Okay, So I Posted My First Story On AO3. *waves Shyly Into The Wide Unknown That Is Called Tumblr*

Just sit and stare a bit.

This is a neutral post

Feel free to stop here and rest before journeying to the posts below.

Crowley gets a call for roadside assistance. Someone has broken down. Have they, really?

A short and silly fic, inspired by the inestimable poet Harauld Hughes (i.e. Richard Ayoade).

There she goes is simultaneously heartbreaking and fluffy sweet and uplifting. I cried several times. Stellar performances.

(part one)

"You idiot. We could have been... US."

this is a part of a collab we did with like 7 other peeps to illustrate quotes from the second season of good omens

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(PLEASE DON’T COPY/EDIT/USE/REPOST, REBLOG INSTEAD)

the question of fic comments is very straightforward actually. readers do not owe writers comments. writers do not owe readers fic. there is no bargain, no transaction, no debt.

fic is a gift. comments are a gift. gifts are exchanged between friends, out of love, not out of obligation.

I write for myself. I post it for others, as a gift, because their joy brings me joy. I read for myself. I comment for the author, as a gift, because their joy brings me joy. perhaps we were not friends before, but we are now, however fleetingly, because we have given each other gifts out of love.

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

An early Halloween cartoon for New Scientist

Sometimes you just want to make your heart cry for no reason. And this does it. Every time.

Gone

Been working on this for some time ever since I saw The Nice And Accurate Prophecies week and I just had to join because I'm brain rotting about them.

So here's DAY 1: “And there will be great lamentations.”

Here's a still version of it just so it can hurt more

A friend asked me to do a 70s Crowley dancing to Espresso Macchiato, and it was too funny an idea to pass

So here, have some demons dancing to a song that definitely goes well with their dancing skills

I don’t follow Eurovision, I have been ofc dragged by my Queer fam to watch a few entries (they like to watch me watch the performances)

This year and they only made me listen/watch one performance because they were sure I would love it, and they were not wrong

My cartoon for this week’s Guardian Books