⛓🚬🍺"lesbians Congregating" New Orleans, 1988 #bless #lesbianscongregate #neworleans #lesbianculture

So to those that might not get many asks or just dont know what pose they might want to do here is the Palette-Pose Maker!!

Palette: [x] Poses: a/b/c/d/e/f/g/h

And I think it goes without saying that if you get a number+letter that dont exist pick again!

PLEASE DO NOT REMOVE THE TOP PART OR THE CREDITS

I’ve found it. I’ve found the worst thing.

amethyst takes her new gf home to the fam. they love her.

part of the occult au but feel free to use for your amedot humanverse needs. big thanks to @purple-apple578 for translating!!

You don’t have to love your body

A master post of Thomas Romain’s art tutorials.

There’s not enough space to post all of them, SO here’s links to everything he has posted (on twitter) so far : 1 2 3 4 5 6 7 8 9 10 11 12. 

Now that new semesters have started, I thought people might need these. Enjoy your lessons!

its 2:31am. im thinking about the fact that ive never met a woman who hasn’t been treated like shit by a man. u ever think about that? u ever think about the fact that its a defining experience of womanhood to be subjected 2 the cruelty of men? that every woman knows that fear, that pain, that anger, that sadness? nothin breaks my heart more than that

i owe my heart to every lesbian who has ever created lesbian art, lesbian literature, lesbian music, etc. your talent comforts us, uplifts us, shows the world our history and love and pride. you make the world a much more beautiful place

Interesting, that soldier lady. She could be the making of my sister. Or make her worse than ever. Either way, we better upgrade their surveillance status. Grade three: active. Sherlock Holmes and Doctor Watson. I was both requested and challenged for this yesterday, so I did a fem!lock. Yey?

Patricia Cronin, Monument to a Marriage (installed at Woodlawn Cemetery, Bronx, NY), 2006

In Monument to a Marriage, Patricia Cronin disrupts the cemetery. Installed ‘for eternity’ in New York’s necropolis, Cronin and her partner lie entwined upon a modern mattress among the memorials to the partners in and products of state sanctioned heterosexuality. By taking anticipatory revenge, Cronin out-manouevres the reality that she and her partner, Deborah Kass, could not be recognized as a family in the eyes of the American state at the time the work was made. “If I can’t have it in life,” says Cronin, “I’m going to have it in death.”

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