TRUCY AND JINXIE?????? OMG THEY ARE SO UNDERRATED

Immersive gaming

“He who fell out of the optimal solution”

Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss.

There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene.

Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”.

(By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.)

“Bungou Stray Dogs Chapter 30 - EasyGoingScans’ Translation”

you know what i don't mind that I got a penalty because jesus christ that insult

Said Snape…

An analysis inspired by my username :)

There are about 300* times in the series that Snape’s delivery of dialogue contains additional descriptives beyond “said”, giving us insight into his tone. I thought it might be interesting to take a look at what this can tell us about Snape’s character. And if you’re a fic writer looking to have your Snape reflect canon!Snape as much as possible (or even if not, and you’re looking to make choices that will distinguish him from canon!Snape), I figured this might be a helpful resource.

[Adverbs] Snape says things…

...softly or quietly, most often, followed by coldly, coolly, or icily, and then smoothly, silkily, or sleekly.

This trend holds when we look across not just adverbs modifying “said” but all verbs of speech. Here's how those descriptors are used across the books in the series:

And here's what that looks like split up by the different eras in Snape's life:

Snape is most often described as saying things “repressively” or “dismissively” as well as “calmly”, “slowly”, or “deliberately” in his double agent days, which are adverbs that convey a certain amount of control over the conversation, information, and his own temperament. Taken together, this may reflect his increased caution and the high-stakes nature of information at this stage.

Although Snape displays little patience for those not at his level even in his teenage years (“just shove a bezoar down their throats” comes to mind), his dialogue only reflects this with adverbs such as “sharply” or “curtly” once he has established himself as an authority figure. We will see a similar pattern below with verbs and adjectives conveying impatience.

[Verbs] When Snape doesn’t simply “say” something, he…

...Most often is expressing a negative emotion: shouting, yelling, bellowing or snarling and spitting. The largest portion of Snape’s shouts occur in HBP, specifically in Flight of the Prince, as he tries to direct the Death Eaters to leave and faces Harry. But looking across these first two emotionally-charged categories, about 30% of these (perhaps not surprisingly) occur in Prisoner of Azkaban, where Snape is spends a notable chunk of the book in an extremely emotional state.

However, he's not always shouting or snarling; approximately 15% of the time when he is not simply speaking, he is whispering or hissing, which complements the 25% of the time that he is speaking softly or quietly.

Let's look at this in relation to Snape's timeline:

It's fitting that the majority of Snape’s inquiries occur after Voldemort’s return, when he returns to his double agent role, gathering intelligence.

I also think it’s interesting what we don’t see in Snape’s school days. In childhood/school there’s relatively little superciliousness—instead, we see more argumentation; Snape argues, demands, pants, splutters, and backtracks.

Snape’s brand of snippy impatience and condescension (sneered/snarled/snapped, etc) is most evident in his days as a professor (before Voldemort’s return through his years as a double agent). In his deep cover years it declines; he no longer has the time and he’s focused on the task at hand.

Let's now look at the adjectives used to describe Snape's tone. Snape says things in a tone of voice that is…

...Most often soft, low, or quiet, followed by cold or icy, and then by sneering or sardonic. I find it fitting that Snape’s tone is described as impatient in GOF and HBP, both books in which Snape spends the year on tenterhooks, waiting for the axe to fall.

When we look at how these adjectives are distributed across Snape's lifetime, we can see that Snape’s vocalizations described as “terrible” only three times, and they occur at pivotal moments: Lily’s death and his own. Additionally, Snape’s unconcerned or bored tone comes out during his double agent years, and 3 out of the 4 times it is used as an affectation.

Misc. notes: It is also notable when there are a lack of descriptors surrounding Snape’s speech altogether. There are definitely fewer in the first two books, likely given their shorter length and lower reading level. However, there are three moments in Deathly Hallows that, taken together, really stood out to me: The Dark Lord Ascending, Voldemort’s visit to Hogwarts to take the Elder Wand, and Snape’s meeting with Voldemort in the Shrieking Shack (no descriptions of speech besides "blankly", up until the moment of Snape’s murder, during which he protests and lets out a terrible scream). The lack of description of Snape's speech is a neat nonverbal way to convey to us readers the flattening effect of Occlumency.

Anyway, hope this was interesting, and I’d absolutely love to hear any additional insights you all pull out of this!

*This is by no means meant to be the definitive, exhaustive analysis of Snape’s speech. This was completed doing simple searches for dialogue with “Snape” (didn’t have the raw text to write a script or anything), so it’s entirely possible that I’ve missed several instances of Snape speaking when referred to as “he” and the dialogue in question is several lines away from his name. However, I believe those cases are relatively few, so I’m fairly confident that I have a majority of the instances in which Snape’s dialogue is described with an adverb, adjective denoting tone, or with a verb other than “said”. It’s likely the remainder would follow similar trends if they are dispersed sporadically throughout the series.

Spoilers under the cutoff because there is no way I'm jumpscaring ya'll with the biggest gut-punch in the game. Also I'm pretty sure it'd be taller than me if printed out so bare with me!

I'm going to be talking about a very important section in Case 5-5: Turnabout for Tomorrow...

...because good god almighty, can we talk about how GOOD Simon's Mood Matrix segment is?!

Pretense: Facing Your Fears

Let's set the stage for Simon and Athena before we build to what I want to talk about. Context is important and in this case it helps make the following revelations that much more effective.

Both characters at this point have gone through hell and high water to save the other from a dreadful fate; Simon enduring 7 years on death-row to protect Athena from punishment for Metis' death, Athena studying law in spite of her intense fear and trauma to undo the damage done by his false confession. By the time we get here we've seen how deeply Athena is affected by her trauma. We've seen how far Simon is willing to go in the name of protecting Athena, going so far as to disregard his own sister's concern for his safety.

By the time of Turnabout for Tomorrow's trial, they have practically been pushed to their breaking points; Athena is indicted for Clay's murder and is confronted with the idea that she herself is responsible for the death of her mother - her memories of UR-1 resurfacing and being pushed back at the same time as the worst-case scenario becomes apparent. Simon's efforts to save Athena from this punishment have been rendered practically useless with her incarceration, the phantom slipping from his grasp, the guilt Athena would bear being the only thing he stands to protect her from.

At the end of Phoenix and Edgeworth's initial skirmish and seeming Guilty verdict, Simon steps in with one last effort to protect Athena's innocence in this matter. Even though she's set to be convicted for Clay's murder, this carries a lot more weight if ever she realised what he saw that day would prove her guilty of killing Metis Cykes.

Athena - despite a practical mental breakdown earlier that day - pushes herself to stand at the Defense's bench to achieve what she has been working towards from the day Phoenix inspired her to persue this career. She's very much still afraid, still rattled by the accusation Aura had made, stating that she wants to run out of the courtroom as she speaks. Despite this she pushes herself to stand there and ask Simon for the chance to face her worst fears - that of the UR-1 trial and the horrible idea that she could be guilty herself - by letting her reveal his true emotions.

Simon accepts, confident that his prowess in psychology can deflect her efforts, though nevertheless wary of the emotions he has kept under wraps for 7 years. Athena (& Phoenix I guess...) slowly dismantle his testimony in full-knowledge that he is lying for a reason - one that could potentially destroy her if proven true. Both of them are staring down the worst-case scenario for each other and trying desperately to keep the other away from that event.

Let's go over that testimony then, shall we? I'll go through it section by section.

Part 1: The False Confession

Simon's lie relies on people seeing him as a heartless killer. We see him build and reinforce that image in his trials, acting as beligerently and violently as he can muster without causing any real damage. By this point he's already slashed at & sicked his bird on just about everyone who's ever stood in court, save for Bobby Fulbright. He's had to be shocked by him just to stop.

Suffice to say it was pretty effective since it took a hostage situation to convince officials to give UR-1 a re-trial (even after the HAT-2 bombing implied that the crimes that day were purpetrated by another party).

To this end, he brought out every trick in the book to keep his true memories on the event at bay from prying eyes; his closed-off nature, his mastery of psychology, his training with blade and hawk alike, his time in prison exposed to the worst humanity had to offer. All of these were ample tools in ensuring that his image is not broken.

His anger and joy regarding his false murder are almost complete lies. At best, he's enraged that such a thing happened at all and glad that his scheme had worked to protect Athena. The phantom later on demonstrates that people can indeed fake their emotions, though some genuine feeling will slip through the cracks if you try.

Enter Athena. Not only does she have a keen ear for one's tone, she has studied psychology and put her mind towards applying her talent to the coutroom. Her Mood Matrix program makes what she hears apparent to even the least informed person and she's already cracked a good number of testimonies with this power (well, two in 5-3 since Apollo and Phoenix did all the others, though they couldn't have without her explaining things).

For most people, Simon's anger would overshadow the relief he felt when he found Athena in the laboratory. Just enough to keep his lie sound for the untrained ear. That same relief for Athena's safety is weaponised in the next two lines as he talks about how cathartic the act was, cementing his intentions to others.

His relief at Athena's safety did need some explaination - leaning on people's poor perceptions of Metis to help his story along - though aside from that? This testimony is practically impenetrable with only one easily explained oddity that only Athena could have ever picked up on.

As I said however, one's true emotions can't help but leak out. Even the best liars like Simon and the phantom can't help that.

Part 2: A Ronin's Remorse

Only two statements change at this point so those are the only ones I'll show here.

One, he's dropped the anger in the second line to focus on his relief. Before he only mentioned that he found her instead of Metis, using his anger to mask his thoughts as frustration that he had to wait for his plans to go through.

Two, his joy is replaced with intense sadness towards the act of plunging the katana into Metis. There's no mention of catharsis here; only describing what had happened to her. To that, he would feel a great sadness.

Naturally he would grieve Metis, though that would not track with his prior satisfaction with the act. So he leaned on Athena again to explain his emotions, and that does explain things rather cleanly.

Note that this is the only time his Noise Level drops, too. It goes from 100% to 40% here - it's the closest he's willing to get to how he truly felt about the event without giving the game away. Any closer and he would start revealing emotions that do not match his words in the slightest.

Part 3: Brief Shock

His noise level rises to 60% here, so the emotions displayed are less accurate to how he truly felt. Although his tale of grand homicide has shifted somewhat...

Now, his concern at the beginning wasn't killing Dr Cykes to rescue Athena; he entered the room because he heard that Athena was upset in the other room while looking for her in the Psychology Lab.

How true it is that Athena was crying at that moment is debatable given future revelations, though nothing's contradictary about this section. Perhaps at this point she hadn't thought to put Metis on the repair table having only just woken up, reacting much like any child would at the sight of her mother's body before the idea crossed her mind. We do have an hour's gap between Metis' death and Simon leaving the lab, after all.

In any case, Simon's relief has turned to shock in the moment he finds Athena in the Robotics Lab. Any mention of Athena at this stage is long gone - he only talks about his hurry to the Robotics Lab. It isn't clear what he would be so shocked by at this stage. Most anyone would know, not much was out of the ordinary when he walked into the room.

Look at how he hesitates before arriving at this explaination. His words are a lot shakier than they were for prior testimony, the excuse he gives a blatant lie to cover his tracks. The noise level goes up again with this as well, from 60% to a full 100%; Simon has completely obscured the events he witnessed once again.

This was the closest Athena and Phoenix got to poking at what he really saw in the lab and it clearly rattled him. Before, his reasoning was sound. Now, we're left wondering what he actually saw in there to result in that much shock...

Part 4: The Blade of Evidence

Unfortunately, this is where the Mood Matrix becomes useless. Simon has explained his contradictory emotions deftly up to this point; his relief at Athena's wellbeing, his grief at the loss of Metis Cykes, his surprise upon entering the lab. In stark contrast to a good few people subjected to Athena's therapy, Simon is the only one in the game that completely evades her attack. He knows how she operates & is well-versed in analytical psychology himself which shows in just how reasonable his explainations are up to this point.

But stacking lies upon lies only gets you so far until it begins to contradict the one thing he can't re-interpret; evidence.

This is the only time he takes damage during his entire time on the stand. When his words no longer match what is physically verifiable, there is no recourse - his psychological prowess cannot disprove cold, hard facts. Just as Athena's abilities cannot be used as hard proof, rather requiring proof in and of itself (usually in the form of a confession from the witness).

Simon can no longer lie about what it is he saw in the lab that day. There are no avenues through which he can explain his shock and by now Athena & Phoenix have dug through his thoughts quite extensively. With that decisive cut they've managed to open Simon to one last attack...

...saldy, by opening one of his deepest, most painful wounds.

Part 5: That Terrible Scene

By this point it's clear everyone is getting much more than they bargained for. Simon's shock was only the tip of the iceberg; a raging storm of emotions had been hidden from earshot for 7 long years, far away from even Athena's keen ears.

The fact she's surprised that Simon has been carrying this for so long shows just how early he's managed to keep this under a lid, that he's had to hide it from young Athena as well (who's hearing was much more sensitive than now).

Athena herself has managed to endure the sound of people's hearts this entire time, in stark contrast to when being around people too long made her dizzy to the point of needing headphones. We've only seen two emotions at most go overboard at once with Marlon Rimes and she managed just fine with that noise - the grief and anger associated with the loss of his lover Azura Summers (at that point her empathy is the only thing that really shows). Simon is different. He feels everything all at once with such intensity that it pains Athena to hear for the first time since her debut. It changes the Mood Matrix screen we see here to purple for the first time that wasn't her demonstrating something to her co-workers (see Yuri Cosmos' MM sequence). Beyond volume and intensity of emotion, the fact that the person she cared so much for as to practice law to save from death row is experiencing so much mental anguish himself is distressing. Something terrible happened that day. It shook the ever-stoic Simon into a state not seen in even the most wild witness so far. He's hidden it for Athena's sake this entire time, but... why?

He's intentionally vague about it this time, compared to his more detailed accounts of the events. "That terrible scene!" leaves a lot to the imagination and nothing that comes to mind is comforting.

We all know why Athena's the defendant in this trial; Aura thinks she killed Metis Cykes that day. Edgeworth supports her theory through evidence that even Phoenix can't counter up to this point. Simon intervened in order to stop their efforts to indict her by lying about what happened that day.

Lying about... what, exactly, is the most concerning question. At this point the only two plausible explainations are that either Simon or Athena had done it. Savvier players might remember that Clonco stops by for a recharge at 2PM, same time as the crime, though Simon and Athena left the room at 3PM. There's a SMALL chance that what he saw could contradict what's been posited so far, though chances aren't looking great.

Also note that his line "I had no choice but to kill my mentor!" has gotten shorter. No mention of not wanting to hand Athena over. Just declaring in sheer hysteria that he did it and had no choice but to do it.

Simon is in a panic. Athena is reeling from her old friend's inner turmoil. No one is quite sure if what's about to be revealed will be in their favour.

He's very obviously concerned with Athena first and foremost; this entire act goes against even his own sister's wants, after all. That's where the centre of his most complex emotions lie.

And what do we find at the eye of the storm?

Part 6: Fixing Her Mother

Dr Cykes was already dead. Athena stood before her body on the repair table, bloody katana not too far away from her. She's covered in blood and no doubt in shock, but otherwise safe and sound.

Then Simon drops the bombshell; Athena looked at him with this look on her face and told him the following:

So.

Allow me to impart how gut-wrenching this entire sequence is.

On its own, it's already dark as dark can be. A smiling, dead-eyed little girl covered in blood is a sight to shake the hardiest to their core (the suspension of disbelief not withstanding - this is a cartoon depiction). I'm not the biggest fan of how Dual Destinies tends to jump between 3D and 2D anime but it can work. And boy does this work.

In context, this is Athena looking at Simon when he finds her mother Metis dead on the repair table. There's a bloody katana right by her and a stab wound on Metis. Athena has her mothers blood on her. She's smiling. Completely detatched from what is going on around her while looking Simon dead in the eye, telling him that she's about to take her mother apart to "fix" her.

Simon is in a whirlwind of emotions over this; grief at his mentor's death and for Athena's loss, relief that she's alive and well, furious that Metis had been murdered, and shocked that not only that this happened, not only that it seemingly happened because of her daughter... but that she's smiling as she's telling him the most horrific thing he could hear after seeing all of this.

Although. Simon isn't the only one Athena is looking at in this image.

She's also looking at herself. Her older self, the one that's just been told she killed her mother and how she intended to "fix" the situation.

Athena has not processed what happened that day by this point - her memories are still tucked away behind 5 Black Psyche Locks as a truth even she isn't aware of. Some parts of that memory come back to her here; the memory of stabbing someone with a blade, telling Simon she's going to "fix" Metis... but nothing more. The phantom is still hidden away from view. So the only logical conclusion she can come to at this point is that she did kill her mother that day.

She processes all of that while looking at herself, dead in the eye, covered in her mother's blood and smiling as if nothing's wrong.

She's looking back at the most innocent form of herself during the single worst event in her life. And she's smiling back at her.

Even better, she's looking at YOU. The player. Taking all of these dreadful things in while you and Athena are forced to witness something that shook SIMON SODDING BLACKQUILL to his core, before Athena finally breaks and screams in a combination of denial and anguish that her worst fear had come to light.

It's only worse when Simon explains that Metis Cykes truly did love Athena. Everything that she had done - especially the headphones Athena hated oh so much - was done to help her lead a normal life in spite of her condition. Simon, being well attuned to the needs and motivations of others, picked up on this and saw the Cykes for more than what they appeared. He did not want to believe that Athena would so callously kill her mother and rip her apart on her own machine. Without any evidence to prove the contrary, he took the fall to save her from guilt he saw as unjust. It had to be some kind of mistake... right?

Athena, on top of reliving UR-1 under the worst possible context, is practically frozen in her shivering pose the entire time. Without any evidence to the contrary, she has no reason to believe it wasn't her. Her faith in herself has completely shattered at this point. She was brave in wanting to confront the truth Simon had hidden all these years - especially after what Aura said while she was in the Detention Centre. Unfortunately it only revealed the worst for both characters; Simon's drive to protect Metis' daughter had been for naught, and Athena now has to live with the knowledge that in the abscence of decisive evidence, she had set every terrible thing that happened to the her, Simon, and Aura in motion 7 years ago.

I could nark about Phoenix's involvement here. How he steals much of Athena's thunder and how she would have been more fitting to point out the flaws in Simon's testimony, perhaps even showing some growth as a standard evidence-presenting lawyer through disproving the Ponco explaination. I do wish he was written and utilised better, though I completely understand why Athena specifically is out of commission for this part of the re-trial, especially immediately after Aura and Simon's revelations about her part in UR-1.

The trauma Athena experienced has a significant affect on her throughout DD and she's shown that enough pressure being built on her is enough to shut her down completely. UR-1 itself is horrific enough to warrent such a total shutdown in the times it occurs - specifically in regards to not being able to save a friend from a false conviction. The game does a good job in building up to and justifying her reactions. Having her truck on in spite of this is very much in the Athena spirit but there's a clear breaking point; going past that would reduce the impact significantly.

I do still think it would have been more effective for her to pick apart Simon's testimony though. You can't have your faux-protagonist make a big hoo-ha about being given a chance and then hand the steering-wheel to the guy who only learned of Simon's situation THAT SAME DAY-

Ahem. Sorry about that.

My gripes aside, this is a very effective and powerful sequence that makes the triumph later on all the more impactful. This struggle between two people trying to save the other, briefly falling into the darkest moment of both their lives, then somehow coming back from it is the main reason I cried over Simon thanking Athena while she finally let loose those tears of joy.

Dual Destinies can be amazing when it isn't being stupid, you know?

I remember first seeing this around the time it was first being made and can I just say love the art style. Series is a must read for any Alola fans as the development for characters like Guzma and Gladion is so good.

El’s Alolan Adventures MASTERPOST

HELLO and WELCOME to “El’s Alolan Adventures” - A Pokemon-Fancomic series :D Here you will find all comics of the series ordered chronologically by story arc (so not chronological by date of upload, the more you know) 

This list will be updated with every new comic canon to the timeline! A couple of scribble comics and singular artworks are NOT included in this list, so check out my blog with the hashtag #Els Alolan Adventures for everything else! 

If you’d like to support this series, you can tip me with a Ko-fi!  :D  Or consider supporting me on Patreon!

5$ Pledgers get early access to new comics and future videos!

Info on the protagonist |  Current character overview 

SEASON 1

Guzmas Redemption:

Dont get it twisted

An unexpected friend

Hala’s Advice Part 1 |  Part 2

Slice of Life inbetween:

Ten Carat Training

NO SWEARING AROUND HAU

Fishing for Araquanid

El’s Pokemon: An Introduction

Package to Hoenn (tiny teaser)

Back from Hoenn Part 1 |  Part 2 |  BONUS

Dusk - The sassy sword from overseas Part 1 |  Part 2 | Part 3

Introducing: Latias

Someone REALLY wants to battle Part 1 | Part 2 | Part 3 | Part 4

BONUS (meme)

Rescuing Reskull

Do you have a license for that

A long overdue conversation

Call from Kanto

Call from Kanto: Aftermath

Conversations Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | BONUS

SEASON 2

Wait what do you mean you have a full bug team

Swipe through Memories

Bug Buddies (Illustration)

A new friend Part 1 | Part 2

Returning the Favor | BONUS

Gladion - Aether Foundation’s President

A present absence Part 1 | Part 2

Midnight Chatter Part 1 | Part 2

Aether’s broken Paradise

Mr. Beans Part 1 | Part 2 | Part 3 | Part 4

Mohn - The Bridge

Gladion meets Mohn Part 1 | Part 2 | Part 3 | Part 4 | Part 5

A Promise

I thought he said he PROMISED Part 1 | Part 2

A Compromise

Calm before the storm

Pastime Games Part 1 | Part 2

Dusk is not happy

Shitposts I don’t know where to put in the timeline yet hdsjdhsdsdh

- It’s a full moon in Alola so yoU KNOW WHAT THAT MEANS - Galar? I dont know her - Hau and Guzma go on a quest

Dusk takes over twitter (April Fools 2020)

Tweets Part 1  ->  Jenna Snapshots 

Tweets Part 2 

Tweets Part 3  ->  Kira Snapshots

Tweets Part 4 FINALE

VIDEO: When El isn’t home

VIDEO: Mr Sandman Meme

I'M CRYING WHY DID TRUMP TAG PAPYRUS

tfw you realize your boss and mentor is a fucking idiot

evil yet silly

I was reading the Wizarding World article about the Patronus Charm, and found a couple of interesting things…

It’s described as “a pure, protective magical concentration of happiness and hope“ and that producing a Patronus is “generally considered a mark of superior magical ability“.

“In some cases a witch or wizard may choose to produce an incorporeal Patronus deliberately, if he or she wishes to disguise the form it generally takes.”

This is something that I can absolutely imagine Snape doing. We only see him using his Patronus twice, and these two times the appearance of his doe was needed, first to guide Harry to the sword and then to Dumbledore. But what about in POA, when Dementors were roaming the school grounds, and Lupin, who may have known the origins of his Patronus was around? I can see him using the less efficient version of his Patronus, both in case someone may have recognized it (or just because Snape and a doe, doesn’t really fit with his wannabe vampire reputation), or to even save himself from the pain of having to see Lily fly off to save him against the darkness of the Dementors.

“It may be that a true and confident belief in the rightness of one’s actions can supply the necessary happiness. However, most such men and women, who become desensitised to the effects of the Dark creatures with whom they may ally themselves, regard the Patronus as an unnecessary spell to have in their arsenal.”

Rowling uses here the example of Umbridge, who can obviously procude a Patronus while not being a “pure of heart” person, to show that people who “questionable morals” are also able to use this charm. But what I find the most interesting is the second part, about Dark Wizards being desensitised to the Dementors. Does this mean that they barely feel the cold and depression that the Dementors bring with them? Maybe because they don’t have as many pure happy memories to feed from? And what does it mean for Snape? He is a practitioner of Dark Magic, thus is a Dark Wizard, maybe not to the extent that Bellatrix is for example, but still. Does that make him less affected by Dark Creatures, so Dementors?

“The Patronus represents that which is hidden, unknown but necessary within the personality.”

“For it is evident […] that a human confronted with inhuman evil, such as the Dementor, must draw upon resources he or she may never have needed, and the Patronus is the awakened secret self that lies dormant until needed, but which must now be brought to light…”

Isn’t this a perfect metaphor of Snape’s use of his Patronus? Of his secret, the biggest of the whole series, slowly cultivated for seven books? In the end, it was his love for Lily, symbolized by his doe Patronus, that was brought to light exactly when needed, and that enabled another (Harry) to fight off the darkness (Dementors/Voldemort).

And lastly, there’s this:

“The form of a Patronus may changed during the course of a witch or wizard’s life. Instances have been known of the form of the Patronus transforming due to bereavement, falling in love or profound shifts in a person’s character.”

I kept that last part in the quote because I think that all three examples here can apply to Snape, which I find very interesting. But what intrigues me the most, is what the article isn’t saying. After this quote, Rowling uses Tonks’s Patronus as an illustration, and not Snape’s. Of course Tonks’s Patronus is the most explicit one to have changed, or in fact the only one we know of for sure.

Other Patronuses are mentioned throughout the article, Umbridge’s, Remus’s, and there’s mentions of cats, horses and dogs as corporeal Patronuses. But nothing about the most important Patronus in the story, Snape’s doe.

My theory has always been that Snape’s Patronus was simply always a doe. Two people can have similar Patronuses, it’s both written in the article again, and we have the example of McGonagall and Umbridge (I always found it amusing that McGonagall’s “biggest rival” shares the same Patronus, at least same species).

“However, every Patronus is as unique as its creator and even identical twins have been known to produce very different Patronuses.”

Meaning that Snape’s doe would have differed from Lily’s. In what way, we don’t know, but it wouldn’t have been a perfect copy. A doe Patronus uniquely belonging to Snape, that would represent him, and not her. And this, I love.