Every Time Sean Astin Makes A Statement On Whether Or Not Sam And Frodo Were Indeed Gay For Each Other

Naked Sea Angels (Clione limacina) are small, free swimming snails. The shell has been lost and the foot has been modified into wing-like paddles for swimming.

(source)

(SOUND IS CRUCIAL) this video is has murdered me dead the music the editing the way information is slowly revealed about the two of them the plot twist the breaking bad images. WILLIAM WILLIAM WILLIAM. all over minecraft parkour someone help im seizing

chapter 20 of htn is short but has so much weight to it. the entirety of the chapter is this: the whole family watches and cleans up and does nothing else while harrow gets violated over and over again by her eldest brother, at the behest of her father.

the chapter begins with gideon penetrating harrow's pelvis, then god makes her whole again, yet claims powerlessness.

he calls her to his rooms and insists she consume things she does not like and does not want, and she does it, because she has nowhere else to go, no one else to turn to, and no other form of protection.

the chapter ends with harrow seeking physical solace from the body: a woman, her silent caretaker, john's original victim,

and then it is revealed to us that the poem john recites to harrow is the poe verse at heart of humbert humbert's (of nabakov's lolita) backstory.

i really love the way tamsyn muir navigates incest and sexual violence here. it is inarguable that harrow the ninth is a family drama; john is a patriarch in every sense of the word: a divine patriarch, a scholarly father-figure, and a literal father; harrow's narration posits him as fatherly, ianthe's dialogue refers to him as such, the other lyctors half-jokingly call him daddy; the lyctors dutifully call each other brother and sister. they are god's children, in that he made them, literally or hegemonically, and as both lyctors and theocratic royalty, they interpret god's will. they have a religious compulsion to follow john's orders and to not question him. the lyctor's familial titles call to christian ecclesiastical titles of sister, brother, and father. john uses his self-appointed divine right and the historical hierarchy of the catholic church to perpetuate systematic violence and allegorical rape against harrowhark. john lived out a jesus narrative, coopted historical european aesthetics, political structures, and religion, recreated the catholic church with necromancy as religious praxis, and is now cycling through the historic legacy of that very system—and in this chapter, and harrow the ninth as a whole, the macro becomes the micro. this family dynamic is just a minute example of what is happening empire-wide.

on a non-religious note: i recently read the incest diary by anonymous, and this chapter reminded me of a few sections of that book where the author details moments where she brings up her incestuous abuse from her father to her family: her mother ignores her, just as she has ignored this fact for the author's entire life; her brother refuses to believe her and threatens to kill himself; her close family friend instructs her to never bring it up again, claiming that it happens to all women and that the author should get over it. mercymorn's callous caretaking of harrow in the previous chapter after gideon's first attack on her reminds me of this, as well as ianthe's mean-spirited snickering. the women in harrow's life reluctantly take care of her in the aftermath (if the family friend is to be believed, this happens to all women; it is entirely believable to me that both mercy and ianthe have been victims of sexual violence as well), and john heals her only to then put her in situations where she cannot say no to him. throughout the book, he steadily defiles her boundaries and backs her into emotional corners where she must confess to him, all the while using the threat of constant violence to keep her weak and scared. the physical is just a small part of the incestuous abuse happening in htn—so much of it is psychological, and it's psychological coming from the entire family. harrow's brother and sisters keep her from completely perishing under the weight of these attacks, but only just. and in doing this, they only enable john's abuse.

Every time Sean Astin makes a statement on whether or not Sam and Frodo were indeed gay for each other in lord of the rings he’s always like “well we have to acknowledge that attitudes around sexuality have changed dramatically over the past several decades and since authorial intent is only up to speculation, the story is open to multiple readings, some of which might have different significances for different groups of people also they kiss on the lips because I said so”

genesis 🌏

harrow as a contestant in a cooking show

chapter 20 of htn is short but has so much weight to it. the entirety of the chapter is this: the whole family watches and cleans up and does nothing else while harrow gets violated over and over again by her eldest brother, at the behest of her father.

the chapter begins with gideon penetrating harrow's pelvis, then god makes her whole again, yet claims powerlessness.

he calls her to his rooms and insists she consume things she does not like and does not want, and she does it, because she has nowhere else to go, no one else to turn to, and no other form of protection.

the chapter ends with harrow seeking physical solace from the body: a woman, her silent caretaker, john's original victim,

and then it is revealed to us that the poem john recites to harrow is the poe verse at heart of humbert humbert's (of nabakov's lolita) backstory.

i really love the way tamsyn muir navigates incest and sexual violence here. it is inarguable that harrow the ninth is a family drama; john is a patriarch in every sense of the word: a divine patriarch, a scholarly father-figure, and a literal father; harrow's narration posits him as fatherly, ianthe's dialogue refers to him as such, the other lyctors half-jokingly call him daddy; the lyctors dutifully call each other brother and sister. they are god's children, in that he made them, literally or hegemonically, and as both lyctors and theocratic royalty, they interpret god's will. they have a religious compulsion to follow john's orders and to not question him. the lyctor's familial titles call to christian ecclesiastical titles of sister, brother, and father. john uses his self-appointed divine right and the historical hierarchy of the catholic church to perpetuate systematic violence and allegorical rape against harrowhark. john lived out a jesus narrative, coopted historical european aesthetics, political structures, and religion, recreated the catholic church with necromancy as religious praxis, and is now cycling through the historic legacy of that very system—and in this chapter, and harrow the ninth as a whole, the macro becomes the micro. this family dynamic is just a minute example of what is happening empire-wide.

on a non-religious note: i recently read the incest diary by anonymous, and this chapter reminded me of a few sections of that book where the author details moments where she brings up her incestuous abuse from her father to her family: her mother ignores her, just as she has ignored this fact for the author's entire life; her brother refuses to believe her and threatens to kill himself; her close family friend instructs her to never bring it up again, claiming that it happens to all women and that the author should get over it. mercymorn's callous caretaking of harrow in the previous chapter after gideon's first attack on her reminds me of this, as well as ianthe's mean-spirited snickering. the women in harrow's life reluctantly take care of her in the aftermath (if the family friend is to be believed, this happens to all women; it is entirely believable to me that both mercy and ianthe have been victims of sexual violence as well), and john heals her only to then put her in situations where she cannot say no to him. throughout the book, he steadily defiles her boundaries and backs her into emotional corners where she must confess to him, all the while using the threat of constant violence to keep her weak and scared. the physical is just a small part of the incestuous abuse happening in htn—so much of it is psychological, and it's psychological coming from the entire family. harrow's brother and sisters keep her from completely perishing under the weight of these attacks, but only just. and in doing this, they only enable john's abuse.

💥🙌👏

Sometimes I’m looking for something online - often “how to” articles - and I want to filter for - like - a website that was clearly built in 2010 at the latest, which may or may not have been updated since then, but contains a vast wealth of information on one topic, painstakingly organized by an unknown legend in the field with decades’ worth of experience. I don’t want a listicle with a nice stolen picture in a slideshow format written by a content aggregator that God forgot. I want hand-drawn diagrams by some genius professor who doesn’t understand SEO at all, but understands making stir-fries or raising stick insects better than anyone else on this earth. I don’t know what search settings to put into Google to get this.

the potters