More Doodles

truly the amount of unhinged things they say in that 2007 kerrang interview CANNOT be overstated. Just a SELECTION:

PATRICK: "One of my favourite compliments that I ever get, is, 'Oh yeah, fuck Pete, you're the thing, you're the star. I'm like, 'Dude. That's my best friend. What the fuck are you talking about? That's not a compliment to me. That offends me. You just put him down'. I think people really love controversy and would really love to see me be jealous of him, but I'm not. I'm proud of him.

And I have plenty of my glory too and Pete's proud of me"

PATRICK: “I could not see this dude for six months and know exactly what he's thinking and I think that's why we're so tight. Petey Wentz could go totally insane and move to the jungle but I'm still going to know how he's going to react when I see him. There's so much stuff that's unspoken. There's so much stuff that we know about each other that we don't know about each other, that we just know intuitively."

PETE: "Definitely he's the only person that I feel comfortable criticising both my lyrics and a lot of other stuff that I do; even if somebody else wants to tell me something it's probably easier if it goes through him.

He gets to read the unfiltered things that I write so he probably knows more about me than anybody. He gets to read it all and pick a little bit that the rest of the world gets to see."

A THEORETICAL QUESTION: WOULD YOU BE FRIENDS IF THERE WERE NO FALL OUT BOY?

PATRICK: “I could see us being any number of things. The key is no matter what, if we were ever exposed to each other, there would be begrudging respect, at very least.”

SO IF PATRICK'S THE ARCHEOLOGIST, ARE YOU THE RUINS?

PETE: "Ha-ha! That's probably over-dramatic, but it's going in the right direction. I think in general he's a moral compass for me. I think that I'm not necessarily a terrible person but sometimes I'm trying to figure that kind of shit out in the dark and it's good when someone kind of shines a light on you. There are very few people I take that kind of advice from."

PATRICK: "And it's weird too because I think I'm a very cautious type of person, and Pete takes a lot of risks so sometimes I get to be a lot riskier in what i do. Pete's got a lot more backbone than I ever had. Everything that he says he believes in... and that's very not me. I'm very unsure of myself most of the time. In as far as how we relate to other people we're nearly opposite in a lot of ways.”

SO THIS IMAGE OF PETE THE EXTROVERT AND PATRICK THE INTROVERT HAS BEEN EXAGGERATED BY THE MEDIA?

PETE: "I think so, it's not so much like oil and water."

PATRICK: “I never liked that analogy because oil and water don't need each other. They don't react, they have an adverse reaction: it's more like baking soda and vinegar; if you want to have that explosion, you need both of those things, and if you want a FOB song, you probably need both of us."

unfinished

dear princess celestia

i want to [remembers suicide jokes are bad for your mental health] be in the middle of a gunfight, in the center of a restaurant

art dump ok bye

lost in soulless city

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I feel like Starlight Glimmer's backstory would have way more impact if she still didn't have a cutiemark when she hit adulthood.

Like most unicorns, her canon cutie mark is tied to her magic so with a bit of rewtiting we can just say her power comes from raw magical ability. She did not study it and does not have a passion for it. To her, magic is just an incredibly strong tool.

Then it turns out her special talent is teaching magic and she finally earns her mark once she successfully teaches Trixie an advanced spell

@sharplive as promised, I tagged you in a drawing inspired by your vampire frerard comic!!

I recently just finished unholyverse and I love love love priest gerard so in my vampire ish au gee is a vampire priest, the dudes are green cuz it's a little twilight/hannibal green filter inspired (i haven't finished hannibal yet ;-;)

Back then, when they recorded The Black Parade in Haunted Paramour Mansion, Gerard often suffered with nightmares. Well, not really often, but rather say, every night. At some nights, he couldn't even fell sleep at all. Like this one, for example.

Gerard was tossing and turning restlessly. He couldn't fall asleep for almost 3 hours already. This was just draining and tiring, but apparently not enough to make him fell asleep. He threw all the pillows down on the floor, wrapped himself in a blanket, and just lied, sighing loudly and angry.

And at that moment, he heard a distant, quiet melody.

Guitar was sipping with music. And Gerard knew - Ray also wasn't asleep.

The first time he heard Ray's nightplaying, was truly a magical experience. That evening Gerard finally managed to fall asleep, but nightmares were already waiting for him in the realm of dreams. He run, and he was gettind chased, and he was hurt, and shadows-

Shadows were everywhere. But what dragged him out of this hell, what woke him up that night, was a melody. Gerard could swear to God, he thought it was a guardian angel, saving him from the sufferings. It took him a good couple of minutes to realize it was Ray. And at that moment he wanted to get up and run to him, to maybe, finally find some piece in his arms, to whine about such a cold, cruel world. Because Ray always listens. Maybe because it's Gerard, maybe because it's just in his nature, but it was so easy to open up to him about all your troubles. But Gerard hesitated. He somehow knew, that this is not right. That him, hearing this melody is not right, he isn't supposed to hear it, to listen to it. It's just too intimate, too... Ray. It's like he's witnessing the very Ray's, naked soul pouring from his fingers, and onto the strings, and shaping into a beautiful melody, that Gerard is hearing now.

He felt a wave of heat to his cheeks, thinking about that.

And he was laying in his bed, listening to the distant melody. Slowly, it drove him back to sleep. It was a first time in ages when Gerard could sleep without nightmares.

Later, there was many, many nights like this. Ray was playing guitar in his room, anaware that someone hears him. And Gerard was quietly listening to it, carefull, to not take a louder than always breath and to not scare this melody away. To not to scare Ray's soul.

Gerard once thought about how he sees him as a nymph. A beautiful nymph, that he happened to hear her beautiful playing. He wasn't supposed to, but he couldn't say "no" to himself. So he was quiet.

Gerard didn't really knew, why this playing is so different from any other rehearsal, or show, or concert, or recording, that he heard Ray played on. But somehow, this nightplays were extra magical for Gerard, like something only for him, not for thousands.

Ray would gladfully play for him, though. Gerard knew it. But hearing him play like that, for the void of the night, was much, much more interesting.

Please, let me know if there is any mistakes🙏🙏🙏🙏🙏 English is not my first language but I really want to improve my writing

And let me know if you loved it💖🎀

As cameras becomes more normalized (Sarah Bernhardt encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use cameras because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by manufacturing companies. I paint not because I want a painting but because I love the process of painting. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

if i have to explain to you that using a camera to take a picture is not the same as using generative ai to generate an image then you are a fucking moron.