Venetiawells - Venetia Wells

Hey, each generation has to learn. 😁

hey gamers I’ve started watching star trek does anyone else see the romantic tension between captain kirk and mr. spock

goat fight. non-negotiable.

Jihyun Yun, from Some Are Always Hungry; “Reversal”

[Text ID: “I so want to survive this. Please lead me whole into another season so I may dare begin again.”]

I don’t care if I’ve reblogged this once before. I’ll do it again, just harder this time

Some real relatable energy here.

Well. Now I have to read all of these, don’t I?

i need a list of the most unhinged drarry fics you've read with wild premises or events pls and ty

What an interesting ask! I think my picks here are very subjective - I went for spooky vibes and plots that blew my mind in general - but now I think about it, all these are among my all-time favourite fics. I hope they work for you!

Basement Level 9 by @fw00shy (M, 2k)

Draco was behind the bomb that blew up Level 10, though they didn't talk about it.

Not Waving by @sweet-s0rr0w (M, 3k)

Draco and Harry have been together for a few weeks now, and everything's going swimmingly. Or is it?

The Other Cottage by @corvuscrowned (T, 6.5k)

If Pansy wasn’t shagging Ginny Weasley, Draco would never have been dragged to Luna’s ridiculous Halloween party in the first place - meaning he wouldn't be sitting in the corner of the room with Harry Potter all night.

Doppelganger by @writcraft (M, 7k)

It was just a silly dare, but one ill-advised trip into the Forbidden Forest changes Harry’s life forever.

A Cold Spot in Hell by @drarrytrash (E, 8k)

When there’s nothing left to burn, you have to set yourself on fire.

you look so fine by michi_thekiller (E, 16k)

In which Draco is a Veela and Harry is his mate. Dark!Humor or Crack!Horror, you decide.

The Good Guys by Frayach (E, 26k)

The Second Voldemort War is limping into its fourth year, and the Forces of Shining Light are slowly turning into the Forces of Expedient Grey.

In Our Blood by secretsalex (E, 38k)

Draco is an accomplished pure-blood curse breaker, and Harry is tasked with accompanying him on his latest job—cleaning up the Van Boer mansion, which has been under a devastating fertility curse for seven generations.

If an Injury Is to Be Inflicted by @shealwaysreads (E, 45k)

Harry Potter disappeared a year after the Battle of Hogwarts, and with him went all hope for true change in magical Britain.

Timecode by Rasborealis (M, 73k)

Harry Potter has been dead for two years, and Draco would laugh in the face of anyone claiming differently.

Super Rich Kids by @thusspoketrish (E, 81k)

Draco Malfoy has become disillusioned by the glitz and glamour of the scandalous lives of the Post-Second Wizarding War Pureblood Elite.

Yours is the Earth (Hold On, Hold On) by chickenlivesinpumpkin (E, 127k)

After a serious accident in the Forbidden Forest, Draco's personality begins to undergo subtle changes.

Forgive Those Who Trespass by Lomonaaeren (E, 135k) - this is the most unhinged Drarry I’ve read so far, pls mind the tags

Harry Potter was convinced he had an ordinary, if inconvenient, life. Then Ron and Hermione vanished in the Department of Mysteries.

At the End of All Things by @quicksilvermaid (E, WIP)

The Four Horsemen of the Apocalypse are real and Harry starts dreaming of them.

In The Dark by @bixgirl1 (E, WIP)

In the aftermath of an apocalypse, Harry receives an order to find and bring Draco Malfoy nearly a thousand miles, to the tenuous safety of Hogwarts.

A beautiful love story and peak parenting, all in one post. ❤️

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

And for real, this fandom has so much talent in it that we already have about 30 gorgeous fanfic that are probably better than the actual third season might be.

As someone who's a fan of Good Omens (the show and the book), in the wake of the revelations about Neil Gaiman I want to say that the victims' wellbeing is more important than any closure from the completion of Series Three. If the showrunners find a way to remove Gaiman and complete it without any input from him, that would be a blessing. But if it never sees the light of day, I'll accept it.

We had one amazing first series that was based on the novel which Terry Pratchett's daughter has stated was 75% his work. The second series ... well, no matter how good you think it is (or isn't), it feels like an impostor now - a way to string out the story and keep fans on the hook with a cliffhanger ending before rewarding us with a final series based on some alleged ideas that the two authors once had for a sequel. For me, I think I can be OK without it.

I'm angry and disgusted with Gaiman but I realised that I don't feel sad. For his victims, yes. For other fans who lost faith in an author they loved, yes. But not for myself as a fan. Because as good a writer as he was, his own books were never, unlike Terry Pratchett's, up there with my favourites. And that's because, ironically, Gaiman fails at writing happy endings.