It Was So Nice To See Clarke Happy! I Think She Smiled More In This Scene Than In The All The Episodes

classic scifi novels by men r always like. page 1 here’s a cool scifi idea i had. page 2 i hate women so much it’s unreal

Yes!

things got analytical in the discord channel

yay to long haired vegetables and their strap ons! lol

I got a new job about a year ago. It’s an IT job and part of my job involves supporting desktops running different operating systems. Every morning I log into: wanheda (Linux), heda (windows) and clexa (OSX). They are all running smoothly.

sigh. I miss them

the kiss- from script to screen

(insp.)

Pieces of A Novel - Wordsnstuff November Monthly Writing Challenge

The idea of this challenge is to plan one piece of your story per day. For those participating in NaNoWriMo, this may be a helpful tool to use in conjunction with your daily writing goal. This can help you sustain inspiration, and it can help you find that balance between careful planning and spontaneity that many struggle to maintain.

This tool is designed to help you plan and/or write a longer story in a short amount of time, particularly a novel. If you choose to both plan and draft each scene assigned to each day, you should in theory have a near complete first draft of your story in a single month. Instead of basing the challenge on a word goal, it's organized into a list of tasks. Once all/most of these scenes are planned or written, you will have a nearly complete draft, missing only the scenes unique to your story.

The inciting incident of the beginning of your story.

Establish your protagonist(s) core need and bring key characters into the picture.

A scene that progressively complicates the beginning of your story.

A scene that establishes the protagonist(s)'s strengths and/or weaknesses

A scene that creates a crisis question at the beginning of your story.

A scene that foreshadows the arc of the main characters.

A scene that climaxes the beginning of your story.

A scene that establishes what the protagonist wants, versus what they think they need, versus what they actually need, as well as what they're willing to do to get it.

A scene that resolves the beginning of your story.

A scene that gives the reader a glimpse into the antagonist's power, needs, or goals. Alternatively, if there is no antagonist, a scene that establishes the background of the main challenge the protagonist is trying to overcome..

The inciting incident of the middle of your story.

A scene with a twist—something new happens. A new friend, minor antagonist, or new information arises as a result of the middle inciting incident.

A scene that progressively complicates the middle of your story.

An unexpected twist gives the protagonist(s) false hope. An important clue or weapon arises.

A scene that creates a crisis question in the middle of your story.

A scene that establishes how the protagonist(s) and antagonist(s) motivations could become their downfall.

A scene that climaxes the middle of your story.

A scene that reveals the protagonist(s)'s and/or antagonist(s)'s greatest fears.

A scene that resolves the middle of your story.

A scene that foreshadows what the protagonist(s) and antagonist(s) will gain/lose in the process of pursuing their goal.

The inciting incident of the end of your story.

A scene that establishes that there is no turning back for your main character(s)

A scene that progressively complicates the end of your story.

A scene that establishes how the main character(s)'s strengths/weaknesses help or hinder their success

A scene that creates a crisis question at the end of your story.

A scene that establishes what the protagonist(s) and antagonist(s) learn once they initially succeed/fail

A scene that climaxes the end of your story.

A scene that answers one of the major questions of your story, or resolves an important dramatic theme.

A scene that resolves the end of your story.

(bonus) A scene that hints to the continuation of the story, if a sequel is to come.

–

Masterlist

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Day 8: favourite trope to read or write and is there a difference in reading or writing that trope.

Hmmm … a very good question! I recently read the Phedre trilogy by Jacqueline Carey. After reading the first book, Kushiel’s Dart, my life and writing has been rendered transformed. The books are written in first person and the detail of the world building and the twists in the plot are exquisite. Reading this trilogy has pushed me to reconsider the roller coaster plot structure and approach my current wip into something more interesting. Hopefully I can be at least a quarter as successful as Carey. If you have not read her stories, I highly recommend them.

In the trilogy, the tropes of “enemies to lovers” and “lovers to enemies” is explored. It is so beautifully done! In my current wip, I’m working on lovers to enemies for my main character. A character who is also a flawed hero with a heart of gold.

Wish me luck!

Fantastic

Presented without comment.

EXCEPT to say- commonplacecaz.

The war on drugs is rooted in racist policies . The failure of the war and drugs is obvious. We need to find a better solution, because people of color should never be the victims of racist policies. White Americans are more likely than black Americans to have used most kinds of illegal drugs, including cocaine and LSD. Yet blacks are far more likely to go to prison for marijuana, which is not a hard drug. Moreover , even when white people get caught , they get less time in prison.