“It Is June.  I Am Tired Of Being Brave.”

shoutout to hedonism. get naked and eat cheese

Wounds of the Earth

— by xis.lanyx

towards a gentle academic

be up front and honest about the things you do not know

acknowledge the intrinsic value of others’ knowledge bases, even if they do not seem important to you from your institutional context

do not feign mastery where you have none

respect the gaps in others’ knowledge bases

be generous, not only with others

but also with yourself

you overwork yourself at the risk of legitimizing a culture of overwork 

privilege voices and perspectives that have historically been left out of the academy

nothing is ever neutral or apolitical

support the progress of other scholars

collaboration over competition

if no one slow dances with me in the year of our lord 2019, i WILL riot and that is not a threat

Due to personal reasons my heart will be thrilled by the still of your hand, that’s how I know now that you understand.

ok so just to soothe my aching sickened soul id like to point out that catcher in the rye is about a boy dealing with intense depression and grief over losing his younger brother and this is why he fails out of school. he spends the book searching for deep human connections and grows increasingly frustrated that no one seems to understand him and everyone only seems to be surface level interacting. he just wants to feel seen and loved. 

he also recalls, upon visiting his old teacher, the way that he was molested as a child. the entire point of this book is that holden caulfield is a boy struggling with depression and trauma and he wants to save other children from experiencing the harshness of the world that he had to experience when he was younger. 

pls stop saying this book is pretentious and that he’s sociopathic. all that is doing is demonizing very common depression thought patterns and making people who suffer from trauma and mental illness seem like they are sociopaths. ty send post 

I’m sorry but if you’re not proud af of your girl and supportive of all her positive and exciting decisions, then you don’t deserve to have her as your girl.

today my literature prof was daydreaming about being a existentialist poet in 1960’s paris. he was going on about how he just wanted to drink wine in dusty bookshops and argue philosophical theories with strangers and i swear the entire class let out the most dreamy sigh… i’m convinced everyone who loves literature is the exact same person

Cultural Dark Academia

After my last post about the lack of representation in academia, I felt it neccessary to provide some examples of what I’m talking about. Obviously there are more countries in the world than I can list and provide books for, so for a quick list this is what I got. !! Keep researching !! If you have any more books by POC please reply them !! If a country isn’t listed, that doesn’t mean it’s not important, this is just what I could get together real quick. If I made any mistakes, please let me know, we’re all learning. We need to help each other end eurocentrism in academia, so value representation and educate yourselves 💓💓💓

Chinese:

The Art of War by Sun Tzu

The Dream of the Red Chamber

The Water Margin

Romance of the Three Kingdoms

The Journey to the West

The Scholars

The Peony Pavilion

Border Town by Congwen Shen

Half of Man is Woman by Zhang Xianliang

To Live by Yu Hua

Ten Years of Madness by agent Jicai

The Field of Life and Death & Tales of Hulan River by Xiao Hong

Japanese:

A Personal Matter by Kenzaburo Oë

Pakistani:

Moth Smoke by Mohsin Hamid

How to Get Filthy Rich in Rising Asia by Mohsin Hamid

Ghulam Bagh by Mirza Athar Baig

Masterpieces of Urdu Nazm by K. C. Kanda

Irani/Persian:

Rooftops of Tehran by Mahbod Seraji

Savushun by Simin Daneshvar

Anything by Rumi

The Book of Kings by Ferdowsi

The Rubiyat by Omar Khayyam

Shahnameh (translation by Dick Davis)

Afghan:

Earth and Ashes by Atiq Rahimi

A Thousand Splendid Suns by Khaled Hosseini

Indian:

The God of Small Things by Arundhati Roy

Aithihyamala, Garland of Legends by Kottarathil Sankunni

The Gameworld Trilogy by Samir Basu

Filipino:

Twice Blessed by Ninotchka Rosca

The Last Time I Saw Mother by Arlene J. Chai

Brazilian:

Night at the Tavern by Álvares de Azevedo

The Seven by André Vianco

Don Casmurro by Machado de Assis

Portuguese:

The Lusiads by Camões

Columbian:

Chronicle of a Death Foretold by Gabriel Garcia Marquez

Delirio by Laura Restrepo

¡Que viva la música! by Andrés Caicedo

The Sound of Things Falling by Jim Gabriel Vásquez

Mexican:

Bless Me, Ultima by Rudolf Anaya

Adonis Garcia/El Vampiro de la Colonia Roma by Luis Zapata

El Complot Mongol by Rafael Bernal

Egyptian:

The Cairo Trilogy by Nahuib Mahfouz

The Book of the Dead

Nigerian:

Rosewater by Tade Thompson

Things Fall Apart by Chinua Achebe

Malian:

The Epic of Sundiata

Senegalese:

Poetry of Senghor

Native American:

The Inconvenient Indian by Thomas King

Starlight by Richard Wagamese

Almanac of the Dead by L. Silko

Fools Crow by James Welch

Australian Aborigine:

Dark Emu by Bruce Pascoe

First Footprints by Scott Cane

My Place by Sally Morgan

American//Modern:

Real Life by Brandon Taylor

Namesake by Jhumpa Lahiri

The Hate U Give by Angie Thomas

The Poet X by Elizabeth Acevedo

Internment by Samir’s Ahmed

Their Eyes Were Watching God by Zora Neale Hurtson

Rivers of London Series by Ben Aaronovitch