Joseph Capehart, “Fire Escape”. Check Out The Full Poem Here.

The best of Tumblr: Harry Potter

(The best of Tumblr: Marvel, The best of Tumblr: Disney)

🌟 Simple / “Beginner” Spells 🌟

though i do not myself believe in the concept of a “beginner” spell, a lot of new witches often ask me what i recommend for them to start with. here’s some of the simpler lot, that should be easier to perform.

🌟 simple glamours:

shine like the sun - to be radiant like the sun

glow like the moon - to reclaim youth and past beauty

🌟 simple relationship spells:

sweeten your feelings - simple jar spell to sweeten a bond

rose bath spell -  a bath of roses and milk to gather love and beauty 

fries friendship ritual -  simple spell of binding friendships. 

respect jar spell - simple jar spell to help gain respect

🌟 simple self care spells:

restarting spell -  a ritual for fresh starts, to remove old energies, and invite new ones in

stuffed animal sleep spell -  a spell for keeping negativity out of dreams, whether it’s pain, difficult subjects, or people that hurt you.

face wash spell -  a simple spell to promote beautiful or healthy skin.

soft shores bath spell -  for peace and tranquility in one’s life and energy

jar spell for clarity -  for emotional/mental clarity and wisdom 

rose quartz healing tears - simple ritual to heal emotions

🌟 simple curses / hexes:

nox - a spell to end a source of light or positivity

pumpkin head curse - seasonal curse to “burn” those who wrong you

burn your wishes - a simple curse to destroy someone’s wishes

🌟 simple miscellaneous spells:

simple study spell - scent-based studying/memory spell

finding things/memory spell -  a spell for when many things go missing, to help things reappear

rosemary memory spell -  a simple spell for when you need help remembering something 

plant growth spell -  a spell for helping plants/herbs grow and stay alive

pastel stars -  a spell to enchant paper stars with luck, love, happiness

how not to suck at dark souls - a simple spell

Untie the Wind

Of the diverse powers of the witch, control of the weather is one of the most mysterious, and feared, perhaps, by the Christian masses. It is claimed by the Christian theology that their god gave the power of the elements unto Satan; indeed, this is why he is called “Lord of the World”. It was believed that witches, who were in league with the Devil, could control the rains, the winds, and the seas with their magic. 

Sailors would purchase knotted cords from witches. When the knots were untied, the wind would pick up. The more knots one untied, the more wind there would be. 

This can still be applied today using either ones own breath, or the wind itself. 

On a windy day, take yourself to a high place where the wind blows more strongly. Take with you a red cord to be knotted in three places. Breathe in the wind. Become the wind. Be in all places at once. One and Separate by the Mystery. 

Tie the wind into the knots. The first knot should be closest to the left end, the second knot closest to the right, and the third knot to be in the middle of the cord. Accompany your actions with a charm such as:

“Each knot I make And then untie Will stir the wind To fill the sky.“ 

Return to your home, and keep the knotted cord in a high place within your home. When you need to change the wind, take the cord outside and untie the knots in reverse order. 

“This knot is untied, So the cord is free. As the cord if freed, The wind shall be.“ 

For a strong gale untie all three knots. 

If there is no wind to tie into the cord, simply use the breath. Whistle three times for a wind, and give a blast of air into the first knot. Into the second knot, give a slightly smaller stream. And into the final knot, give merely a breeze of your personal wind. 

19 Real Life Examples of An Extroverted Introvert

Don’t get us wrong we love people, but if we don’t recharge we won’t feel quite ourselves. We also love to meet new people but prefer hanging out one on one as opposed to large crowds. It’s pretty confusing, so many times we question our own identity. To relieve you of some confusion, here are a few things we’d like you to know about extroverted introverts.

Keep reading

Dear Prongs,

No surprise, your and Lily’s son turned out to be the best kid in the world. Not exactly sure how much of a part I had to play in that, but I hope you’re happy and not too deeply regretting making me Harry’s godfather instead of Moony. I’d say I’ll try to keep him out of trouble more, except he does a good job of that himself. He’s a good kid, and a damn good Seeker, too. You’d be proud of Harry, if you were here, Merlin’s Beard you would be proud.

Cheers, Padfoot

"I think we are in rats' alley/Where the dead men lost their bones."

Elliot, T. S. 1922. The Waste Land.

When to Cast a Spell - By Time of Day

my personal correspondences by time of day, complied form my grimoire.

dawn - breaking curses, beauty and glamour spells. weather and sea spells. magic involving delicate feelings, friendship and forgiveness, budding romance.

morning - fertility, good luck, green/herbal witchcraft. best time to brew potions. intuition and justice. 

noon - wealth and career spells. success and motivation. confidence and courage spells. kitchen magic.

afternoon - the time to gather herbs. communication spells. travel protections. 

evening - psychic protections, peace/balance spells. kitchen spells and pop culture spells

twilight - catalysts, movement and growth. astral travel and divination. love/lust spells. technology witchcraft.

evening -  curses, hexes, banishment, bindings. space and cosmic magic. dream magic. hedgecraft

midnight - creativity, switching between realms. spirit work, liminal spaces, reaching through the veil.

Necromancy Herbs

Written and originally posted by manannanschild on GreyNecromancerJournal

Mullein: Erroneously described as a substitute for graveyard dirt, this in fact is a misconception. Known as the “Hag’s Taper”. The soft leaves are used as candle wicks and the dried stalks are soaked in beeswax or tallow to make a torch for rituals of necromancy. It is also burnt to see manifestations of spirits of the dead at night, to see into the Otherworld, and communicate with the spirits and deities that dwell there. Can also be used in talismans.

Wormwood: Used for summoning spirits and to help them manifest.

Cedar: The dried needles when smouldered serve both as a sustaining feast and call for the blessed dead, and the smoke is used to exorcise malevolent shades. The wood works for this purpose as well when turned into a fetish or as a staff.

Dittany of Crete: Used to aid in the manifestation of the spirits of the dead. Also has somewhat of a nasty reputation because of where it tends to grow. Harvesters tend to fall from the cliffs and crags where it grows and plummet to their death.

Aconite: Also known as Wolfsbane or Monkshood. Because of its incredible toxicity it is better to not to harvest it. If one has the dried root it can be preserved in order to serve as a tutelary spirit. Not to be used by amateurs.

Yew: Known in European countries as the Death Tree, it is a symbol of death, reincarnation, and longevity. Is planted in graveyards to protect the spirits of the dead. It can be used to banish malevolent spirits of the dead. Often associated with sorcery and dark magic. It is considered the sister of the Tree of Life, the birch.

Apple: Considered the food of the Irish dead and the inhabitants of the Otherworld. Can be added to incense blends to feed the spirits of the dead and ancestors.

Mugwort: Ingested as a tea to aid in divination and talking to the dead. Also boiled in water and, then the liquid is used to wash divination tools.

Copal: Serves as a offering to the dead and can be used to appease the spirits  who remain in states of trauma or confusion after death.

Willow: The wood of the willow is used in incenses and in the construction of fetishes dedicated to the dead.

Tobacco: May be presented as a herbal offering upon a ancestral altar or a grave in the form of a incense or sacramental smoke to honor the shades of the dead.

Cypress: The oil of this tree serves as a great addition to incenses and formula of the underworld.

Myrrh: The oil aids in all blends of a necromantic design. Can also be mixed into incenses.

Graveyard Mold: Technically no folklore or magical traditions associate this herb with necromancy of any kind. However I have included it here because I believe it can be used as a compound in necromantic incenses. Since it grows on graves it should contain some of the essence of the dead.

Mandrake: According to legend King Solomon carried a piece of this root in his seal ring to give him sovereignty over souls. Since one of its names is the “Little gallows man” it can be used as a poppet for laying curses of death, illness, pain, etc.

Birch: Petitions and blessings are written on the bark of this tree which is then burnt or buried in the grave of the spirit.

Bay Laurel: Used to communicate with the dead, possibly through use as an incense. Easily available in the form of bay leaves.

Chervil: Also known as garden chervil or “gourmet’s parsley” a tea or other drink made with it can be imbibed to aid in rituals of communion with the dead.

Lavender: Burnt as incense in order to bring peace of mind to the dead.

Marigold: Associated with funerals and used in funeral sprays.

Asphodel: In Greek legend is connected with the dead and the underworld. Sacred to Hades, Persephone, and Hekate. The roots were eaten by the poor of Greece and hence thought good enough food for the dead. Could be burnt as incense or the roots could be given as food offerings.

Thyme: Burnt as an incense helps ease the soul of a person who died a violent death.

American Sycamore: Known as “Ghost Trees” for their distinctive patchy appearance. Associated with the dead and poverty.

Elder: In Norse mythology the tree is considered the Guardian of the Road to Hel (and thus sacred to Hela, Goddess of the Dead). Also associated with the ancestors.

A Crash Course in Warding

Let’s just start a series of crash courses in witchcraft, since sometimes we need to learn things the quick and dirty way. Today, let’s talk about wards.

What are wards? Wards are protective energy barriers. They keep things out. You can place them around your home, certain rooms, even on certain objects. With practice and clear intentions, you can focus the wards to block out everything or only certain things. We’ll get to that in a bit.

Why should I ward my space and my things? Wards can keep out all sorts of things you don’t want in your home. They can block out negative entities, wayward spirits, mischievous entities, demons, and (if you’re really good at what you’re doing) even gods. Some people ward their divination tools so they know there are no spirits tampering with the results.

So what do I need to do first? Cleanse. This is very important. Wards are kind of like walls, or perhaps more accurately, bubbles. If you don’t clean the space first, you might trap things inside your ward bubble. You do not want that. There are lots of methods of cleansing, from burning sage to spritzing oil-infused water. Find a method you’re comfortable with and cleanse everything you’re going to be warding.

I’ve cleansed my home/item. Now what? Now we ward. I’m going to give you a couple methods. Let’s start with my favorite, incense warding.

Incense warding can also be done with spritzes of water/essential oil blends or herb-infused water if you can’t have smoke in your space. Whichever you’re using, you want to have a blend of protective herbs. Bay leaves, cinnamon, ginger, mustard seed, and salt are some great options that you can find in the grocery store, no fancy witch shop necessary. If you’re using incense, make sure you’re using natural incense and not super cheap stuff that’s artificially scented. The magic is in the herbs, and you won’t get that from fake scents.

How to Incense/Spritz Ward an Item

Smoke or spray item.

Visualize the smoke or spray clinging to the item and wrapping around it like a tight blanket, protecting it from anything that would cause harm (or interference, etc.).

How to Incense/Spritz Ward Your Space

Pick a place to start. I always start at my altar, but it’s up to you. If you’re doing multiple floors, start either at the top or bottom floor.

Moving continuously to your right, smoke or spray along the walls and door frames. As you go, imagine a barrier being formed around the walls, ceiling, and floor, pushing outwards to fill the room. Visualize the smoke or spray forming the barrier to keep out anything that will do you harm. [If you have a hard time with visualization, you can simply focus on the intent of the smoke or spray keeping things out.]

Keep moving right, following the layout of your home, making sure you get all the closet spaces. You basically want to outline the entire area you’re protecting, whether it’s you’re room or your whole house.

For multiple floors, repeat on each level.

For big layouts where there are rooms in the middle, go around those rooms as well.

I like to reinforce the wards over outside doors, windows, and mirrors. These are all passages of sorts, and when I reach them, I use the incense to draw a pentagram in the air over them. This is entirely up to you.

You’re done when you’ve reached the point where you began.

So why do we go to the right? Is that important? Kind of. Going to the right is like going clockwise. It’s about making things and progression, where going to the left or counter-clockwise is about deconstruction or reversal. [I read this idea in a witchy book a long time ago and will try to find a source when I can. If you honestly don’t feel it makes a difference, do whatever you’re comfortable with.]

Can I place wards that keep out certain things but not others? Sure. When you’re going around your space/warding your item, your intent is what’s important. I like to ward out entities that mean harm - it’s nice and general and doesn’t keep the fae out. Some people might want certain spirits and not others. Have your intentions clear in your mind as you place your wards.

That’s neat and all, but what are some other ways to ward? Let’s list a few.

Symbol/Sigil Wards

Choose (or make) a symbol or sigil that has protective properties. I’ve done this with Pluto’s astrological symbol because I worship him and it’s my way of being like, “Hey, Pluto. Please protect me, kthanxbai.” Pentagrams are nice and basic witchy/pagan symbols if you like them.

Draw the symbol over doors and windows. You do not literally have to draw it. It can be in water, incense smoke, or just your finger against the surface if you want.

As you’re drawing, make sure you have your intentions in mind - that nothing harmful can pass through this door, that the windows remain closed against entities, etc.

Energy Bubbles (if you have control over your energy)

Pick an item - any item.

Get your warding intentions in mind.

Channel lots of energy into the item. Visualize it emanating from the item in a bubble to fill your space.

If you’ve got mad skillz, you can form the bubble to the walls and be super exact with where its barriers are.

Vocal Wards

If you like spoken (or thought) spells, come up with a small chant to protect your space.

You can repeat this chant as you focus on your item being protected or as you walk around your home, protecting every room.

This is really great to incorporate into basically any other form of warding and gives your magic an extra bit of oomph.

I’ve heard wards can “fade” over time. True or false? Wards are just energy. Like all energies, they can disperse and weaken over time, or if something particularly nasty puts effort into destroying them. Redo your wards every so often (I do mine every few months, but it’s up to you), and especially before spiritual interactions. I also like to do mine after I’ve had lots of company, to kind of clear out family’s lingering energies and reinforce what I don’t want in my house.

In general, the intent of your wards is the most important part. Know what you want to keep out. This concludes our crash course on warding. Now go forth and protect some stuff!

Ways To Describe Someone's Voice

adenoidal (adj): if someone’s voice is adenoidal, some of the sound seems to come through their nose

appealing (adj): an appealing look/voice shows that you want help, approval, or agreement

breathy (adj): with loud breathing noises

brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry

croaky (adj): if someone’s voice sounds croaky, they speak in a low, rough voice that sounds as if they have a sore throat

dead (adj): if someone’s eyes or voice are dead, they feel or show no emotion

disembodied (adj): a disembodied voice comes from someone who you cannot see

flat (adj): spoken in a voice that does not go up and down; this word is often used for describing the speech of people from a particular region

fruity (adj): a fruity voice or laugh is deep and strong in a pleasant way

grating (adj): a grating voice, laugh, or sound is unpleasant and annoying

gravelly (adj): a gravelly voice sounds low and rough

gruff (adj): this voice has a rough, low sound

guttural (adj): a guttural sound is deep and made at the back of your throat

high-pitched (adj): true to its name, a high-pitched voice or sound is very high

hoarse (adj): someone who is hoarse, or has a hoarse voice, speaks in a low, rough voice, usually because their throat is sore

honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking

husky (adj): a husky voice is deep and sounds hoarse (as if you have a sore throat), often in an attractive way

low (adj): a low voice is quiet and difficult to hear; also used for describing a deep voice that has a long wavelength

matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about)

modulated (adj): a modulated voice is controlled and pleasant to listen to

monotonous (adj): this kind of voice is boring and unpleasant due to the fact that it does not change in loudness or become higher/lower

nasal (adj): someone with a nasal voice sounds as if they are speaking through their nose

orotund (adj): an orotund voice is loud and clear

penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable

plummy (adj): a plummy voice or way of speaking is considered to be typical of an English person of a high social class; this word shows that you dislike people who speak like this

quietly (adj): in a soft, quiet voice

raucous (adj): a raucous voice or noise is loud and sounds rough

ringing (adj): a ringing voice is very loud and clear

rough (adj): a rough voice is not soft and is unpleasant to listen to

shrill (adj): a shrill voice is very loud, high, and unpleasant

silvery (adj): this voice is clear, light, and pleasant

singsong (adj): if you speak in a singsong voice, your voice rises and falls in a musical way

small (adj): a small voice is quiet

smoky (adj): a smoky voice is sexually attractive in a slightly mysterious way

softly spoken (adj): someone who is softly spoken has a quiet, gentle voice

soft-spoken (adj): speaking or said in a quiet, gentle voice

sotto voce (adj, adv): in a very quiet voice

stentorian (adj): a stentorian voice sounds very loud and severe

strangled (adj): a strangled sound is one that someone stops before they finish making it

strident (adj): this voice is loud and unpleasant

taut (adj): used about something such as a voice that shows someone is nervous or angry

thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion

thickly (adv): with a low voice that comes mostly from your throat

thin (adj): a thin voice or sound is high and unpleasant to listen to

throaty (adj): a throaty sound is low and seems to come from deep in your throat

tight (adj): shows that you are nervous or annoyed

toneless (adj): does not express any emotion

tremulous (adj): if your voice is tremulous, it is not steady; for example, because you are afraid or excited

wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing

wobbly (adj): if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry

booming (adj): very loud and attention-getting

quavering (adv): if your voice quavers, it is not steady because you are feeling nervous or afraid

a voice like a foghorn: very loud voice

in an undertone: using a quiet voice so that someone cannot hear you

someone’s dulcet tones: the sound of someone’s voice as they speak