deep in the thralls of depravity and longing
βLAMP FLOWERβ // 1994 YOSHITOMO NARA ε₯θ― ηΎζΊ [acrylic on canvas | 55 x 40 cm.]
Thoroughbreds (2017) & screenplay by Cory Finley / Why Am I Like This?Β by Orla Gartland
Saint Sebastian (c.1620, oil on canvas) | Nicolas Regnier
remember to support your queer poc artists!
β³ raveena auroraΒ
pronouns: she/her
sexuality: bisexual
genre: lo-fi, r&b, soul (inspried by: sade, corinne bailey rae, asha puthli)
recommended songs: temptation, close 2 u, nectar
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i HATE how tiktok is reducing ethel cain and preachers daughter to cannibalism. preachers daughter dissects real issues of religious trauma, inter generational trauma, abandonment, etc etc - cannibalism is not the main aspect of the album, nor is it that of ethelβs story.
stop clinging on to cannibalism as a metaphor for love when there are so many other aspects of haydenβs lyricism and art that are so much more complex and profound.
"π±π₯π’π°π’ π π―π¬π°π°π’π° ππ©π© π¬π³π’π― πͺπΆ ππ¬π‘πΆ
π―π’πͺπ¦π«π‘ πͺπ’ π¬π£ π΄π₯π¬ π¦ π²π°π’π‘ π±π¬ ππ’."
- πππ‘ππ₯ πππ’π§. (ππππ). 'family treeβ
RIPΒ Vivienne Westwood
with Sid Vicious, 1976
Photo: Ian Dickson / Redferns
so excited for lorde to tell me who i am now
(she/they) nihilistic rat and melancholic cockroach of the underground.
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