im sorry but good omens casting benedict cumberbatch as satan is literally the funniest thing ever
Find yourself a man who proposes to you using a ring pop candy
zuko, but he has the face of a beautiful woman
Being a young adult is so strange. You enter a coffee shop. The 20 year old girl waiting behind you cried all night because she just came to a new city for university and she feels so alone. That 27 year old guy over there works a job he is overqualified for, he lives with his parents and wants to move out but doesn't know what to do about it. That one 24 year old dude already has a car, a house, and a job waiting for him once he graduates thanks to his dad's connections. The 26 year old barista couldn't complete his higher education because he has to work and take care of his family. The 28 year old girl sitting next to you has no friends to go out with so she is texting her mother. That couple (both 25 years old) are married and the girl is pregnant. The 29 year old writing something on her laptop has realized that she chose the wrong major so she is trying to start all over. We are not alone in this, but we are actually so alone. Do you feel me
we finish this together
The biggest misconception in public schools is that literary analysis is about proving you can be right or wrong about a book you read
Literary analysis isn’t about the book
It’s not even about being right
It’s about performing an investigation and presenting your case to the jury
It doesn’t matter if your defendant killed that guy or not. If you can convince the jury he didn’t, you’ve won
And the incredible life skill of spinning bulletproof bullshit out your ass with a handful of facts and a prayer is soooooooo much more valuable than anyone’s ever gonna tell you
Always an angel never a god | Vi and Jinx
Thirty love letters? That’s...wow. Whoever they’re for must’ve lit up something rare in you. Kinda makes me wonder what it’d be like to be written about like that
I didn’t write them because I was full of love. I wrote them because I was starving for it. Because I kept trying to turn pain into poetry and it still tasted like blood in the end.
Each letter is a small funeral, a small place to bury a dream that never got to live. I wrote to hands that never reached back. To eyes that never looked at me like I mattered, to ghosts that haunt the shape of love but never stay long enough to be real.
I wrote them because no one told me how quiet heartbreak could be, how it doesn’t always scream, how sometimes it just sits next to you like a tired friend and watches you rot from the inside out. They were just things I needed to say before they drowned me.
Things like:
I miss you even though there was never a you.
I love you even though no one ever stayed long enough to be loved.
Don’t go even though they already did.
I wrote thirty love letters and someday, someone will find them and pretend they were about them but I’ll know the truth.
They were for the hollowness, for the version of me that begged for someone to stay and learned that no one does.
God I love how Donna and Ten at the start of Unicorn and the Wasp are like “1920′s party! HELL YEAH” and then they spend 99% of the time just gossiping with each other instead of, like, interacting
It's heartbreaking to hear someone say, 'I wasn't always like this. And by 'this,' they mean their anxiety, their fears, the little things that make them uncomfortable, the songs that make them look away and hold back tears, the way they struggle to trust again. As if 'this' version deserves any less love and care than all of the people they have been. As if 'this' is something that makes them a burden.
Crystal Lanerie Taylor.