Beautiful Cover On A True Classic

True.. true..

😢He just needs a hug..

just watching him

Exploring River of The Source Orinonoco, Remedios Varo

https://aw-my-books.tumblr.com/

Me too ♥

Just beautiful, I would read a graphic novel like this. Love the scenic concepts, especially the water tree with merfolk-esque creatures living inside it. Amazing!

Art by Arina Shimolina

These are great!

KIM YONG NAM  -  https://www.monster90art.com  -  https://www.facebook.com/monster90art  -  https://twitter.com/monster90art  -  https://www.artstation.com/monster90  -  https://www.pinterest.es/monster90art/Dung Ho

This is such a cool concept

Here’s how to charge your phone when it’s alive, full of guts, and you are a crab alien who lives in the sea. Scuds are amphibious, comfortable breathing on land as long as their gills stay damp, but they spend most of their time in saltwater intertidal zones. This makes human-style technology powered by heat and electricity improbable, so scuds never really developed that– instead, animal husbandry and artificial selection developed to the point that extremely sophisticated manufactured technology can be created through the surgical combination of extremely derived sedentary animals, alga, and bacteria.

So what powers a phone full of guts? The simplest form of food: sugar water with essential nutrients added. The charging cable also deals with the outgoing (mostly liquid) waste from digestion and the nitrogenous waste from the phone’s metabolic processes.

Ironically, while humans have trouble bringing our electrical technology underwater, scuds have trouble bringing their biotechnology onto land. Even with a lung attachment, biotech innards have a high risk of desiccation and temperature shock on land. For especially large or delicate pieces of technology, the lack of underwater buoyancy can cause internal distention and damage.

PATREON | STORE | Runaway to the Stars

I love the use of light in these paintings, they're beautifully atmospheric.

Art by Michael Handt

This one really tripped me up when I first saw it. Amazing use of perspective and foreshortening in this work though. He was a master at it, foreshor.

In Praise of Dialectics, 1937, Rene Magritte

Size: 54x65 cm Medium: oil, canvas

These are pretty cool

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