“Is there anybody else? I'm looking for a Sergeant James Barnes.”
bucky finds a damp cardboard box of kittens abandoned in the alley near their home. he brings them inside, wraps and dries them with care and uses the heat pad that soothes his shoulder to keep them warm. they take the kittens to the vet because you can tell theyre all sickly, and steve can see how this is going to end (because, after all, what is he but a stray that bucky couldnt help but take in), yet bucky insists. lovingly, he cleans them with damp cloths as if it were their mother’s tongue, and gets up every hour on the hour in the night to feed them. still, every few days like clockwork one of them dies. steve slips from their bed to find bucky in the harsh kitchen light, mourning, milk bottle forgotten and growing cold on the table. he is devastated for each one as he cries whilst cradling their little bodies, and steve cradles him. you did your best, steve tells him. in the end only one lives; her fur had been the most stubborn to clean, but now its a soft, brilliant white. when she opens her eyes they’re blue. theyre going to keep her. she likes to curl in the palm of buckys hand, purring, her body warming the metal plates. steve and his dark humour says they should call her alley, and though bucky finds it funny they compromise and call her alpine - ally for short.
Night view of the Eiffel Tower on the 1925 Paris Art Deco Exhibition
French vintage postcard
Close-up shot of model’s feet with view of New York in background, model wearing pale beige nylons by Gotham, two-color pump by Mademoiselle. Photo by Edward Kasper, Glamour Magazine, November, 1950
“Much has been made of the fact that Bucky Barnes is one of the few people to recognize the greatness in Steve Rogers before his transformation into Captain America. Much has also been made of the fact that, in The First Avenger, Bucky demonstrably feels conflicted about that transformation. Less noted, however, is how Bucky’s sense of conflict and resentment—and the way he dealt with those feelings—reveals the kind of person he truly is. The narrative motif of the man who can recognize greatness in another but not attain it himself, and who is therefore corrupted by his resentment, is a classic trope. It appears in such literary masterpieces as Dumas’ The Count of Monte Cristo, Melville’s Billy Budd, and Schaefer’s Amadeus. However, the story of Bucky Barnes is one of a man who recognizes a greatness he cannot himself achieve and is not corrupted by that recognition. Unlike the villains of the above-mentioned tales, Bucky Barnes comes to terms with the situation, choosing friendship over envy—and heroism over villainy—something that suggests a greatness within Bucky Barnes that Bucky himself is not aware of. But Steve Rogers, of course, is. Just as Bucky is one of the few people to recognize Steve’s greatness; Steve is one of the few people to recognize Bucky’s. Both of them know each other better than they know themselves, and it is that parallel knowledge that ultimately saves them both.”
— Sara Reads: Pain, Personhood, and Parity: The Depiction of Bucky Barnes in the Marvel Cinematic Universe (via sergeantjerkbarnes)
On March 22, 1895, the Lumière brothers, Auguste and Louis, screened their first film, "La Sortie de l'usine Lumière à Lyon (Workers Leaving the Lumière Factory)," to an invited audience in Paris. #OnThisDay
you've heard of “I love this hobby why am I putting it off”, now get ready for “I love my friends why am I avoiding them”
(she/her). I like leisure, reading, music, movies, history, Captain America, & a bunch more.
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