AA Siblings Week Day Six:

No but seriously why is Lily’s patronus so unnecessarily gendered?

JKR said this in a interview in 2007:

Question: James patronus is a stag and lilys a doe is that a coincidence? J.K. Rowling: No, the Patronus often mutates to take the image of the love of one's life (because they so often become the 'happy thought' that generates a Patronus).

I’m assuming it was Lily’s patronus that changed not James because he already had a stag animagus at 15 and the only other person we know both their patronus and animagus form is Mcgonagall and they are both cats. So if Lily's patronus changed to be “the image of the love of her life” why is it a doe not a stag? How is a doe the image of James? Snape's patronus is apparently the "image of lily" and it appears as a doe instead of a stag to match his respective gender. What is going on?

(also guys im looking for a watsonian reason. I know the real answer is JKR's adherence to the gender binary)

au where severus goes to fetch harry from petunia’s after years of not feeling right about it. he’s glad he did. part 1.

art from APRIL that I COMPLETELY FORGOT ABOUT

Fyolai Duet.

Been listening to birds of death(the one Fyodor perform with his cello) the original piece has a piano duet so I've come to conclusion on drawing Nikolai with piano. :))

Re-read this bit in Half-Blood Prince again and thinking about how blatantly it seems to be telling us that Harry is biased against Snape and our impression of him thus far has been clouded by seeing him through Harry's eyes (emphases mine):

‘The Dark Arts,’ said Snape, ‘are many, varied, ever-changing and eternal. Fighting them is like fighting a many-headed monster, which, each time a neck is severed, sprouts a head even fiercer and cleverer than before. You are fighting that which is unfixed, mutating, indestructible.’ Harry stared at Snape. It was surely one thing to respect the Dark Arts as a dangerous enemy, another to speak of them, as Snape was doing, with a loving caress in his voice? . . . ‘He tried to jinx me, in case you didn’t notice!’ fumed Harry. ‘I had enough of that during those Occlumency lessons! Why doesn’t he use another guinea pig for a change? What’s Dumbledore playing at, anyway, letting him teach Defence? Did you hear him talking about the Dark Arts? He loves them! All that unfixed, indestructible stuff -‘ ‘Well,’ said Hermione, ‘I thought he sounded a bit like you.’ ‘Like me?’ ‘Yes, when you were telling us what it’s like to face Voldemort. You said it wasn’t just memorising a bunch of spells, you said it was just you and your brains and your guts - well, wasn’t that what Snape was saying? That it really comes down to being brave and quick-thinking?’ Harry was so disarmed that she had thought his words as well worth memorising as The Standard Book of Spells that he did not argue.

Half-Blood Prince, Ch. 9

There's a direct contrast being drawn from one scene to the next between Harry's perception of Snape and Hermione's less-biased, more critical one. Where Harry hears a "loving caress" for the dark arts in Snape's voice, Hermione hears the passionate, determined explanation that Harry gave a year earlier - one based in a firsthand understanding of what it takes to protect oneself from harm against dark magic.

This is also the first scene in this book where we see Snape teaching a class. The first time he shows up in the book is when he's entrusted by Tonks to deliver Harry safely to the Great Hall from the school gates. So the first encounter with Snape in HBP is as Harry's protector, be it begrudging or not, and the second is one where an immediate parallel is drawn after between him and Harry, Hermione questioning the latter's bias and hinting to the reader that judging him based on Harry's perception may not paint an accurate picture of Snape. Through the rest of the book we see Harry have an increasingly hostile relationship with Snape while developing a great fondness for the Half-Blood Prince, despite it also being Snape, only Harry doesn't know that, so he's able to see his humor and cleverness.

This theme is a dominant one throughout the book, though it doesn't become clear until the end when we find out Snape was the Half-Blood Prince, but by then our impression of the Prince is murky given the unexpectedly violent outcome of Harry trying out Sectumsempra (and it can be argued he's to blame for doing so against another person instead of finding out what the spell does in a safer way), and our impression of Snape is even worse given that he'd just killed Dumbledore. We don't find out until the next book that Snape had been fighting on the same side as Harry the whole time, risking - and eventually losing - his life for the same cause. In retrospect, Rowling (boo, hiss) spends a lot of time in HBP dropping breadcrumbs that Harry's impression of Snape - and thus the reader's - is affected by bias and thus inaccurate.

as promised, here is the flashback scene from p3wm act 4 where strega escapes from the kirijo group

evil yet silly

FoolMoon art for Persona 3 Secret Santa 💖✨️

im mr edgeworth’s favourite little inmate

I don't know if many of you have Tik Tok (personally I don't, I hate it), but a friend ( @emilover-1 ) shared me something that I felt the necessity to share BECAUSE IT'S SO COOL

This tik tok here

Anyway for the new people in my blog that somehow have arrived in this last days/almost a week... Hi, welcome. I don't know where you all came from but I appreciate you all's presence 👋🏻

I wanted to use this opportunity not only for you all to support that because I can't (lol, still send support) but also to add an analysis I did time ago to complement

And also here's there a post for Mori's reaction with the burnt coat in case anyone's interested—

If that person sees this... Hi :D you are cool, your post is amazing 🥰