Ever Crisis Academy

Different Stories Resonate with Different People

Oh those glasses ❤️❤️❤️

FINAL FANTASY VII REBIRTH (2024) ↳ Aerith x Sweet Gangster (⌐■ˬ■)❀°。

1/2 Hi! What's your opinion about Aerith's resolution scene? It feels like most of fans are more interested in convenient interpretations to confirm/discard the CA ship, without really wondering, from a narrative standpoint, "why", of all the things Aerith could warn Cloud against, she touches the romantic subject? And so early in the story too. Romance in FF7 is often treated by fans as a standalone thing more than something that is interweaved with the main story and has a role within it.

2/2 Should we now re-evaluate the weight of CA relationship in the OG? I never felt like Cloud had more than a crush on her or her death broke him. But when a compilation expands in such a relistic way, the main story needs to be retroactively reinterpreted (like what happened with CC). I'm also wondering what significance we should give to the black floating feathers in this scene (the most visible one appearing when Aerith prays – hard not to think about Sephiroth). PS Sorry for the bad English

Don’t worry, your ENG is fine here!

Anywho, it’s quite the subject isn’t it? I often speak on how sometimes the foundation of a fan’s understanding of the Remake is grounded by their understanding of the OG. Which does make sense and have its merit, but it can also lead to a lot of biased views if there isn’t a consideration of the Remake’s way of storytelling. That’s why we have less of a reasonable spectrum of thought, and more of these black and white interpretations you mentioned floating around. I’ve seen a lot of “Aerith is telling us a fact: Cloud’s feelings aren’t real!” vs. “Cloud confessed to Aerith that he’d fall in love with her!”.

It doesn’t take much time to realize who is saying what.

The first example is talking about something that hasn’t happened yet (e.g. Cloud confirming Aerith’s words), and the second example is talking about something that, by the scene itself, just didn’t happen anyway. From a narrative standpoint and with an understanding of the story of FF7, this part of Aerith’s Resolution reflects two points: Cloud’s false memories/self and Cloud’s feelings for Aerith—more directly, the premise that if Cloud falls in love with Aerith, his feelings won’t be real due to the state of being he’s in. Additionally, this resolution essentially acts as a reflection of Aerith’s GS Date but with twists—the first being that her thoughts on Cloud’s falsity is not tied to the correlation of his similarities to Zack, and the second being that it adds a dash of something more reminiscent of the dream/forest scene (if anything, the Resolution is almost an applicable replacement of it in general). Death, cherishing time left and memories, and Cloud not being completely himself—there’s a lot of foreshadowing here.

This is where people typically use their takes on the OG to formulate a conclusion for Aerith’s premise, as you’ve seen above, with even some extending alternates. For example, that the real reason Cloud’s feelings wouldn’t be real because he’s really in love with Tifa already and is incapable of feeling anything for anyone else as he is.

But my take?

To be upfront, this scene sets up the idea that Aerith is wrong in regards to the romantic storytelling between the two of them. That yes, his feelings (in this case, that of “suki” [すき, romantic like/love when used for a person]) are going to be real despite the state he’s in. Not to mention, it isn’t an “if” he has romantic feelings, because it goes against all reason and understanding of anything else in this scene to suggest this premise was written for the sake of something that won’t happen or won’t be addressed. Even if she is right, this is only effective writing if yes, Cloud indeed falls for her and thought those feelings were real, and thus, finds out that he truly doesn’t feel that way once he regains his true self. There’d be no point to this line if he doesn’t feel this, otherwise for the sake of writing, it would’ve made more sense for her to suggest that what she just talked about (the memories/moments/happiness shared) were going to be what wasn’t real, specifically.

Until further information tells me otherwise, I believe Aerith is going to be wrong because of how the OG and relevant material presents what Cloud retains once he regains himself.

Let’s get into it.

Unlike the OG, Aerith is presenting the falsity of Cloud not through her own feelings, but that of HIS. She’s not assuming that the mantra of “embracing the moments” is something that Cloud won’t retain—it’s just the romantic feelings that will grow from them. We don’t have to worry about whether what Cloud retains from these moments and memories of Aerith are false. Why? Because that was completely fine in the OG. The moments, memories, and the bond they shared were all real to Cloud after he regains himself. And obviously, not just with Aerith, but with all his companions. If he didn’t retain what he gained while Aerith was alive, he just simply wouldn’t have any reason to value Aerith, it’d almost be like he doesn’t know her existentially at all. But that isn’t the case. Really, what he gained with his companions was never put to the test of falsehood in the first place.

But the romance? So specifically?

The “why” of everything that is said in this scene is done for some narrative purpose, representing future events and themes to be further implemented down the line. In a literal conversation about romantic feelings to be confirmed or denied story-wise—this is romantic storytelling, and whether you like it or not, it has been issued between the two characters. And of course, I believe it should make someone re-evaluate their understanding of the OG—not in the way where the story itself begets change (like that of the effect with CC, as you mentioned), but more so in realizing that the Remake is just a more expressive reflection of the romantic storytelling that was already in the OG. The writing and approach of the Remake is different than that of the OG, as we can even see between the expressions and details expanded on, like say for Cloud and Tifa’s bond and what that alludes to later down the line as well. This same thing is done for Cloud and Aerith, and what may not have been as openly expressed, is now done so too.

In the OG, the romantic storytelling between Cloud and Aerith played on the typical RPG standard of player-story interactive choice, but was contained in that by not having the story clearly address those choices through Cloud’s character after he regains himself. That and all relative materials like interviews or guidebooks relative to the OG—we only have a few direct romanticisms and some that can be argued as indirect given context. It’s not absent, but it’s unclear to the point it’s a discussion people still have 20+ years later. Also, by those possibly confused, player choice does not eliminate this through character representation—I’ll digress as it’s a whole other thing.

Cloud’s time with Aerith isn’t a mystery—we see everything between them and experience it as the player. We know what did or didn’t happen, what could be expressed, and what we’re left with in regards to romanticism is more of an unaddressed, almost irrelevant idea. What’s represented openly instead is everything else about their important bond, basically. Romanticism—it’s all in the air, not invalidated, but also not further represented for the character in the things referenced afterwards, like Cloud mentioning his memories of her, wanting to see her in death [Promised Land], Aerith being a friend, comrade, irreplaceable, etc. His time spent with Aerith was still something Cloud kept with him.

So, if the question for the OG is: did Cloud retain any romanticism for Aerith as a cherished feeling/memory, too?

I believe by right of the storytelling values presented in the game, that yes, he did. While the game and other materials make no attempt at trying to elaborate on Cloud’s favor towards Aerith, they also don’t negate it in void either from his character. A general good rule of thumb: usually when you have romantic meaning issued between two characters, whether through parallels, symbolism, other characters, the characters themselves, etc.—if it’s something that isn’t confirmed (e.g. confessions or explicit showing of romantic interest) OR isn’t countered or denied significantly (obviously not including the typical false denial by a character), then typically, you go with the positive-end that the representation there does indeed confirm that romanticism.

Think about it like this: remember that show you watched where the two lead characters had romantic subtext, but the show ends without them getting together? Yeah. If you’re at the point of claiming romantic subtext, you’re not doing so for the sake of saying the authorial intent is to show non-romance, but to show romanticism in a subtle way. There are a myriad of writers who have this style, and getting a direct confirmation or explicit showing of romance isn’t always in the cards for how that storytelling is going to be expressed. But, that hardly erases what is still intended to be understood.

The thing about Cloud and Aerith, the romanticism that can be understood from Cloud IS indeed never confirmed, not like how it was for Tifa. Which, I do advocate this actually does showcase how his romantic feelings for Tifa have a further depth than of that for Aerith given the lack of relevancy in comparison. However, his feelings for Tifa don’t negate what he felt for Aerith in totality, not to the point of being evidence of absence. The OG and further materials paint the picture that, after Aerith’s death, Cloud still remembers and cherishes her as a comrade—the memories, the moments. All of it. What’s understood is that everything that Aerith was to Cloud was carried over and fueled his reason to want to see her even in death—if romanticism was a part of those memories, those moments, no matter how small in the grand scheme of their connection, we can’t cherry pick it out of existence just because it doesn’t take expressive priority. From the game itself, I would use the “positive-end” method to understand that the romanticism there IS a part of the character, and if I include representations from other media or interviews, the authorial intention becomes much more clear.

As for the depth of these feelings? Again, Cloud’s time with Aerith isn’t a mystery. Whatever happens during that part of the game IS the depth of the feelings. I won’t identify it as a “crush”, but I just know it wasn’t deep enough to cause conflict in his relationship with Tifa because rationally (and by general storytelling standard), it would if so.

In any case, without a specific negative address of that romanticism, we can’t reasonably split apart what Cloud felt for Aerith from everything else he retained from his time spent with her.

And that’s what the Remake is basically addressing, pretty directly this time. I feel that way about a lot of things, and I absolutely believe the story is better off with it as we’re reaching more avenues for telling the FF7 story and development. What we’re getting here is something more direct and expressive than the OG, as I believe we will for most things, like we already have with Cloud and Tifa, Tifa and Aerith, and even Zack and Aerith. It’s doing much more. One could say that it might be making more of the romance than it was in the OG, but to me, I believe it’s about the same. The subject matter being brought up directly won’t change that on its own, but it’s curious that it was brought up this way.

So, if the OG didn’t represent the meaning of Aerith being right, that anything of which Cloud has for Aerith was made to be false after he gained his true self, then I don’t believe the Remake has a reason for doing it either. This is reinforced by the fact that Aerith being right just isn’t congruent with a lot of the other themes happening in the story there. It makes no sense to pinpoint the romantic feelings specifically as something Cloud didn’t feel—and again, his feelings for Tifa shouldn’t be it. How they decide to show the “answer” is up for thought as writers, as discussed, will find many ways to give meaning from their story. If the writing is consistent, what some CA fans expect won’t be what they will get, but CT fans acting like the meaning from the resolution won’t pop up ever again are already missing the point, too.

There are other interesting things though, like Aerith’s thoughts on death and this lifestyle point of view—how this connects to her hatred of the sky and those she has lost will be an interesting point for her character. Maybe even the anticipated arc of her time in death within the Lifestream and reuniting with Zack. We might finally get solid context for that. As for the black/dark feathers, I’m not sure if it even is, but it would certainly match the motif, like at the very beginning when Cloud is in the reactor. It flying by like that could simply be part of the reference to her death.

Photo mode allows the player to restore the true colors of Elmyra's flashback.

As it turns out, when Elmyra adopts Aerith the ribbon is green.

(image source)

Aerith's ribbon: is it still a gift from Zack?

It has been rumored by some fans that the Crisis Core scene where Zack gave Aerith the pink ribbon is no more canon, because kid Aerith has a pink ribbon too.

I don't mean to sound pretentious but...they're evidently different. Kid Aerith's ribbon has four ends, adult Aerith's ribbon has just two.

Since the original FFVII kid Aerith's had two outfits. She wore the blue outfit in the first part of Elmyra's flashback and the orange one when Tseng tried to convince her to return to Shinra.

In the Remake she wears the orange outfit only in the train graveyard vision and the blue one in all of Elmyra's flashback, from the moment she found her at the station up to when Tseng showed up. It's definitely not very evident because of the sepia tone filter, but we can compare her dress to the concept art and to the orange dress: she has no ribbon on the chest but wears a pinafore dress and a light shirt with bell sleeves.

This means that in the sepia toned scene she was wearing the green ribbon, as we can see from the concept art.

The scene at the train graveyard bears many similarities with the situation described in Picturing the Past, so she was wearing the orange outfit before escaping Shinra HQ.

When Elmyra found her and brought her in Sector 5 she had the green ribbon, not the pink one.

Someone tried to say Aerith stated the ribbon was a gift from her mother when she met Cloud at the church...

Nice try, but she was talking about White Materia. (Leaving a couple of links in case anybody wanted to check: OG, Remake)

So, not only there's no evidence that the pink ribbon is no more Zack's gift but that scene influenced also an important moment of the Remake: Aerith and Cloud's first encounter.

And in both cases the gift was made in order to thank the other for their help

CC: To show you my gratitude for that "hello" that woke me up.

Remake: You know, for scaring those things away.

Ehhh...can I say what a coincidence again?

okay I just had to back up a bit to verify it was you. How we feeling about Roche

My thoughts on Roche can be found summarized here

To not summarize them:

I love how stupidly consistent with the original he feels. I love Reno's comment in remake that all SOLDIERS are in fact, massive weirdos. I love how gay they let him be. I love that he quotes Romeo & Juliet. Except, in this universe, Loveless is the stand in for shakespeare and there's actually several shakespeare lines in the performance at the saucer. So there's like a 90% chance Roche was just quoting Loveless when he said that. I love that he put in the effort to hire a full brass band for his showdown in Junon. I love his stupid little keychain (yes I had it equipped for like half my playthrough)

Most of all I love that Cloud???? Weirdly respects him???? After their first duel, whenever Roche shows up, Cloud plays by the rules and tells all his allies to stand down so they can 1v1. He genuinely likes Roche and has this begrudging fondness for their random shonen rivalry. You don't see him giving Sephiroth any of that. Cloud has so many random people obsessed with him, and you know the only one he tolerates??? Roche. What the hell.

If we're talking about his final fight, let me just say: Ow.

A little WIP to celebrate

Aerith's birthday ❤️🌸🎉

CUTE FS WALLPAPER FOR THE SCHOOL EVENT WITH THE BABIES AJDHDSJ

AND WE GET ANOTHER FS CHAPTER IN JUNE THANK GOODNESS

FFVII Remake Easter Eggs and compilation continuity - Part 7: OG FINAL FANTASY VII

ELEMENTS ORIGINALLY SHOWED AFTER THE MIDGAR SECTION & VISIONS OF THE FUTURE

CAIT SITH

This character didn’t show up until the group reached the Gold Saucer. In the Remake he witnesses the plate fall.

YUFFIE

In the OG Yuffie could only be recruited after visiting the Mythril Mines and nothing hints she had ever been in Midgar before. Now she is the protagonist of Intermission, spending a whole day in Midgar, getting to see Barret’s cell and infiltrating in Shinra HQ thanks to Avalanche. Some main points of this character have already been shown like the rivalry between her and her father, some details of the Wutai war and even her motion sickness.

ROMANTIC RUDE

In the OG Rude confessed Reno that he liked Tifa. In the Remake, when he spotted her on the Sector 7 pillar, he deviated the chopper to prevent Reno from killing her.

Reno: Dammit! You wanna explain yourself, partner?

Rude: Uh... Hand slipped.

PALMER’S TEA

In the original, at Cid’s house, Palmer asked for some tea with “sugar, honey and lard”. In the Remake he walks in the corridor of Shinra HQ with a cup of tea, complaining that he ran out of butter (though in Japanese it’s still “lard”).

Oh dear, oh dear... A man of my refined tastes running out of butter! Shorn of its proper accompainment, this tea...might as well be boiled pond water!

BLACK-CAPED MEN

In the original there was just one clone in Midgar, in Sector 5, and he wasn’t wearing the black cape yet, while in the Remake they can be met also in Midgar. 

The Remake also confirms that also some former SOLDIERs can turn into caped men, something that the OG revealed only in an optional scene in Junon.

OG: I used to be in SOLDIER. Lately I’ve felt like dressing up like this...

Remake: My dad told me that that man, he used to be a SOLDIER when he was younger. I heard he came back because he got sick or something. Isn't that kinda weird? Can SOLDIERs even get sick?

This concept is further - more openly - reiterated also in Intermission:

Nayo: Mako poisoning. That's what happens if you don't make the grade as a SOLDIER...or when the military's done using you.

REUNION

When Cloud attacks Marco believing he’s Sephiroth he has a vision of the Reunion at Whirlwind Maze.

BARRET’S PAST

In the Remake Barret mentions the day he survived from the destruction of his home town, while in the original this happened one the group arrived in Corel.

Wouldn't be the first time I spit in destiny's eye. Whether you can see the seams or you can't...doesn't change that she's always trying to have it her way.

JENOVA

In the original game the first fight against Jenova took place on the Cargo ship, while in the Remake the group fights it in Chapter 17. 

Note: the first form of Jenova in the original was called Jenova∙BIRTH (followed later by Jenova∙LIFE, Jenova∙DEATH and Jenova∙SYNTHESIS). In Remake it is called Dreamweaver, referring to its ability to project illusions, while the Japanese sticks to the original calling it Jenova Beat, hinting to the prenatal heartbeat of fetuses. 

LIFESTREAM

During the presentation at Cosmo theatre (an allusion itself to Cosmo Canyion) the group can see a depiction of the Lifestream flowing throughout the Planet. In the original this only happened at the very end when Aerith summoned it. 

MATERIA

During the aforementioned presentation it was explained how the Ancients were able to create Materia with condensed Lifestream, while in the original it was explained during the flashback in Kalm.

7R: In the distant past, our planet was home to a people we call the Ancients. Many millennia before we discovered mako, these precursors were already pioneering its use. Somehow they learned of the great reservoir of energy pulsing beneath their feet. And once they had...the Ancients developed the means to harness this bountiful energy and bend it to their will. The fruits of their labors have survived to this very day in the form of certain kinds of materia.

OG: Materia. When you condense Mako energy, materia is produced. It’s very rare to be able to see materia in its natural state. (...)...the knowledge and wisdom of the Ancients is held in the Materia.

PROUD CLOD

During intermission Yuffie can see the Proud Clod still under construction stored in Shinra underground. Moreover, the Pride and Joy Prototype (in Japanese: Proud Clad Unit Zero) is a boss that can be fought in Shinra battle simulator.

MIND READER

During the second bombing mission Tifa jokingly asks Cloud if he could read her mind. This is a hint to Jenova’s ability to read minds.

7R:  I swear, your timing was perfect. It's almost like...you could read my mind. SOLDIERs can't do that, can they?

OG: Inside of you, Jenova has merged with Tifa’s memories, creating you.

CHILDHOOD MEMORIES

In the Remake Cloud "remembers” two episodes of his childhood in Nibelheim, scenes that originally were included in the Lifestream sequence in Mideel.

BURNING TOWN

During the first vision of Sephiroth in Chapter 2, Cloud re-experiences the distruction of NIbelheim. This info wasn’t revealed in the OG until the flashback in Kalm.

TEST SUBJECT

When Cloud, Barret and Tifa discover the secret underground lab with specimen detained in mako tanks, Cloud starts remembering his captivity in the basement of Shinra Mansion. This was originally revealed only in the optional cutscene in the basement of the Mansion, after the Lifestream sequence.

MAKO POISONING

Mako poisoning is an element that in the OG was explained just in Mideel, while in the Remake Jessie’s father suffers of the same condition. A sector 7 NPC also witnesses one of Cloud’s Jenova headaches and suggests he may be Mako poisonesd (before the whispers intervene).

7R: [Chapter 3] What the—You okay, buddy? Mako junkie, huh? Figures...

[Chapter 4] Jessie's got a theory about it. Thinks her dad's spirit is stuck now—between his body and the heart of the planet.

OG: He probably has no idea who or where he is now... Poor fellow, his voice doesn’t even work. He is literally miles away from us. Some place far away where no one’s ever been... All alone...

UNCOMFORTABLE TRUTH

Discovering that in reality Cloud never made it in SLDIER was a pivotal plot twist of the OG. In the Remake that’s hinted more than once, until Hojo openly reveals it. 

No, not quite. Oh, now I recall. My memory was mistaken. My boy, you weren't a SOLDIER...

SEPHIROTH’S DEATH

In Chapter 2 Cloud remembers he killed Sephiroth. This is surprising as in the OG, during Kalm flashback, he told the group that he didn’t know what happened to Sephiroth after Nibelheim incident, even pointing out that, in terms of strength, he couldn’t have killed him.

AERITH’S DEATH

Cloud has some visions of Aerith’s death: after falling in her church in Chapter 8 (pics 2 and 3) and at the beginning of Chapter 9 (pics 1 and 4). Moreover he and the rest of the group have a blurred vision of her death in Chapter 18, Aerith’s refers to death in her resolution scene and Sephiroth tells him he’s unable to protect people in Chapter 2 (while seeing Aerith for the first time) and in Chapter 13 (after she’s been kidnapped). 

METEOR

Cloud, and the others have visions of Meteor and the storm that destroyed Midgar at the end of the OG in Chapters 16 and 18. 

Final Fantasy 7 Original VS Remake - Key art

"With you by my side, I'll never give up no matter how bad it gets."