Untitled (2020) Scott Treleaven
watercolour, collage, gouache on paper
41 x 31 cm
Scott Treleaven, Untitled (Film Totem II) 61 x 11 x 11 x 11 inches Triangular wood pillar, archival c-prints, 2011
Scott Treleaven Animal Chapel, 2015 Triptych: pastel, gouache, gesso, house paint and collage on paper three panels; each panel 75 x 50.5″
Scott Treleaven, Before Become Extinct (2017) Gouache, acrylic and collage on paper 8 ¼" X 6 ¼" 20.32cm X 15.24cm
'This is the Salivation Army' (1996-1999) included in Copy Machine Manifestos at the Brooklyn Museum: "Copy Machine Manifestos: Artists Who Make Zines is the first exhibition dedicated to the rich history of five decades of artists’ zines produced in North America. Since the 1970s, zines—short for “fanzines,” magazines, or self-published booklets of texts and images, usually made with a copy machine—have given a voice and visibility to many operating outside of mainstream culture. Artists have harnessed the medium’s essential role in communication and community building and used it to transform material and conceptual approaches to art making across all media. This canon-expanding exhibition documents zines’ relationship to various subcultures and avant-garde practices, from punk and street culture to conceptual, queer, and feminist art. It also examines zines’ intersections with other mediums, including collage, craft, film, drawing, painting, performance, photography, sculpture, and video. Featuring over one thousand zines and artworks by over one hundred artists, Copy Machine Manifestos demonstrates the importance of zines to artistic production and its reception across North America...The exhibition is accompanied by the first comprehensive publication to explore artists’ zines, co-published with Phaidon Press, and including over 800 images of zines and works in other media alongside texts by the curators and specially commissioned essays...as well as an extensive section featuring biographies of all the artists represented in the project."
Open November 17, 2023–March 31, 2024
Scott Treleaven, Scott Burton’s Garden Court, print from 35mm analog negative, 2021
A new series of photographs of Garden Court –sculptor Scott Burton's little known last and posthumously realized work of public art– accompanies a text by Paul P. for Maharam Stories. The text and photographs are excerpted from a book P. co-authored with Rui Amaral about the history of Garden Court, Scott Burton, and curator Peter Day. Forthcoming in September and supported by ArtworxTO during Toronto's Year of Public Art
Scott Treleaven The Key of Joy, 2017 Gouache, acrylic and panel collage on paper Diptych, 105.5 x 105.5 cm ea. panel
Scott Treleaven, 2006, untitled (spit), silkscreen on paper
Scott Treleaven, ‘Untitled’, 2016 – ed. of 9 Diptych, soft ground etching with chine-collé 45.5 x 37 cm
http://poligrafa.net/artist.php?id=191
Scott Treleaven Cimitero Drawing 1 (2010) Wax pastel, flashe and collage on paper 29 X 21.3"
Scott Treleaven, ‘The Pardon’ (2015) pastel, gouache and gesso on cardboard; triptych