Diver Convince Octopus To Trade His Plastic Cup For A Seashell

trying to divvy out kinks to your ocs is lowkey embarrassing but also feels like this

Gyroid bath time 🫧

Assert dominance over ghosts by jumping out at yourself from dark corners

When a fic doesn’t fit my head canons but it’s well-written

This is how I see Caleb

Fantasy Guide to Ships, Boats and Nautical Lingo

Of all the ways to travel in fantasy and historical novels, there are two favoured ones: horses and ships. But I covered the horses already so here we have some ship terminology and kinds of ships.

Common Boat Terms

Aft/Stern - The back of a ship.

Bow - The bow is the front part of the ship, the pointy part or the place where Kate Winslet stood on in Titanic.

Port - The left side of the ship

Starboard - The right side of the ship

Windward - The wind the direction is blowing.

Hull- outside of the ship

Leeward - Or sometimes called the lee. This is the opposite direction of the wind is blowing

Boom - A horizontal pole extending from the base of the main mast. It adjusted toward the wind direction in order to harness the wind for the sails.

Rudder - The rudder is a flat piece of wood below the ship, used to steer the ship. It is connected to the wheel of the ship.

Tacking - A common sailing maneuver that involves turning the bow through the wind, to change the wind direction from one side of the ship to the other, making the boom move.

Underway- This is when the ship is moving

Astern- The ship is moving backwards

Amidships- Middle of the boat

Topside- when you move from the lower decks to the upper deck

Compartments of the ship

Most ships would have compartments inside the hull and underneath the deck.

Cabins- most war ships and merchant ships would only have one or two main cabin occupied by the captain and higher crew.

Galley- The kitchen on board the ship. The galley would be fitted with tables and cabinets. Galleys were built in such a way that they were more resistant to the heaving of the ship. Most galleys were built with special stoves to stop people from colliding with them and things from spilling out of pots and pans.

Wardroom- some ships are built with a common room for the crew. The wardroom acted as a common room as well as a dining room. It would usually be conjoined with the galley.

Sick Bay- is the compartment of the ship that is given over to the injured and sick. The sick bay would hold the medicines and medical devices and would often be under lock and key.

Hold- This will be the largest compartment in the ship were the cargo or the ship's weapons.

Crew and Positions aboard the Ship

Captain

When we think of captains we imagine them as blackhearted slave drivers (something akin to managers in the customer service industry) but on further research you will find that is not true. There are two kinds of Captains you find in history. Pirate captains and Legitimate Captains. Pirate captains were elected by their merit in battle and dedication to the crew. They were considered equal to the crew, only taking full charge during raids and battles. In the Navy or any legal-bound ship, captains were selected by rank and wealth. There was no equality between captain and crew as in pirate ships. Legal ships were Capitalists and the Pirates were Democratic.

First Mate

First Mate is the captain's deputy. They act as captain when the captain cannot. This was mainly seen in Navies and merchant ships as Pirates usually placed their quartermaster as their deputies.

Quartermaster

The Quartermaster was in charge of ensuring that the ship ran smoothly, rather like the ship's HR manager. The Quartermaster was in charge of supplies and had certain powers such as being able to punish the crew for minor infractions.

Sailing Master

These were officers in charge of piloting the ship. They would have to be educated enough to read a map and was a much desired position because it was a fair paying job. Pirates usually kidnapped sailing masters from ships they attacked to use aboard their own ships.

Gunner

Gunners were the overseers of any many qualified to load and fire guns. They were in charge of aiming cannons and making sure the crew were safely using guns. Most the guns were loaded by young boys called powder monkeys.

Boatswain

Boatswains or junior officers would act as supervisors, watching over the crew as they did their duties. If things were not going well they reported to the captain or quartermaster to punish the crew.

Surgeons

Surgeons handled any diseases and wounds. Since being at sea limited the amount of medicine available. Most ship's surgeons were forced to cut off limbs to avoid infection pike gangrene. Surgeons may not always be found on ships. Cooks or carpenters were often pressed to do amputations: meat was meat and cutting was cutting.

Cooks

All ships needed somebody to cook. Navies and merchant ships would often have trained cooks while on pirate ships it was just a crewmember who was handy in the kitchen.

Kinds of Ship

(Not a complete list, may post more later.)

Brig- A brig is the ship that one most thinks of when you think of a ship. The brig is a large vessel, set with a pair of square-rigged masts. Brigs were fast ships and highly maneuverable. They were used as merchant ships and warships.

Galley- The galley is propelled via oars. The hull is long and slender and most of them featured larger sails. Galleys often were rowed by slaves and used in war.

Galleon- Galleons were large ships, built with multiple decks, carrying three or more masts with square raised stern. The Galleon was usually rigged with square sails on the fore-mast and main-masts.

Caravel- The caravel was a small ship with triangular sails, famed for its manoeuvrability and speed.

Longship- The longships were the ships of the Vikings. They were slender ships, narrow. They were able to keep afloat in shallow waters as well as the deep sea. Longships were able to reverse quickly, a very important skill. The longship was a warship, a raider's ship propelled by oars.

Carrack- the carrack was a large ship, often built with mass cargo holds making the most popular ship to go on long voyages on. The carrack had three or four masts.

Cog- This ship was a large vessel, the hull wide and large. The ship is propelled by a great single sail flown from a tall mast.

Junk- The junk or Chinese junk was a kind of coastal or river ship used as merchant ships, pleasure ships and sometimes houseboats. They are small ships and made with battened sails rather resembling wings.

Trireme- the trireme was a slender ship set with three banks of oars pulled by one man each. The trireme had a concave hull and usually had an underwater ram at the prow of the ship.

For @viola-cola

this was a request from a kind anon.

summary: reader who really likes horror movies.

xavier | zayne | sylus | caleb

rafayel x reader | fluff

Rafayel watches you from where he's lounging sideways on your couch, head propped on a pillow like some tragic Victorian poet. He looks criminally comfortable for someone sitting through a 1970s horror slasher. The kind with grainy film and uncomfortably long shots of people doing absolutely nothing before something awful happens.

But you, you are in your element.

You're sitting cross-legged with your notebook in your lap. Well, notebook is a strong word. It's more like a fabric-bound monster of its own. A monstrosity of dog-eared pages, scribbled thoughts, bookmarks made of candy wrappers, and a paperclip that's given up on doing anything useful.

You're scribbling furiously with a glittery gel pen as the killer's silhouette appears behind the protagonist on screen.

''You see that?'' you say, eyes gleaming as you pause the movie, so you can better gesture with your pen. ''They used high-contrast techniques to create deep shadows and strong highlights, blurring the line between the physical and the psychological. It's a callback to The Cabinet of Dr. Caligari-expressionist influences, full circle. Ugh! So good.''

Rafayel raises a perfectly groomed eyebrow.

''Cutie,'' he says, voice thick with amused affection, ''only you could make murder sound like a love letter.''

You grin without looking up. ''I don't like the gore, I like the craft. There's intention in every frame. Every light. Every angle. The violence is just…contextual punctuation.''

He hums thoughtfully. ''A semicolon of suffering.''

''Exactly!''

There's a moment of silence as you flip a few more pages, trying to find your breakdown of the film's lighting progression. Rafayel leans over a little, pretending to peer into the book, but mostly just using it as an excuse to get closer.

He taps one corner gently. ''Is that…a pressed flower?''

''Yes. From the Suspiria screening. The remake, not the original.''

''Of course,'' he murmurs, clearly having no idea what that means but delighted all the same.

Then, softly, ''You carry entire universes in this book of yours.''

You blink, caught off guard. ''It's just a notebook.''

He smiles like you've said something heartbreakingly naive. ''It's a testament. To what you love. To how your mind works. And if I may say so,'' he traces the notebook's tattered edge with a fingertip, ''that is its own kind of romance.''

You feel your face heat up.

''I mean, if you really want romance,'' you say, trying to regain footing, ''we could watch Crimson Peak next. The actors have said that it's a very passionate love story, supported and complemented by fantastic elements. And not to forget, it's the first film in the Mystery Horror Genre. ''

He exhales a laugh. ''That might be the most you version of flirting I've ever heard.''

You bump your shoulder against his, smiling. ''You're still here listening.''

''Cutie, I would sit through a thousand jump scares and a dozen cursed VHS tapes just to hear you talk about third-act structure and prosthetic gore.''

''…Even found footage films?''

He shudders. ''Let's not test the strength of my devotion.''

You laugh, leaning your head against his shoulder as you unpause the movie. He adjusts slightly, letting you rest against him while your chunky notebook stays balanced in your lap. His hand finds yours, thumb brushing softly over your fingers as the scene resumes.

Blood erupts on cue, the soundtrack crashing down like a closing curtain.

And Rafayel smiles, because nothing makes him feel more enchanted than seeing you light up in the dark, explaining why fear on film is just another way to understand the human heart.

pinkie pie with a big batch of bread for the one hour animation challenge of the week! prompt was "powder" so i went with flour

i kissed a ghoul and i liked it…… the taste of her scary chapstick

As a teenager I was pretty unimpressed with adults giving each other tours of their homes and kitchens, but as an adult I now understand this is the equivalent of inviting your friends over to see all your toys and that’s chill actually