really interesting concept. I feel like if you grew up in the universe where daemons were commonplace, this wouldn't feel like a big deal though. It would be as natural as saying, "we have to make sure the actor has the same face as well as the same body type of the character/historical figure."
Live theater in the His Dark Materials universe must be wild. Surely an actor's daemon also has lines to recite, so their daemon's form probably also factors into casting decisions. Maybe some plays have vague character descriptions for daemons, but I bet other plays have really specific or central daemon characters. And sure, big-budget theaters can afford to hire a separate actor with a particular daemon to stand backstage while their daemon plays its part onstage, but community theaters don't have those kinds of resources.
Like if you're casting for Julius Caesar, surely the real historical Caesar had a pretty iconic daemon, right? Are you going to cast an actor with a pigeon daemon as Caesar and just have everyone suspend their disbelief that it's Caesar's lioness, ἁμαρτία?
Artistic freedom is part of your mental autonomy, that you have the right to communicate with people in the way you feel you need to, you can express your thoughts/feelings etc. you can manipulate ideas, that's a real freedom
property rights are exclusively designed to control people and enforce economic inequality and when applied to creative concepts this is extra true, I would even consider it a kind of emotional/psychological violence because it stops people from communicating with each other
fanfic/meme images exist in an unenforced niche, they are not legal under copyright
Post/782177006889697280/i-think-artists-not-wanting-our-work-to-be-fed-to
This is absolutely a correct statement if it was just about personal remixes, but the context here is about businesses using other people's work without permission. It has nothing to do with whether or not you're allowed to remix it yourself. If a company has the means to use someone's work in a for-profit venture, then they have the means to pay someone for the product of their labour. These companies don't even use other people's IP in a novel way that bends IP law to create something that contributes to culture; the loss of culture if sellers of Redbubble t-shirts couldn't just take pictures from the internet and sell them for 40 bucks anymore would be negligible compared to, say, losing Lasgna Cat alone would be.
its already illegal for redbubble sellers to do that though. thats already not allowed. like thats already literally a copyright violation under current copyright law and guess what: because random people posting their fanart online don't have the money to afford a corporate lawyer, it just keeps happening and will keep happening, because copyright law never has and never will defended anyone but the wealthy. like this fantasy of your art as a Small Artist being protected by copyright law is just that, a fantasy, it doesn't happen and will never happen. you are completely detached from reality!
You can trace an ideological lineage from Tezuka to Miyazaki, where both promote a kind of 'pacifism' which is at its core conservative and hostile to the idea of fighting against real evil. Thinking specifically of Tezuka's "Buddha" series here
My hot take is that I feel like “ghibli films are pro Japanese imperialism” is a lazy jab that grabs at a few soft spots in the oeuvre to make the cheapest most rhetorically damaging shot it can, and that an honest analysis would generally struggle to say even the most problematic of the movies like The Wind Rises come out of the wash with a positive opinion of imperial Japan. My hotter take is that if you rigorously pull at the threads where the nominally anti-war films thematically collapse, you’ll find the issue isn’t a support of Japanese Imperialism but a lack of a rigorous critique of industrial civilization.
only 70s era Tadanori Yokoo can hit the same feel as Gustave Moreau
Watching Akudama Drive and going crazy over Cutthroat. Theoretical observations will arrive shortly
I like to ignore the 'didacticism' of Undertale because it doesn't actually make any sense as real ethics or as an integration of ethics into the game. The genocide run's preachiness is better interpreted as campy atmospheric decoration
like, im not gonna fault you if your prerogative is making the rpg equivalent of, like, a walking simulator or whatever--that's a perfectly viable ambition. but if youre willing & able to compose a genuine challenge for that game, i think it's strange & inadvisable to limit it to (what great effort is taken to remind the player is) the Worst Route. the eclectic didacticism of that route is at odds with its actual contents--like, if you're trying to make the (agreeable!) assertion that the completionist max-stats overleveling approach trivializes & monotonizes gameplay & challenge, you probably dont then want to lock the best parts of your game behind doing that, right??
forget stuff like Good Flag Bad Flag and all that discourse, the world's best flags are those banners carried by Chinese lineage/support associations that have fringed edges and writing
but looking at your phone to consume even more media in the middle of reading is maximalist and excessive, solar-economy pilled
(not sure if I'm /s or /j with this one)
every time you assume a post about art & transgression is referring to pornographic fanfiction about cartoons you should be locked in a cell and not released until you’ve read at least 1 work by georges bataille (you have to start over if you look at your phone)
IMO vampire can mean anyone and everyone who doesn't fit into the ideology of work and employment, which includes both feudal nobility and ppl begging for money at opposite ends of the spectrum, it can be exploited or exploiters, whats important is that they do not contribute to the homogenized social order (which is basically good even for the nobility)
I know vampirism is often used as a metaphor for the drain of the aristocracy but I think it would be fun to have more vampire characters who were just some guy before they got turned. You seek out the most ancient vampire in existence and find out he was a 40 year old wheat farmer in ancient Mesopotamia when he was turned 7,000 years ago and he hasn’t been doing much since then.