“It’s only recently that I’ve come to understand that writers are not marginal to our society, that they, in fact, do all our thinking for us, that we are writing myths and our myths are believed, and that old myths are believed until someone writes a new one.”
— Kurt Vonnegut
i LOVE the idea of "i can't win, but you can lose" in fictional confrontations it is SO fucking tasty. the human nature to self destruct and the human nature to survive by any means necessary combined at its finest.
Douglas Adams is the best when it comes to describe characters
putting my 2022 goals here so i can hold myself accountable to finish them by next year:
create a writing schedule and stick to it
begin and finish draft 1 of Pawn
begin draft 2 of Of Souls and Swords
tell me about your 2022 goals, if you have any!
Intro
By now, most of you have probably know that that I’ve been planning a new book, and I’m happy to finally introduce it to everyone as my side WIP! It explores a lot of themes and topics that are very close to my heart. I hope to be more open about this WIP, and I’m very excited to share it!
Putting this much info about my WIP online is a huge admission and gesture of trust, but I trust you guys. I hope you’ll continue to prove that my trust is not unfounded.
Basics
Title: Pawn
Main character: Alice Lee
Age group: Middle-Grade/YA
Genre: Fairy-tale retelling of Alice In Wonderland / Alice Through the Looking Glass, fantasy
Elevator pitch: The Chronicles of Narnia meets Legendborn in this Asian Alice retelling
Synopsis:
As children, Alice Lee and her older sister Evie created Meer, an imaginary world where they would finally belong. But as the two sisters grew older, they grew apart--in both emotion and imagination.
Four years after she first abandoned the fantasy land of Meer, Alice’s life forever changes in a horrible accident that leaves her injured and Evie dead. She has no memory of what happened that night, and she fears that there’s something more to the truth. Now, one month after the incident, she still doesn't remember her past.
But her past hasn't forgotten her. When she encounters an old friend from Meer, Alice discovers that the imaginary world of her childhood is very real—and in trouble. The Red Queen and the White Queen who ruled the land all those years ago are suddenly and brutally enforcing their reign. Her old friend is part of the rebellion that fights back against them--and he suspects that Evie’s death was no accident.
Hoping to find answers about her sister’s death and her own scars, Alice soon finds herself involved in a deadly game where the Red Queen and the White Queen control the chess pieces. One wrong move will cost Alice the board and any chance at reclaiming Meer. Will she ever be more than a pawn in a game? Or will she play straight into her enemy’s hands?
Inspiration
I’ve always wanted to write a retelling, but there were so many stories to choose from. In the end, though, there was really only one I could begin with, and that was Alice in Wonderland.
Lewis Carroll's Alice consistently expresses a confusion about her own identity and a stubborn adherence to logic, despite her travels being distinctly illogical. She clings to her old self in a world where she's someone new--someone other. I often write Asian heroines, and it wasn’t too hard for me to make the connection between that and identity of the self.
How do others define us, how do we break free of those definitions, and how do we define ourselves? Those are some of the big questions in my WIP. It’s set both in the real world and in a fantasy world, so it gives me more room to explore modern issues.
That’s not the only thing I want to do in this book, though. Alice just appeals to me as a stubborn, practical heroine who’s very set in her ways until her circumstances change completely. I found myself asking questions of the original story: What if Alice’s sister had found Wonderland first and introduced it to her? What if Alice rejected it? What if it changed, completely and irrevocably? And what if Alice was then forced to return and face her past?
This is a very personal WIP, due to the topics and questions it incorporates. Honestly, it’s a very indulgent story, but it’s one that I enjoy a lot. I hope to share more about it and my process in the future. Thank you for reading!
nobody might not relate to this but im posting it just incase XD
(Btw forgot to put this in my last ask but I love the new aesthetic)
thank youu ❤
relationships are so much healthier when the goal is to experience life together and not to try to make the person into who you want them to be or to make them do what you want them to do.
Intro
Hey, it’s Calliope, and she’s back with yet another low-effort post! I’m making a part 2 to my first post because I recently found some very old writings of mine from when I was just beginning to write, and I want to give them the attention they deserve! There were also a few lines that I really wanted to include in the last post but couldn't fit, so I'm adding them in here. Plus, this has now apparently become a trend, so I'm legally obligated to make a part 2 /j
One sunny day, there was a horse fair in Sunnydale.
4/10
As an opener, this line is drier than a desert
The title of this story is Unicorn Academy: Through the Magic Portal. It was a ripoff mashup of Harry Potter and Black Beauty, and was borne during my unfortunate horse girl phase. Basically, it was about two girls who buy horses that are secretly unicorns, and are magically transported to a unicorn school
Remember how I’ve always said that my first story was a Seekers fanfiction? Well, as it turns out, I was wrong, because this is the first story in my first writing notebook. I even drew a cover for it because when I was a kid, I fancied myself a writer and an artist. (Since then, I’ve discovered that I’m definitely one and not the other.)
Once, giraffes had short necks and were in the horse family.
5/10
...what
I’m intrigued, but in a I-want-to-read-this-just-to-see-how-laughable-it-is kind of way
The title of this story is called How the Giraffe Got Its LONG Neck. But the story itself still makes no sense, even with context
Yeah, I know, I wrote a lot about animals when I was young okay-
Once, there was an old fisherman whose wife died and before she died, she gave birth to two sons, Damon and Jason.
7/10
I’m definitely intrigued, but the sentence should be cut down a little more
This one is named The Magical Boat: A Fable. As a concept, it’s not too bad. In practice...you get quotes like this one: “While the fisherman was at the market, he saw a boat. He didn’t know why, but he wanted to buy it, so he bought it.” (Yes, this is a real quote.)
This line is giving major Chronicles of Narnia vibes and I like it
“Kelly was dreaming. A robed woman knelt down by an altar.”
8/10
I actually quite like this line! This story was a sequel to another story called Secret Realm, where (shocker) the characters found a secret realm. Unfortunately, I lost the Google Doc where I wrote the original story, so I have no idea where this one was supposed to pick up.
I like this image a lot, it gives me fancy fantasy prologue vibes
Subtract the “dream beginning” and I would like it more
“The only joy I ever got out of my early life was visiting the church next to the shabby orphanage I lived in.”
7.5/10
I wrote this story around 6th-7th grade and I remember being really proud of it. I even posted it online. It’s probably lying in some forgotten corner of the Internet at this point-
Religion doesn’t play any role in this story, the only reason a church is mentioned is because it was the home of a piano that the main character loved. Music was the main character’s only joy in life, etc. etc.
Giving Jane Eyre vibes, I kind of like it!
“Because my mother raised me to be the next queen, I know when and what fork to use at dinner. Because she didn’t raise a fool, I know what artery to stick it in so you’ll bleed to death.”
8/10
I’m like 80% sure I got this from a writing prompt on the Internet, but I can’t find it anywhere? So for the purposes of this post, I’m going to assume I wrote it
This sounds like belongs to a YA fantasy with a not-like-other-girls assassin-queen MC who’s leading a revolt to claim her crown, yet can’t decide which guy to pick in a love triangle
It's super dramatic and I kind of love it anyway, so I’m going to give it extra points!
“The entire town had turned out to watch the emperor’s killer die.“
8.5/10
*bangs head against wall* why didn’t I continue this wip it sounds SO COOL
This line's not a 9 because I don’t think it’s *quite* there?
I definitely want to return to this one someday! I shelved it to make room for other projects but I hope to get back to it!
Hi! Sorry for the spam, but I've seen your blog for like 10 minutes and I already love it. Wishing you a great day, lots of writing inspiration & claim the stars ^^
oh my gosh thank you so much, this ask honestly made my day! wishing the same to you <3
1. Don’t prolong the humor
As a reader, you’ve most likely seen this happen before. It happens when an author takes it upon themselves to make absolutely sure you understand that a character said something funny. This breaks the widely accepted First Commandment of Humor: if you have to explain a joke, said joke loses some of its humor. (Unless explaining the joke would make the scene funnier, etc. in which case you should keep that in! There's always more than one exception to a rule.) When this happens, the scene often slows down--way too much--and the humor quickly fades into annoyance for the reader. Yeah, the joke was fun at first, but it’s pretty much fulfilled its maximum humor.
How can you avoid this? As a reader, remember that you never want the author to patronize you. As a writer, just trust your readers. Tell a joke and just let it stand. Trust that the reader will notice. Don’t drag it out longer than necessary: that kills all the pacing and humor of the scene.
2. Diversify the delivery
Everyone has their own way of telling jokes and reacting to jokes told by others. Some people tell jokes with a deadpan, almost serious delivery. Others can barely get through a joke without laughing to the point of tears. Whatever the case may be, no two people will be the same!
Another way to write good banter is to mix up the types of humor present. For example, if one of your characters responds to everything with a sarcastic quip, don’t make the rest of your characters aggressively caustic towards one another.
Also, try mixing up what forms of comedy each character uses. Have a character laugh exclusively at bad puns and nothing else. Maybe another character takes themself way too seriously and refuses to find any humor in ridiculous situations. Or maybe a character can’t tell a knock-knock joke to save their life. Plus, a bonus of diversifying the comedy you use in your banter is that it’s a great way to flesh out your characters!
3. Pacing
The best way to create natural dialogue is make sure it sounds natural, and one way to check that is to look at the pacing. If the banter sounds stilted and awkward, no one is going to laugh. As you read it, listen for awkward pauses or lulls in the dialogue that might slow it down. Sometimes, you should ask yourself: do the responses sound realistic? Because let’s be honest: when you’re bantering with someone, you usually don’t have much time to think of very clever and specific comebacks on the spot. (Actually, I usually find that I come up with said comebacks hours later, when it’s way too late to use them.) I choose to only apply this rule to awkward or forced-sounding dialogue, though. As a banter lover, I never limit myself in writing banter! If I don't like how it sounds later, I can always cut it. I encourage you to do the same. If writing banter makes you happy, then write as much as you want and don't let me tell you what to do!
4. Tone
True banter should always be lighthearted or mischievous, but it should never be malicious or one-sided. There’s a thin line between bantering and bickering, in my opinion. Banter is a teasing, fun, and lighthearted argument between people. Bickering is banter but with often malicious undertones, and it may be one-sided.
For example, Banter would not be Character A pointing out all of Character B’s flaws. Banter would be A “criticizing” B clearly as a joke, and B defending themselves good-naturedly!