I Think One Of The Things That Bugs Me About The Way People Ship Ford In Fidd/author And Bill/Ford, And

I think one of the things that bugs me about the way people ship Ford in Fidd/author and Bill/Ford, and Stan with Fidd/Stan and Stan/Ocs is that a lot of times, since the artist or writer is focused on their ship, they more often than not cut out any inclusion of one brother or the other And to me, cutting off either brother means you don't have a good grip on their characters. There's so much evidence from word-of-mouth Alex to all the myriads of details in the show and books to show that Stan was always, always, and will always think about Ford, have him in his heart like a promise or in his side like a thorn. And Ford? Holy shit Ford has complex feelings around Stan, but there's so much evidence to show that he never stopped thinking about him. Wrote a secret message saying he missed him in the back wall of the dorm he shared with Fiddle in him and his brother's secret code language... Took pictures of Stan WITH HIM into Gravity Falls and then had one on his person when he went through the portal. Even when he was angry at Stan, he still believed there was some relationship there as evidence by the intact swing set in his dreams, even when he was a guy who was too focused on being a hero to see past his ego, he still thought of Stan. He still needed him in his own ways. Pretending like either of them don't keep the other on the mind, erasing the fact that they were both an integral and always present part of each other's lives in one way or another, or SEPERATING THEM so you can ship them and ignoring that Ford basically said he would dedicate the rest of his life to his brother at the end of Journal three isn't just misunderstanding their characters, it's just blatantly not getting the point. I don't know who these "Ford"s and "Stan"s are that you all have been playing with but I watch Gravity Falls, sorry.