It's so weird to me when people are like 'but that will cost the government money!' So what? They're the government, they're supposed to be spending money. What, you want them to take your tax dollars and then do nothing with it? Lock it all up in a big government vault and just look at it? Why are you so scared of giving a third grader lunch or a homeless person a house.
sylus x reader | fluff, comfort, a little bit angsty if you squint
this was a request from a kind anon reader♡
summary: sylus silently watches you being vulnerable in front of mephisto
Your apartment was unusually still, wrapped in that soft kind of quiet that only happens on slow afternoons. The kind where time doesn't stop, but stretches, languid and warm.
You were lying back against the cushions of the couch, one arm tucked behind your head, eyes closed as your face was graced with a soft smile, while Mephisto was perched on top of your stomach. Your tired gaze trailed toward the slivers of sunlight as they slipped beneath the horizon beyond the windowpane, painting the city in deep pinks and dusky purples, the last light smudging the skyline like fading watercolors.
Mephisto blinked at you, head tilting just slightly as if studying you with more than just curiosity. Almost like he understood you.
''You're so much gentler than you look, you know that?'' you murmured to the crow, voice just above a whisper.
Mephisto let out a soft click in response, the kind Sylus had once said, was the equivalent of a purr. Your fingers reached out slowly, pausing just before touching him. You always gave him that choice. Sylus had told you Mephisto could be wary, even proud, like a living bird. But today, he stepped closer without hesitation, lowering his head slightly, so you could run a finger along the smooth arch of his neck.
''I'm glad you're here. Both of you. You…help me feel safe.''
Mephisto tilted his head at you, blinking once, and stayed perfectly still. Almost like he was listening. Really listening.
You sighed, settling deeper into the cushions, fingertips still idly brushing from his sleek metallic head, down to his neck and up again. ''You and Sylus…you make everything feel a little less heavy.''
Unseen by you, the door to the kitchen opened moments before. Sylus stood quietly just inside the frame, unnoticed, one hand resting lightly against the wood as he watched you.
He hadn't meant to eavesdrop. He'd simply come back from the kitchen to tell you that dinner was ready. But then he'd seen you, resting softly, speaking so earnestly. And Mephisto, the one creature he trusted without question, perched like a sentinel on top of you, his wings tucked neatly against his sides, responding to your affection like he was more than metal and wire. Like he had a soul. And his footsteps had gone silent out if instinct. He didn't move. Didn't speak. He just stood and listened.
Sylus swallowed the unexpected ache rising in his throat.
Because this wasn't a side of you most people get to see. This quiet, gentle kind of sadness. The longing for reassurance you rarely gave voice to. The way you looked at Mephisto, his creation, with such raw trust.
Sylus had built the crow to be an extension of himself in the field. His eyes in the dark, his silent defense, an extension of efficiency.But he'd never imagined this. That Mephisto could become something softer. A quiet presence. A guardian of your peace. A comfort.
His voice, when he finally spoke, was low. Gentle.
''I think he likes you,'' he said quietly, breaking the silence just enough to let his voice slip in.
You blinked, startled, eyes flying open as your hand jerked back in surprise. ''Sylus! I- I didn't hear you come in.''
He stepped forward, crouching beside the couch and reaching out to lightly scratch Mephisto behind the head in the spot only he seemed to know. The bird chirped happily.
''He's picky,'' Sylus said, smirking just a little. ''He doesn't let just anyone touch him. You've earned his trust.''
You laughed under your breath, cheeks flushing. ''He's a good listener.''
Sylus tilted his head. ''So am I.''
There was a pause, quiet and meaningful.
Your voice softened again. ''Sometimes…it's easier to say the things I'm scared of out loud when I think no one's listening.''
He nodded, understanding in his gaze as he leaned forward, pressing a gentle kiss to your forehead.
''I was listening,'' he murmured. ''And I'm glad you feel safe. That's all I want for you, sweetheart.''
''I worry sometimes,'' you admitted, eyes drifting down to Mephisto again. ''That I lean on you too much. That I'm not strong enough. I try not to show it, but…today, I just needed a quiet moment. And he was here. Like he knew.''
Sylus reached out, hand brushing against yours where it rested on the couch. His touch was cool, steady. Grounding.
''You never have to hide that from me,'' he said quietly. ''Your strength doesn't come from pretending you're okay. It comes from choosing to stay open. Even when it's hard.''
Your throat tightened at his words. You nodded, swallowing thickly.
''I see you,'' he added voice low and reverent. ''Every part. And I love all of it.''
Mephisto chirped again, wings fluttering just slightly before settling. You and Sylus both looked down at him, and for a beat, it was as if the three of you existed in your own pocket of the world. Quiet, safe, whole.
You leaned forward, pressing your forehead against Sylus's, your hand softly squeezing his.
''Thank you,'' you whispered. ''For listening. For knowing.''
He kissed your temple, lingering.
''Always.''
the wikipedia article main image for Davy Jones’s Locker is simultaneously a mood and yet utterly classifiable
check out this nonsense
Fantasy Guide to Ships, Boats and Nautical Lingo
Of all the ways to travel in fantasy and historical novels, there are two favoured ones: horses and ships. But I covered the horses already so here we have some ship terminology and kinds of ships.
Aft/Stern - The back of a ship.
Bow - The bow is the front part of the ship, the pointy part or the place where Kate Winslet stood on in Titanic.
Port - The left side of the ship
Starboard - The right side of the ship
Windward - The wind the direction is blowing.
Hull- outside of the ship
Leeward - Or sometimes called the lee. This is the opposite direction of the wind is blowing
Boom - A horizontal pole extending from the base of the main mast. It adjusted toward the wind direction in order to harness the wind for the sails.
Rudder - The rudder is a flat piece of wood below the ship, used to steer the ship. It is connected to the wheel of the ship.
Tacking - A common sailing maneuver that involves turning the bow through the wind, to change the wind direction from one side of the ship to the other, making the boom move.
Underway- This is when the ship is moving
Astern- The ship is moving backwards
Amidships- Middle of the boat
Topside- when you move from the lower decks to the upper deck
Most ships would have compartments inside the hull and underneath the deck.
Cabins- most war ships and merchant ships would only have one or two main cabin occupied by the captain and higher crew.
Galley- The kitchen on board the ship. The galley would be fitted with tables and cabinets. Galleys were built in such a way that they were more resistant to the heaving of the ship. Most galleys were built with special stoves to stop people from colliding with them and things from spilling out of pots and pans.
Wardroom- some ships are built with a common room for the crew. The wardroom acted as a common room as well as a dining room. It would usually be conjoined with the galley.
Sick Bay- is the compartment of the ship that is given over to the injured and sick. The sick bay would hold the medicines and medical devices and would often be under lock and key.
Hold- This will be the largest compartment in the ship were the cargo or the ship's weapons.
Captain
When we think of captains we imagine them as blackhearted slave drivers (something akin to managers in the customer service industry) but on further research you will find that is not true. There are two kinds of Captains you find in history. Pirate captains and Legitimate Captains. Pirate captains were elected by their merit in battle and dedication to the crew. They were considered equal to the crew, only taking full charge during raids and battles. In the Navy or any legal-bound ship, captains were selected by rank and wealth. There was no equality between captain and crew as in pirate ships. Legal ships were Capitalists and the Pirates were Democratic.
First Mate
First Mate is the captain's deputy. They act as captain when the captain cannot. This was mainly seen in Navies and merchant ships as Pirates usually placed their quartermaster as their deputies.
Quartermaster
The Quartermaster was in charge of ensuring that the ship ran smoothly, rather like the ship's HR manager. The Quartermaster was in charge of supplies and had certain powers such as being able to punish the crew for minor infractions.
Sailing Master
These were officers in charge of piloting the ship. They would have to be educated enough to read a map and was a much desired position because it was a fair paying job. Pirates usually kidnapped sailing masters from ships they attacked to use aboard their own ships.
Gunner
Gunners were the overseers of any many qualified to load and fire guns. They were in charge of aiming cannons and making sure the crew were safely using guns. Most the guns were loaded by young boys called powder monkeys.
Boatswain
Boatswains or junior officers would act as supervisors, watching over the crew as they did their duties. If things were not going well they reported to the captain or quartermaster to punish the crew.
Surgeons
Surgeons handled any diseases and wounds. Since being at sea limited the amount of medicine available. Most ship's surgeons were forced to cut off limbs to avoid infection pike gangrene. Surgeons may not always be found on ships. Cooks or carpenters were often pressed to do amputations: meat was meat and cutting was cutting.
Cooks
All ships needed somebody to cook. Navies and merchant ships would often have trained cooks while on pirate ships it was just a crewmember who was handy in the kitchen.
(Not a complete list, may post more later.)
Brig- A brig is the ship that one most thinks of when you think of a ship. The brig is a large vessel, set with a pair of square-rigged masts. Brigs were fast ships and highly maneuverable. They were used as merchant ships and warships.
Galley- The galley is propelled via oars. The hull is long and slender and most of them featured larger sails. Galleys often were rowed by slaves and used in war.
Galleon- Galleons were large ships, built with multiple decks, carrying three or more masts with square raised stern. The Galleon was usually rigged with square sails on the fore-mast and main-masts.
Caravel- The caravel was a small ship with triangular sails, famed for its manoeuvrability and speed.
Longship- The longships were the ships of the Vikings. They were slender ships, narrow. They were able to keep afloat in shallow waters as well as the deep sea. Longships were able to reverse quickly, a very important skill. The longship was a warship, a raider's ship propelled by oars.
Carrack- the carrack was a large ship, often built with mass cargo holds making the most popular ship to go on long voyages on. The carrack had three or four masts.
Cog- This ship was a large vessel, the hull wide and large. The ship is propelled by a great single sail flown from a tall mast.
Junk- The junk or Chinese junk was a kind of coastal or river ship used as merchant ships, pleasure ships and sometimes houseboats. They are small ships and made with battened sails rather resembling wings.
Trireme- the trireme was a slender ship set with three banks of oars pulled by one man each. The trireme had a concave hull and usually had an underwater ram at the prow of the ship.
IM HOLDING OUT FOR A HIMBO TILL THE END OF THE NIGHT
hes gotta be strong
and hes gotta be fast
and hes gotta be dumb and polite
A friend has once again brought it to my attention that it is unusual to have an intact chronological memory of life prior to age 12 and you know what’s weird to ME is that the rest of yall forgot how to sing the clean-up song
still can’t believe i grew up thinking i was straight and cisgender. fucking wild. total bonkers
white t girl i love you. and also do not forget that you are not the modern martyr for the oppressed voice. that's still black girls. it's always been black girls. stories of black martyrdom simply don't make it into the news cycle until the unrest caused by its reporting can be packaged as a "riot" segment between traffic reports. i know you suffer, but whatever you're experiencing, i beg you, when interacting with your community and building nuanced understandings of each other and the system which binds us, to not forget that a black tgirl has felt it 100 times worse before positioning yourself as an authority on all systems of oppression for having suffered unjustly at all. because you have suffered unjustly, but suffering unjustly as a white person means something so much different.
I have disco cabin fever this rules
so Talented…
via