Latest Posts by voidmccartney - Page 5
John Lennon on the set of Help! in Obertauern, Austria | March 1965 © Bernd Kappelmeyer
John Lennon at Maple Leaf Gardens in Toronto | 17 August 1965 © John Rowlands
John Lennon reading a letter from a fan in England at the band's hotel in Paris, France. The letter has the briefest of addresses: The Beatles, France | January 1964
The Beatles on the set of A Hard Day's Night the Scala Theatre | 1964 © Max Scheler
Pattie Boyd & Prudence Bury with John Lennon on the set of A Hard Day's Night | 1964 © Max Scheler
PAUL McCARTNEY in NEW ORLEANS, 12 FEBRUARY 1975 (X)
That Man from Rio (1964) ‘L'Homme de Rio’ dir. by Philippe de Broca
Natalie Wood photographed by Phil Stern on set of “This Property is Condemned,” 1966.
Natalie Wood’s Outfits in This Property is Condemned (1966)
FROM MIKE MCCARTNEY’S EARLY LIVERPOOL
John backstage at the Assembly Hall, Mold (January 24, 1963)
The Beatles during ‘The Mad Day Out’ photo session (Old Street roundabout, London, 1968). Photo by Stephen Goldblatt.
Paul on holiday in Corfu, March 1969
Film negatives of Paul & Linda, London 1968.
PAUL MCCARTNEY IN “FOOL ON THE HILL” FROM MAGICAL MYSTERY TOUR (1967)
During the filming of 'A Hard Day's Night', 1964
Sefton Park, Liverpool (March 25, 1963). Photo taken by Dezo Hoffmann.
EMI House, Manchester Square, London (October 5, 1965)
PAUL and LINDA MCCARTNEY, 1970s
Peter Tork photographed by Nurit Wilde
Group portraits of Wings taken by Clive Arrowsmith, originally done for the back cover of Band on The Run.
Paul McCartney & Jane Asher at the Grapefruit party | 1968
Paul McCartney photographed by Jim Gray during the filming of ‘Magical Mystery Tour’ in Plymouth, UK, 1967.
Candid of Paul McCartney, taken by a fan at EMI’s Abbey Road Studios in the morning of 24th March 1967. Source: (x)
PAUL MCCARTNEY THE BEATLES: GET BACK (2021) — home movies from India
PAUL MCCARTNEY photographed by Linda McCartney on his farm in Scotland, in 1971.
PAUL: The style [of ‘Simple As That’] is one of my favourites – reggae. I remember vividly the first occasion I really got interested in reggae. It was when I was painting my roof in Scotland. It was summer and we had a reggae record on – Tighten Up – one of the original albums with various artists on it, what they used to call a compilation album. It was really good, and it suited the atmosphere: a sunny Scotland day, up on the roof painting it green, reggae playing. It made me feel great. As a family, we used to go quite often to Jamaica on holiday. There was a hotel in Montego Bay that we liked, so we’d go and stay there and listen non-stop to the radio. Jamaica had a great radio station called RJR, and it played reggae all day long. In town, there was a little shop called Tony’s Record Shop on Fustic Road, and it was very funky. You’d leaf through the 45s and you’d see something that you liked the look of. Often it was just an acetate disc, a demo disc; they didn’t necessarily have proper labels from a company. So I would ask the assistants, ‘What’s this one like?’ ‘Oh yeah, man, that’s great.’ I remember one that I bought. The song was called ‘Lick I Pipe’, and I just thought, ‘That’s great. Whoever made that up, and whatever the hell it means, it’s good.’ Lick I pipe! So I’d get a little pile, and we’d take them home, and we discovered some fabulous little songs. […] When Bob Marley came along, he solidified the genre of reggae and brought it to the mainstream. I never met Marley, unfortunately. I came very close once or twice. One night he was playing at the Lyceum Theatre in London, and we got halfway there and just changed our minds. I was thinking I might get a bit noticed in the crowd. It’s stupid really, because it would have been worth it to see him live and then to meet him.
The Lyrics: 1956 to the Present.
English singer, songwriter and musician Paul McCartney of the Beatles, photographed on December 27, 1967.
1975
22 AUGUST 1965.
leonard cohen filming “rock pop special” at ZDF studios in munich, october 31, 1979