and he’s closest to Bill’s house so he heads over for some PEACE and Bill puts bandaids on his cuts (returning the favor from when Richie bandaged up Bill’s hand in the novel). “Jesus Rich, if I c-could get my h-hands on Bowers, I’d kill him.” “Oh, you would? All sixty pounds of you Big Bill? “C-course Richie, I’d just take em out with that slingshot you’re so sure could kill someone,” they crack up laughing.
When Richie is nervously crying in Bill’s room and kinda gasping but not getting words out (Bill tries to lighten the mood with an ironic ”s-spit it out, Richie” but it doesn’t really work). Finally Richie just manages “What if sometimes i think i like boys? Not always, but sometimes.” “Then you’ll b-be my b-best friend who likes b-boys, not always but s-sometimes.” “I would?” “Course.”
When this conversation is repeated when Bill starts to think the same thing.
When they ditch the school dance because they’d rather be listening to their music anyways so they head out to the park and turn up Richie’s walkman as loud as it will go, pressing their faces together to share the headphones between them. Restless, Richie stands up during a slow song and makes a big joke of asking Bill if he would like to dance. “Yeah, okay.” “You…you would?” (eyes wide, because Richie definitely didn’t think that would actually work) “Course.”
When Richie drops Bill off after a movie night with the Losers and Bill hesitates instead of getting out of the truck because recently something is just ~different and he thinks they should talk about it. It’s Richie that finally says “Hey, Bill?” “Yeah, Rich?” “What would you think if i kissed you?” “I think I w-would like that.” “You would?” “Course.”
When a few weeks later they’re laying in the bed of the same truck out by the quarry and Bill asks “Richie, would you wanna be my b-boyfriend?” Richie laces their fingers with a smile. “Course.” and to anyone else that might seem like a not-enough answer but…you guys get it by now.
WAIT. Not to be controversial but. What if I just enjoy life for what it is right now instead of stressing about what I’ve yet to get out of it. What if I choose to enjoy this time……I know that once it goes, I won’t get it back from anywhere
Imagine being Vanya, no memory of anything at all and stuck in 1963, seduces a farmers wife, gets chased by 3 swedish dudes shooting at her, discovers she has powers and uses them on said swedish dudes, hides in the corn field all night alone, then suddenly some little feral school boy comes out of nowhere and is like ;3 hi vanya, i’m ur brother my name is literally just a number missed u xx
I want to live by myself when I move out of my parent's place but I'm really afraid of money problems? I'm afraid that the only place I can afford will be in the ghetto and it'll all be torn apart and I'll only be allowed to eat one granola bar a week. I'm really stressing out about this. I don't know anything about after school life. I don't know anything about paying bills or how to buy an apartment and it's really scaring me. is there anything you know that can help me?
HI darling,
I’ve actually got a super wonderful masterpost for you to check out:
Home
what the hell is a mortgage?
first apartment essentials checklist
how to care for cacti and succulents
the care and keeping of plants
Getting an apartment
Money
earn rewards by taking polls
how to coupon
what to do when you can’t pay your bills
see if you’re paying too much for your cell phone bill
how to save money
How to Balance a Check Book
How to do Your Own Taxes
Health
how to take care of yourself when you’re sick
things to bring to a doctor’s appointment
how to get free therapy
what to expect from your first gynecologist appointment
how to make a doctor’s appointment
how to pick a health insurance plan
how to avoid a hangover
a list of stress relievers
how to remove a splinter
Emergency
what to do if you get pulled over by a cop
a list of hotlines in a crisis
things to keep in your car in case of an emergency
how to do the heimlich maneuver
Job
time management
create a resume
find the right career
how to pick a major
how to avoid a hangover
how to interview for a job
how to stop procrastinating
How to write cover letters
Travel
ULTIMATE PACKING LIST
Traveling for Cheap
Travel Accessories
The Best Way to Pack a Suitcase
How To Read A Map
How to Apply For A Passport
How to Make A Travel Budget
Better You
read the news
leave your childhood traumas behind
how to quit smoking
how to knit
how to stop biting your nails
how to stop procrastinating
how to stop skipping breakfast
how to stop micromanaging
how to stop avoiding asking for help
how to stop swearing constantly
how to stop being a pushover
learn another language
how to improve your self-esteem
how to sew
learn how to embroider
how to love yourself
100 tips for life
Apartments/Houses/Moving
Moving Out and Getting an Apartment, Part 1: Are You Sure? (The Responsible One)
Moving Out and Getting an Apartment, Part 2: Finding the Damn Apartment (The Responsible One)
Moving Out and Getting an Apartment, Part 3: Questions to Ask about the Damn Apartment (The Responsible One)
Moving Out and Getting an Apartment, Part 4: Packing and Moving All of Your Shit (The Responsible One)
How to Protect Your Home Against Break-Ins (The Responsible One)
Education
How to Find a Fucking College (The Sudden Adult)
How to Find Some Fucking Money for College (The Sudden Adult)
What to Do When You Can’t Afford Your #1 Post-Secondary School (The Sudden Adult)
Stop Shitting on Community College Kids (Why Community College is Fucking Awesome) (The Responsible One)
How to Ask for a Recommendation Letter (The Responsible One)
How to Choose a College Major (The Sudden Adult)
Finances
How to Write a Goddamn Check (The Responsible One)
How to Convince Credit Companies You’re Not a Worthless Bag of Shit (The Responsible One)
Debit vs Credit (The Responsible One)
What to Do if Your Wallet is Stolen/Lost (The Sudden Adult)
Budgeting 101 (The Responsible One)
Important Tax Links to Know (The Responsible One)
How to Choose a Bank Without Screwing Yourself (The Responsible One)
Job Hunting
How to Write a Resume Like a Boss (The Responsible One)
How to Write a Cover Letter Someone Will Actually Read (The Responsible One)
How to Handle a Phone Interview without Fucking Up (The Responsible One)
10 Sites to Start Your Job Search (The Responsible One)
Life Skills
Staying in Touch with Friends/Family (The Sudden Adult)
Bar Etiquette (The Sudden Adult)
What to Do After a Car Accident (The Sudden Adult)
Grow Up and Buy Your Own Groceries (The Responsible One)
How to Survive Plane Trips (The Sudden Adult)
How to Make a List of Goals (The Responsible One)
How to Stop Whining and Make a Damn Appointment (The Responsible One)
Miscellaneous
What to Expect from the Hell that is Jury Duty (The Responsible One)
Relationships
Marriage: What the Fuck Does It Mean and How the Hell Do I Know When I’m Ready? (Guest post - The Northwest Adult)
How Fucked Are You for Moving In with Your Significant Other: An Interview with an Actual Real-Life Couple Living Together™ (mintypineapple and catastrofries)
Travel & Vehicles
How to Winterize Your Piece of Shit Vehicle (The Responsible One)
How to Make Public Transportation Your Bitch (The Responsible One)
Other Blog Features
Apps for Asshats
Harsh Truths & Bitter Reminders
Asks I’ll Probably Need to Refer People to Later
Apartments (or Life Skills) - How Not to Live in Filth (The Sudden Adult)
Finances - Tax Basics (The Responsible One)
Important Documents - How to Get a Copy of Your Birth Certificate (The Responsible One)
Important Documents - How to Get a Replacement ID (The Responsible One)
Health - How to Deal with a Chemical Burn (The Responsible One)
Job Hunting - List of Jobs Based on Social Interaction Levels (The Sudden Adult)
Job Hunting - How to Avoid Falling into a Pit of Despair While Job Hunting (The Responsible One)
Job Hunting - Questions to Ask in an Interview (The Responsible One)
Life Skills - First-Time Flying Tips (The Sudden Adult)
Life Skills - How to Ask a Good Question (The Responsible One)
Life Skills - Reasons to Take a Foreign Language (The Responsible One)
Life Skills - Opening a Bar Tab (The Sudden Adult)
Relationships - Long Distance Relationships: How to Stay in Contact (The Responsible One)
Adult Cheat Sheet:
what to do if your pet gets lost
removing stains from your carpet
how to know if you’re eligible for food stamps
throwing a dinner party
i’m pregnant, now what?
first aid tools to keep in your house
how to keep a clean kitchen
learning how to become independent from your parents
job interview tips
opening your first bank account
what to do if you lose your wallet
tips for cheap furniture
easy ways to cut your spending
selecting the right tires for your car
taking out your first loan
picking out the right credit card
how to get out of parking tickets
how to fix a leaky faucet
get all of your news in one place
getting rid of mice & rats in your house
when to go to the e.r.
buying your first home
how to buy your first stocks
guide to brewing coffee
first apartment essentials checklist
coping with a job you hate
30 books to read before you’re 30
what’s the deal with retirement?
difference between insurances
Once you’ve looked over all those cool links, I have some general advice for you on how you can have some sort of support system going for you:
You may decide to leave home for many different reasons, including:
wishing to live independently
location difficulties – for example, the need to move closer to university
conflict with your parents
being asked to leave by your parents.
It’s common to be a little unsure when you make a decision like leaving home. You may choose to move, but find that you face problems you didn’t anticipate, such as:
Unreadiness – you may find you are not quite ready to handle all the responsibilities.
Money worries – bills including rent, utilities like gas and electricity and the cost of groceries may catch you by surprise, especially if you are used to your parents providing for everything. Debt may become an issue.
Flatmate problems – issues such as paying bills on time, sharing housework equally, friends who never pay board, but stay anyway, and lifestyle incompatibilities (such as a non-drug-user flatting with a drug user) may result in hostilities and arguments.
Think about how your parents may be feeling and talk with them if they are worried about you. Most parents want their children to be happy and independent, but they might be concerned about a lot of different things. For example:
They may worry that you are not ready.
They may be sad because they will miss you.
They may think you shouldn’t leave home until you are married or have bought a house.
They may be concerned about the people you have chosen to live with.
Reassure your parents that you will keep in touch and visit regularly. Try to leave on a positive note. Hopefully, they are happy about your plans and support your decision.
Tips include:
Don’t make a rash decision – consider the situation carefully. Are you ready to live independently? Do you make enough money to support yourself? Are you moving out for the right reasons?
Draw up a realistic budget – don’t forget to include ‘hidden’ expenses such as the property’s security deposit or bond (usually four weeks’ rent), connection fees for utilities, and home and contents insurance.
Communicate – avoid misunderstandings, hostilities and arguments by talking openly and respectfully about your concerns with flatmates and parents. Make sure you’re open to their point of view too – getting along is a two-way street.
Keep in touch – talk to your parents about regular home visits: for example, having Sunday night dinner together every week.
Work out acceptable behaviour – if your parents don’t like your flatmate(s), find out why. It is usually the behaviour rather than the person that causes offence (for example, swearing or smoking). Out of respect for your parents, ask your flatmate(s) to be on their best behaviour when your parents visit and do the same for them.
Ask for help – if things are becoming difficult, don’t be too proud to ask your parents for help. They have a lot of life experience.
Not everyone who leaves home can return home or ask their parents for help in times of trouble. If you have been thrown out of home or left home to escape abuse or conflict, you may be too young or unprepared to cope.
If you are a fostered child, you will have to leave the state-care system when you turn 18, but you may not be ready to make the sudden transition to independence.
If you need support, help is available from a range of community and government organisations. Assistance includes emergency accommodation and food vouchers. If you can’t call your parents or foster parents, call one of the associations below for information, advice and assistance.
Your doctor
Kids Helpline Tel. 1800 55 1800
Lifeline Tel. 13 11 44
Home Ground Services Tel. 1800 048 325
Relationships Australia Tel. 1300 364 277
Centrelink Crisis or Special Help Tel. 13 28 50
Tenants Union of Victoria Tel. (03) 9416 2577
Try to solve any problems before you leave home. Don’t leave because of a fight or other family difficulty if you can possibly avoid it.
Draw up a realistic budget that includes ‘hidden’ expenses, such as bond, connection fees for utilities, and home and contents insurance.
Remember that you can get help from a range of community and government organizations.
(source)
Keep me updated? xx
Y’all I think the Carmichael is cool but if I see ANYONE who wants to FUCK THE FISH I’m leaving this fandom and I ain’t looking back
you were raised in comparison.
it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.
you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.
you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.
what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.
it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.
you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.
you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?
a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.
you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.
it's just - when it died, it curled up into a tight little ball.
something kind of uncomfortable: you do that when you sleep.