Something that I've been thinking about lately: the difference in how Theo talks about Pippa compared to how he talks about Boris in his adult years.
Theo talks about Pippa like she's perfect, or at least the perfect one for him. He's convinced that she is the one he is meant to be with, the only one who could understand him. But the way he talks about her doesn't come off as love, but as an obsession instead. I'm not saying that he doesn't have any genuine love/affection towards her, I'm sure he does, but he has definitely romanticized her existence to the point that the person he thinks he's in love with is completely different than the real one. He barely knows the real Pippa because getting to know her would mean that his fantasy would dissappear. So he ignores all those things that don't match his ideal version of Pippa and talks about her like she's perfect. Her imperfections, if he mentions any, are endearing. But, still; somehow most of the times where he tries to compliment her end up sounding weird (Unexpected glimpse of her white armpits). He can't say anything about her that isn't superficial because he doesn't see her as real person but as his walking fantasy.
Meanwhile, Theo seems to want to reminds us (and himself) everything bad about Boris. He is quick to point out his faults, even when he says something nice about him or expresses his feelings about him. And surely, Boris does have a lot of faults, but it's weird how often Theo talks about them unprovoked. Like he wants to make sure everything else he says about him doesn't sound too gay. He focuses on the negatives because he is afraid of his feelings. He isn't ready to admit that despite his faults (which were numerous and spectacular), he still loves him. He likes to point out all the ways that Boris is different than him, almost like he's trying to convince himself that they belong in different worlds, like they could never work out, despite it being quite obvious that the two of them aren't very different where it counts. Regardless of these habits of his, Boris is real to him. Perhaps the problem is that Boris presence is his life forces him to acknowledge his real self too. (A self one does not want, a heart one cannot help.)
In conclusion, despite Theo's best efforts to convince himself that he's totally straight and in love with Pippa, I think it's quite obvious to everyone with enough reading compensation skills that the one he loves is Boris. He can talk shit about him and put Pippa on a pedestal all he wants; but the truth can't be hidden. Donna Tarrt told me this personally btw, don't doubt me.
me crying while listening to radiohead: oh my god theo decker coded
it's really such an experience to go from "oh this is really cool wow" to "aw man i like this so much i need to eat glass about it" i cant even pinpoint when it happened
kissed shauna with a knife to her throat consider that freak level matched
they need to invent somewhere where I belong
yes all my favorite characters are desperate to be loved. no i don’t think that says anything about me
idk if this is a boomer take but I think ppl should make more of an effort to go see movies in theaters bc I couldn’t bear it if the movie theater industry went down and the only way to watch movies was through streaming I’m not strong enough
Can't believe it took me until I was lying in the dark trying to fall asleep last night to realize that Theo's mental breakdown trapped in an Amsterdam hotel room after a disaster and waiting to find out if Boris will ever return was fueled by its similarity to his time years before in his childhood NYC apartment after a disaster, waiting to find out if his mother will ever return.
Like I don't think I'm an idiot, but how did it take me so long to realize the connection there?
Anyway, Boris is the hero of the novel, weirdly! He subverts the central trauma of the book!
Theo is uprooted and shipped off to Vegas, a place where he himself says nobody loves him. Not true though, because Boris does!
Theo discovers his fiance is cheating on him, that he's betrayed and completely alone. Except then Boris shows up, and even though he did betray Theo, he wants to make it right!
Theo is stuck with no answers and no way to call his mother who he knows deep down will never return. Except when it happens again, it's Boris. And Boris completely subverts the mirroring of the book's central trauma! He does return! Not only that, he's fixed everything! The painting is returned and the guilt is gone! The money will fix Theo's mistake with Hobie! Come to Antwerp with him and get over your cold, you're fucking fine!
new game plan called shield yourself at all times and never let anyone in . this will have no repercussions