One day you woke up and they are practically confirming that Timebomb is canon
I have no doubts
One day you woke up and they are practically confirming that Timebomb is canon
New draw! Finalllyyyyyyyyyy!!!!!!!!!!!!!!
I'ts Zak and Cloe the Sendokai Champions
Okay, but I just wanted to make clear how Timebomb literally destroyed me. Not only because they could've had EVERYTHING on a different time line: being together, working together, living their best life inside a really well done and sane Zaun. They made millions of parallels between the bridge scene and the dance scene, just to make Ekko see that, no matter how hard he tries, how desperately he wants to believe that Jinx is all that the women he fell in love with has left, he won't be able to stop loving her. Being Jinx. Being Powder. He loves her entirely, even after all the bad things she had done. When they fought, he saw Powder in Jinx's eyes, and when they danced and talked during the kiss scene and when he arrived there, he somehow knew that, no matter how many timelines the world had prepared for him to see, she will always be the girl of his dreams in every one. And then he came back just to stop her to end her own life and tried multiple times to talk to her when she thought that everything was lost, that she didn't deserve to live after the little girl she practically adopted sacrificed herself for saving everyone. Then she just stoped detonating the bomb knowing that it will kill Ekko too if he stayed, jumping into the void to avoid hurting him. But he just wanted her to see that she had much more to see, to fight, to live for. That she wasn't alone, that many people still believed in her, loved her, cared about her, and were waiting for her to come back again. The story literally built all this to just make Jinx sacrifice herself at the end and give us and scene where is insanely obvious how much Ekko misses her. He saved everyone. Sacrificed a better life just to save his timeline. Saved her before she gave up. And then they gave him an ending full of sorrow and loneliness after losing the woman he knew that now could've been with him after the battle is done. They are tearing me apart.
Made me think of them
It’s a terrible love and I’m walking with spiders.
Haven’t you heard? I don’t have a heart. Everyone knows that.
nemesisadraste: Emotions aren’t rationnal. Even when they have to devirtualise themself but “killing” each other (unless is for saving someone from the virtual sea) they have to plan it out to fell good about it.
I know. I was more poking fun at the fact that Ulrich and Yumi get so caught up in things here they seem to forget the other will be fine haha. Or they seem to care so much it doesn’t matter that the other will be fine. There are some episodes they react with reason, like in Saint Valentine’s Day when Yumi slips through Ulrich’s grasp and they’re not sure if Jeremie’s going to devirtualize her before she hits the digital sea, or in Franz Hopper, when XANA bugs up the program so devirtualization = death and Ulrich gets hit and both Yumi and Odd cry out because they don’t know that Jeremie fixed the program in time. But in Guided Missiles and Kadic Bombshell there’s no ‘serious’ reason for it.
In the earlier episodes, Ulrich and Yumi don’t react at all to seeing the other non-lethally devirtualized. It’s near the end of season 2 into season 3 that Ulrich starts showing Yumi’s general devirtualization bothers him, like in The Key. He’s holding Yumi’s hand as they’re both hanging off a ledge, and when she’s devirtualized he actually reaches for her hand as it disappears (and her fingers seem to reach for him too). Then his hand curls into a tight fist.
In Straight to Heart, Yumi’s devirtualized, and Ulrich turns and shouts her name, and Odd has to scold him because Yumi’s virtual death is distracting Ulrich that much.
“Forget it! Concentrate on our monster friends!”
In William Returns, Yumi cries Ulrich’s name after he’s blown up by a mine (that sounds really violent written out jfc). I hate to keep referencing Ulrich, but he’s the one who shows it bothers him the most, like in Opening Act, William takes Yumi out and Ulrich growls, “If you’re trying to get a date with Yumi, I’m not so sure that’s the right way.” Or in Distant Memory, similar to The Key, Ulrich immediately notices Yumi’s been devirtualized, and he glances back, glaring.
Then in Guided Missiles and Kadic Bombshell you’ve got the shouted “No!” from Ulrich and Yumi respectively when they see William ‘kill’ the other.
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