"Jean tested the edge of the peeler with his finger"
Jean's entire perspective in tsc is hard to get through, but this one line from Jeremy's pov just... *scream*
i'll leave it to your unwilling imagination
probably missing something, but i've just always wondered if since Xaden and Violet's parents were all important political and noble figures in Navarre, isn't it likely that they had all been around each other at some point for some ceremony or meeting or ball or something before the rebellion? Xaden and Violet don't know each other at the beginning of Fourth Wing obviously, but maybe they'd seen each other around as kids at big gatherings of Navarrian political leaders? bebe riorgail playing pranks or games with all the other children of leaders at a big fancy (and boring) adult event is my fav hc.
i personally think that even more significant than andrew letting neil touch him, is andrew touching neil.
we're in neil's pov so we obviously mostly see how andrew interacts with him, but andrew is very straightforward with his boundaries and very touch averse with everyone. most if not all instances of andrew touching other people are done out of violence or necessity, but from the beginning he touches neil voluntarily. bringing him down to his level, pulling him into his space, inspecting him, directing his attention, forcing neil back to himself, and eventually, out of affection and lust.
it's the touch before the first kiss that stands out the most to me though. maybe initially he's mostly scouting neil out for potential problems, but still. a man who trusts almost no one, who keeps everyone even his family at an arms length physically and emotionally, who portrays himself as completely apathetic even while drugged, who claims to want nothing, who has had touch used abusively against him for much of his life, purposefully initiates touching neil.
to me it shows even more his intentions and emotions, and attraction/interest, towards neil because he consistently chooses it himself, when he has chosen almost nothing solely for himself his entire life.
"this is nothing" pshh, right.
makes me heart wrenchingly giggly every time.
me and my homies support real artists who put their passion into their pieces instead of a machine who rips off the hard work of talented peeps
the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
Shipping fictional characters isnβt representative of your moral values. Itβs representative of your particular psychic damage and the themes and motifs that haunt you. Hope this helps.
this was my bookmark for tsc and tgr btw hehe ππ
You either die a hero (get unfairly cancelled after 1-2 seasons) or live long enough to become the villain (the last season/final is a shit show)
One of my favourite dumb but funny moments in fantasy/sci-fi books or shows is when everything from the characters, the locations, the houses, to the animals have crazy weird names, like fantasy names that are basically just a bunch of syllables smooshed together, but then one of the main characters or even the main character has the stupidest real life name ever.
My favourite example: the Dune series. All the weirdest names under the sun for everything in that series and then one of the main characters name is Paul. Like why is his name Paul?? (i know there is actual story reasons for it but still) One of the worst white boy names ever imo. His last name is Atreides, and his first name is Paul?? Like we were apparently smart enough up to that point to comprehend all the other weird names but the main character had to be the most recognizable basic name ever. Like come on.
Hilarious and infuriating at the same time.
I love when trauma makes characters messy. I love when characters don't know how to show love. I love when they lash out. I love when they're vile and break down. I love characters who aren't perfect victims. I love when stories don't excuse behaviour but allow you to understand it
birdy, she/her. existential crisis in training. :))
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