“And By The Way, Everything In Life Is Writable About If You Have The Outgoing Guts To Do It, And The

towards a gentle academic

be up front and honest about the things you do not know

acknowledge the intrinsic value of others’ knowledge bases, even if they do not seem important to you from your institutional context

do not feign mastery where you have none

respect the gaps in others’ knowledge bases

be generous, not only with others

but also with yourself

you overwork yourself at the risk of legitimizing a culture of overwork 

privilege voices and perspectives that have historically been left out of the academy

nothing is ever neutral or apolitical

support the progress of other scholars

collaboration over competition

shoutout to hedonism. get naked and eat cheese

a human heart cost $442,000 & I gave you mine for free you ungrateful bitch

if cannibalism in media has a million fans, im one of them

if metaphors using cannibalism has 5 fans, im one of them

if art of cannibalism has 1 fan, that one is me

if descriptions of cannibalism has no fans, i am no longer alive

if the world is against cannibalism i am against the world

dear gods just imagine the stories of women in a dark academia setting. 

women with squared off shoulders that strut down the hallways as if they have the whole world at their hands. women playing the male roles in the plays. women adjusting their jacket before storming off. women gently putting on red lipstick with a bloodied hand. women with hunched shoulders and dark eyes frantically reading a book, because they cant get enough of it. women with a secret just poised on their lips if the perfect arch. women with messy hair and disheveled looks stumbling into class. women seducing everyone around them with their raspy voices. women having everyone’s attention with their soft voices. women knowing how to handle blood. women knowing how the plan things perfectly. women reciting poetry over a fresh grave. women with their arms linked running across campus, their laughs rising above the quiet of the night. women tasting like strawberry wine and the faintest hint of whisky. women helping women when things go wrong. just women in the dark academia genre where they aren’t used as the lust interest in the room. 

If joe was your favorite Jonas, you’re bisexual now

Cultural Dark Academia

After my last post about the lack of representation in academia, I felt it neccessary to provide some examples of what I’m talking about. Obviously there are more countries in the world than I can list and provide books for, so for a quick list this is what I got. !! Keep researching !! If you have any more books by POC please reply them !! If a country isn’t listed, that doesn’t mean it’s not important, this is just what I could get together real quick. If I made any mistakes, please let me know, we’re all learning. We need to help each other end eurocentrism in academia, so value representation and educate yourselves 💓💓💓

Chinese:

The Art of War by Sun Tzu

The Dream of the Red Chamber

The Water Margin

Romance of the Three Kingdoms

The Journey to the West

The Scholars

The Peony Pavilion

Border Town by Congwen Shen

Half of Man is Woman by Zhang Xianliang

To Live by Yu Hua

Ten Years of Madness by agent Jicai

The Field of Life and Death & Tales of Hulan River by Xiao Hong

Japanese:

A Personal Matter by Kenzaburo Oë

Pakistani:

Moth Smoke by Mohsin Hamid

How to Get Filthy Rich in Rising Asia by Mohsin Hamid

Ghulam Bagh by Mirza Athar Baig

Masterpieces of Urdu Nazm by K. C. Kanda

Irani/Persian:

Rooftops of Tehran by Mahbod Seraji

Savushun by Simin Daneshvar

Anything by Rumi

The Book of Kings by Ferdowsi

The Rubiyat by Omar Khayyam

Shahnameh (translation by Dick Davis)

Afghan:

Earth and Ashes by Atiq Rahimi

A Thousand Splendid Suns by Khaled Hosseini

Indian:

The God of Small Things by Arundhati Roy

Aithihyamala, Garland of Legends by Kottarathil Sankunni

The Gameworld Trilogy by Samir Basu

Filipino:

Twice Blessed by Ninotchka Rosca

The Last Time I Saw Mother by Arlene J. Chai

Brazilian:

Night at the Tavern by Álvares de Azevedo

The Seven by André Vianco

Don Casmurro by Machado de Assis

Portuguese:

The Lusiads by Camões

Columbian:

Chronicle of a Death Foretold by Gabriel Garcia Marquez

Delirio by Laura Restrepo

¡Que viva la música! by Andrés Caicedo

The Sound of Things Falling by Jim Gabriel Vásquez

Mexican:

Bless Me, Ultima by Rudolf Anaya

Adonis Garcia/El Vampiro de la Colonia Roma by Luis Zapata

El Complot Mongol by Rafael Bernal

Egyptian:

The Cairo Trilogy by Nahuib Mahfouz

The Book of the Dead

Nigerian:

Rosewater by Tade Thompson

Things Fall Apart by Chinua Achebe

Malian:

The Epic of Sundiata

Senegalese:

Poetry of Senghor

Native American:

The Inconvenient Indian by Thomas King

Starlight by Richard Wagamese

Almanac of the Dead by L. Silko

Fools Crow by James Welch

Australian Aborigine:

Dark Emu by Bruce Pascoe

First Footprints by Scott Cane

My Place by Sally Morgan

American//Modern:

Real Life by Brandon Taylor

Namesake by Jhumpa Lahiri

The Hate U Give by Angie Thomas

The Poet X by Elizabeth Acevedo

Internment by Samir’s Ahmed

Their Eyes Were Watching God by Zora Neale Hurtson

Rivers of London Series by Ben Aaronovitch

Ana Sanchez - Death and the Maiden

bring back homeric epithets. call people brave-hearted, swift-footed, laughter loving and loud thundering. view the world with its rosy fingered and saffron robed dawns, its wine dark seas. make your own, walk across kiln fired earth and moss soft as sea sponges. be dew-eyed and soft-cheeked and silver-souled, deft-fingered and bright-tongued. gaze up at the many-storied stars and feel the warmth of the ancient sun, father of gods and men, as it beats down on the shimmering world, soft spun like caterpillar silk

everyone from my high school is living their best lives. i, on the other hand, became an anarchist