Lightning sketches from today! Thanks to Dissidia NT I can cherish her again
Also Lightning was a model for Louis Vuitton, Calvin Klein isn’t so far fetched anymore
The death is a major plot point
It reveals some shocking plot twist
It supports your themes/what you’re trying to say with your book
Your novel explores the afterlife
You are George R.R Martin and the selling point of your work is that everybody dies
It suits the genre/mood of your novel
The character isn’t serving any purpose (this isn’t the Sims)
You want your readers to be shocked for the sake of being shocked
You want to be edgy
You think your MG story needs more gore
You want to romanticise grieving/loss
This really depends on your genre and target audience
If you’re writing something that isn’t intended to be graphic/traumatic, you can stick to the impact the death has on the other characters. If your novel explores illness, focus on that rather than on the disturbing death scene itself. Perhaps you’re writing a drama/tragic romance - you might want to ease up on the gore here. For these genres, I would suggest focusing on the emotional aspect of the death - the sobbing, the last words, the bright white lights (whatever floats your boat). Think of Mufasa in The Lion King - the actions are suspenseful, but we don’t see him being trampled with his guts spilling everywhere. But it’s still one of the most impactful deaths in fictional history.
If you’re writing in a more mature and gritty genre (like thriller, dark fantasy or crime), you can go all out. If there’s blood and guts, you readers probably want to see it in vivid detail to get their violence fix for the day.
Whichever genre your novel falls into, you should also go with what feels comfortable to you. Even if you’re writing adult dark fantasy, you don’t have to write graphic violence to make a character death impactful.
Please don’t let your character have a three-pages-long monologue after they’ve been stabbed in the throat. It’s not realistic and it’s often very boring. Yes, a few well-written last words can have a great impact. Just make sure that your character would realistically be able to speak at that point and that it doesn’t become a cheese fest.
Unless you’re aiming for very dark/nihilistic humour, afford your characters some dignity in the way they kick the bucket. (e.g. don’t use the phrase “kick the bucket”). Having someone slip on a banana peel and then choke on a pretzel is a little ridiculous and will make the entire story seem silly. Once again, this really depends on what you’re going for. If your genre is serious and your character is important and beloved, try for emotion rather than whimsy.
Don’t let your characters die only to be resurrected again and again and again. Look, I love Supernatural (long may they reign), but even I have to admit that the Winchester brothers’ luck with death has become a bit ridiculous. Doing this takes away from the impact of the death - it removes the fear and suspense, and will leave your readers emotionally stunted.
Your only female character in a bid to make the male hero feel something and become a better person
Your only LGBTQIA+ character, who is just too pure to live in this terrible world
Your only character of colour, who dies to save the white hero
Your only disabled character, who can now finally find release from life with disability
The one character who has never experienced a sliver of joy and bears the brunt of the tragedy, right when happiness is finally within their reach
The main character in the middle of the story - unless you have a REALLY good plan for what happens next
please consider: young Toshinori as a pizza delivery boy
Magician - 01
Family gathering.
hc that toshinori makes terrible dad jokes (which inko finds hilarious), and mido just quietly suffers through their terrible sense of humor (tho its obviously not terrible all the time they do make good ones once in awhile hehe) but tldr midoriya has a giant database of these jokes because of them
[on twitter]
the dad jokes were too much for him
THE SUN
Upright: Fun, warmth, success, positivity, vitality
Reversed: Temporary depression, lack of success
The Sun represents success, radiance and abundance. The Sun gives you strength and tells you that no matter where you go or what you do, your positive and radiant energy will follow you and will bring you happiness and joy. People are drawn to you because you can always see the bright side and you bring such warmth into other people’s lives. This beautiful, warm energy is what will get you through the tough times and will help you succeed. You are also in a position where you can share your highest qualities and achievements with others. Radiate who you are and what you stand for. Shine love on those you care about.
The Sun is a ‘yes’ to life! It brings with it luck, wellness, positive consciousness, enthusiasm, attainment and success. It is about embracing your destiny and giving it everything you have got. If you have been having a difficult time, the Sun brings you the message you have been waiting for – that things are going to get better – a lot better! You know that the rain clouds will soon give way to the rays of the sun and you will feel warmed to the soul once again.
Pre-ordering now available! Check out my Etsy store so you can grab a deck of your own!
How do you think the dolls and Conner would react if they were suddenly in the world of RozonRozark's "Cheshire"?
Conner is not happy. He acts as Marinette's friend. Gives Adrien dark looks when he tries to approach her. Gives Chloe evil glares. And is completely unaffected by her attempts to blackmail him since joke's on her! He's from another universe!
...
Chaton doesn't like that Mama is hurting. He clutches onto her and will. Not. Let. Go.
Not until Plagg tries to help. Then he clutches Plagg just as insistently. And takes to petting him.
Chaton will heal their hearts with cuddles and pets!
...
Littlebug disappears when Conner isn't looking.
She returns a few hours later.
Chloe does not return at all.
I love whoever is running the Bandai Namco account