Scott Treleaven Times Square Cinema, 2012 Diptych, Soft Ground Etching With Chine-collé 13.25 X 10.25

Scott Treleaven ‘Fogo I’ (2016) cardboard, foamcore, paper, gouache, PVA adhesive

Scott Treleaven - Untitled (Hacheichi for H. Bey), 2012

pastel, crayon, pencil, house paint, gouache on paper

28 1/2 × 21 1/2 in / 72.4 × 54.6 cm

Scott Treleaven, photocollage, 2017 Torn prints from 35mm analog negatives, 5 ½ x 4”, unique

'This is the Salivation Army' (1996-1999) included in Copy Machine Manifestos at the Brooklyn Museum: "Copy Machine Manifestos: Artists Who Make Zines is the first exhibition dedicated to the rich history of five decades of artists’ zines produced in North America. Since the 1970s, zines—short for “fanzines,” magazines, or self-published booklets of texts and images, usually made with a copy machine—have given a voice and visibility to many operating outside of mainstream culture. Artists have harnessed the medium’s essential role in communication and community building and used it to transform material and conceptual approaches to art making across all media. This canon-expanding exhibition documents zines’ relationship to various subcultures and avant-garde practices, from punk and street culture to conceptual, queer, and feminist art. It also examines zines’ intersections with other mediums, including collage, craft, film, drawing, painting, performance, photography, sculpture, and video. Featuring over one thousand zines and artworks by over one hundred artists, Copy Machine Manifestos demonstrates the importance of zines to artistic production and its reception across North America...The exhibition is accompanied by the first comprehensive publication to explore artists’ zines, co-published with Phaidon Press, and including over 800 images of zines and works in other media alongside texts by the curators and specially commissioned essays...as well as an extensive section featuring biographies of all the artists represented in the project."

Open November 17, 2023–March 31, 2024

Cabine (2008), a collaboration between AA Bronson & Scott Treleaven

a sculpture that functions as a fortuneteller's stall, a circus tent, a changing/transforming/meditation space, and a portable back room.

installation shots courtesy Esther Schipper & Witte de With Centre for Contemporary Art

Scott Treleaven Ghosts at Number Nine, 2015 pastel, gouache, gesso, crayon, house paint and collage on paper two panels; each 75 x 50.5 inches

Scott Treleaven at Invisible-Exports NY
Extended thru March 25, 2018
http://invisible-exports.com/exhibitions/scott-treleaven/

Scott Treleaven, untitled (Mercury, in profile), 2017, c-print from 35mm double-exposure, 34 x 25" in silver painted frame

Scott Treleaven Last Chance to See, 2017 Gouache, acrylic and panel collage on paper Diptych, 105.5 x 105.5 cm ea. panel

Finally available online after 28 years, the first documentary about the North American queercore scene:

QUEERCORE (a punk-u-mentary) 1996, by Scott Treleaven 20 min., super8, Hi8, SVHS transferred to digital video

"The original documentary on queercore. At just twenty minutes, it's a short blast of firsthand documentation of the queercore scene in the 1990s….as much an artifact of the scene as it is a document of it" – How to Punk a Revolution: An Oral History (2021, PM Press)

"…queer iconoclasts and renegades, the marriage of punk philosophy with activism. Positive aggression, action, sound and image." – MIX festival, 1997

With (in order of appearance): Alan O'Conor, G.B. Jones, Bruce LaBruce, Jen Angel, Anita Smith, Will Munro, Jon Ginoli, Chris Freeman, Larry-bob Roberts, Martin Sorrondeguy...and more