Great post!
I guess the problem and the cause of all these (convenient) misinterpretations is indeed her persistent presence in the compilation. Or better, all the characters are present in more or less all the entries but she is the only character who is always shown indissolubly linked to Cloud. Which is what bothers part of the fandom.
If her physical presence can't be ignored, the only other way to make her "unharmful" is to try to diminish her relevance in the story.
But is there a greater proof of her importance than the fact itself that fans need to spend so much energy in twisting her role to make her seem an ininfluent or even a villainous character?
So the Lifestream sequence becomes unimportant, she's irrelevant, she's bully, she's insensitive, she's just fancervice, she gets rejected, she's a rebound, she lacks a character arc...let alone Case of Tifa and Advent Children... She is just there watching the other characters playing their roles.
The question is: does it ever work?
Because whenever the fandom spent too much effort spreading misinterpretations SE took advantage of the following entries to debunk them. Remake is no exception.
And it's just part 1.
Tifa is important to the FF7 story (OG and Remake) straight up due to her abundant, consistent involvement in the story—you know, the actual events of what is being written. She has more than this, but that’s the most basic level that a character can be important to a story….by simply being a prime force within it. Get out of here with anything even less than this as this understanding shouldn’t be skipped over.
“Being Important” in storytelling is something I think people perceive very weirdly in fandom for characters. Importance can be judged on different levels, but the level of that for characters should be looked at on the level of story involvement first and foremost.
Any character that is one of the protagonists, a part of your party, and literally is involved and thus affects and interacts with all story beats—something so basic needs to be understood as important. Tifa is one of the heroes, she’s on the journey from the beginning and continues throughout…you can’t get any more straight forward than this for the story. Describing it as “just being there” or “occupying space” is just stupid, I won’t sugarcoat that honestly. And the interaction she has in the story obviously goes beyond that of just “Cloud’s love interest”. She’s not just standing around, T-posing in the background while being that, and it’s a gross view of how that information is even expressed in the story itself. Any good writer that has a character interacting so much with the story [actual events] is bound to have them interacting with plot [the “what”/overall story event chain that sets the “what”] , if not the overall narrative [”how and why”/purpose of plot and structure], eventually. That’s not always the case, at least directly anyway, but even in those cases it can be examined on a micro level. But even if it doesn’t track to the line of narrative, this won’t stop them from having an involvement with story and plot if they’re included all the way through these things.
Now granted, especially in an extended series, there can be a difference between being an “important character” and being “important to a story”. Both Tifa and Cloud aren’t the primary characters in Dirge of Cerberus or Before Crisis, but obviously they still remain to be important to FF7 (OG and Remake), AC, or even Crisis Core as their roles there interact directly with key plot points for FF7. So like, still, “Tifa isn’t an important character” doesn’t stand to be a thought from a knowledgeable mind of the series.
IT CLICKED
I GOT IT
Rufus sees the Whispers in Shinra HQ because he’s in the process of exterminating greater Avalanche.
This is why Rufus’s reaction to and relationship with the Whispers seems so odd. They’re helping him. And he doesn’t realize it. Rufus is the only character whose reaction to seeing the Whispers for the first time isn’t to try to fight them or run away – rather, he actually moves towards them and is so entranced by them that he’s still staring out the window long after they’re gone.
Let’s back up.
In Before Crisis (which appears to be canon-ish for the Remake, considering the reference to the assassination attempt on President Shinra and the greater organization of Avalanche as a whole), Rufus was Avalanche’s inside contact. He provided them with information on Shinra and funded their terrorist campaign.
In the Remake, Mayor Domino refers to himself as being Avalanche’s man on the inside, which initially made a bunch of Rufus fans (myself included) scratch their heads a bit. But when looking closer, it becomes pretty clear that Domino is working with Rufus to fund/assist Avalanche and undermine Papa Shinra’s administration.
However, also established in Before Crisis is the detail that Rufus never cared about Avalanche as an organization nor the fate of the planet itself. He was simply using them as pawns to murder and usurp his father.
As we can see from Rufus’s introduction, once Papa Shinra is dead, Rufus doesn’t need Avalanche anymore. He shoots down the Avalanche extraction chopper and steps onto the scene in order to personally declare face-to-face that the alliance is off.
So, the order of events is:
1. Rufus puts the call out to Avalanche HQ to storm Shinra HQ and flush out the president.
2. Rufus calls Domino and tells him to assist Avalanche once they get to the building so that they can remain unseen in their journey to the top floors.
3. Cloud, Barret, and Tifa coincidentally happen to show up first, unaware of the larger plot about to take place. Domino assists them on their ascent, assuming that they’re the ones to carry out the mission at hand.
4. Rufus calls Tseng and mobilizes the Turks. Reno and Rude go to pick up Rufus, who is likely planning on pulling the trigger on his father himself while Avalanche causes chaos and creates an opening to do so.
5. Aeris is rescued.
6. Larger Avalanche (along with Wedge) arrive on scene to carry out the assassination attempt.
7. Rufus arrives on scene and very smugly makes it a point to personally give the order to arrest who he believes to be Avalanche operatives who are only there in the first place by his orders. Boss fight occurs.
8. Meanwhile, Tseng is searching for President Shinra, unaware that he’s already dead at this time.
9. Cloud, Barret, Tifa, Aeris, and Red XIII make their escape from Shinra HQ.
10. The Whispers surround the Shinra tower.
11. Rufus enters the Executive Suite and sees the Whispers for the first time.
12. Tseng gets a call from someone (presumably Reno) and is pleased by what he hears. He tells Rufus that “The men are on standby.” To which Rufus responds, “Bring them in.”
13. Rufus gives Reno and Rude the order to exterminate every Avalanche operative still on site.
Now, I realize that 12 and 13 are a little bit vague, and you might be wondering how I arrived at number 13 at all.
The important thing to understand that the main narrative tool that FF7R utilizes is misdirection. Rufus’s line of “bring them in” is just one example of many. After he says this, the scene cuts back to Cloud & co. on the highway as Shinra soldiers are deployed after them, so the immediate assumption is that Rufus just gave the order to dispatch soldiers to detain the party.
However, if this line was truly in reference to the pursuit of Cloud & co, then Tseng’s phone conversation no longer makes sense. We hear him say, “I see. Very good.” This reaction isn’t internally consistent with the idea that someone has just told him that the party has escaped.
More likely, Tseng was getting an update from Reno that the chopper has been parked and they’ve returned to HQ. “The men are on standby” – Reno and Rude are back and awaiting orders. Rufus then gives Tseng the order to have Reno and Rude come into the office. There, the order is given to take out Avalanche. This also explains why Reno and Rude are missing from the final sequence in which Rufus takes the throne – they’re still likely out and about in the aftermath of the mass murder they just performed.
The Whispers are non-hostile to Rufus, and he seems completely distracted and mesmerized by them. He can see them, but they’re not impeding his progress in any way.
Avalanche HQ are not supposed to be at Shinra HQ. This is not how the original script/”destiny” plays out. So, by giving the order to hunt down and kill every Avalanche operative, he’s actually doing the bidding of destiny/The Whispers, even if he doesn’t realize it. He’s basically doing the Whispers’ job for them.
So when the order comes, the Whispers decide to help out and encircle the Shinra building in order to ensure that none of them escape.
Knowingly or not, the Whispers serve to establish the bounds of Rufus’s villainy and mercilessness. His inaugural speech about ruling the world through fear is no longer necessary, as he’s just turned Shinra HQ into a locked-down prison for the “heroic” team, in which he orders and orchestrates a bloodbath.
Sephiroth print avaliable : https://www.inprnt.com/gallery/lukrevadraws/
Different Stories Resonate with Different People
This is kind of meant to serve as a companion piece to my three-part series on Cloud's psychology in Final Fantasy VII. I haven't addressed Advent Children Cloud yet, who arguably has an entirely different set of psychological problems to deal with. While OG Cloud was certainly driven by trauma, trauma was not his primary demon. Yet I often hear people say that AC Cloud definitely has PTSD or disorder XYZ. So, I thought I'd use my clinical background to break down what happened in Cloud's head during AC. I will not be discussing disorders here, since I'm saving those for another post.
I know I literally just said trauma wasn't OG Cloud's primary demon, but that's why I specified OG Cloud. AC Cloud is in an entirely new context with a new set of problems, part of which involves how trauma affects his life after the main conflict is over. So to start, let's first answer the question of "Why does trauma stay with a person even after the cause of the trauma is no longer there?"
Think of the traumatized brain as a brain stuck in survival mode. It learned from a past traumatic experience that you can't afford to turn off this survival mentality, that you need to constantly be on alert. This is part of the primitive fight, flight, or freeze response that humans have, and for someone who is in a traumatizing situation, that response is absolutely necessary for coping with it. But, when you are finally safe and no longer in a dangerous situation, the traumatized brain may not know how to turn survival mode off. Therefore, it continues to provide a trauma response even in the absence of danger. This kind of mentality exhausts you and is why traumatized people still struggle even after they've been removed from their traumatizing situation. It's not that they don't realize they're safe now, but it's that their brains are stuck in this pattern of survival.
Although I wouldn't necessarily describe Cloud this way, this is still a great framework to explain what happened to him. During the events of FFVII, Cloud was in a perpetual state of survival. Once the planet was saved and Cloud could finally settle down in a place to call home, he was no longer in a state where he needed to constantly fend for his life. Cloud might still travel the planet for his delivery job and defend himself from monsters on the road, but the difference post-Meteorfall is that he now has a safe and secure home to return to in Edge. On the Way to a Smile: Case of Tifa even clarifies that Cloud was hopeful for the future right after the OG ended, that he had optimism towards the prospect of starting his newly peaceful life. Yet, he becomes unsettled by this peace partly because he was too used to surviving for so long. His trauma mindset couldn't turn off properly even when he wanted to relax and enjoy the peace he's earned, setting Cloud down a path of cognitive distress.
Oftentimes, when someone who has experienced trauma finally has the opportunity to process it, he is prone to something called rumination. In clinical terms, rumination can be described as a maladaptive perseverative cognition, or in simpler terms, a repetitive focus on distress. It's typically connected to catastrophic thinking (pondering about the worst possible outcomes/scenarios) and a fixation on loss. The American Psychological Association describes it as "obsessional thinking involving excessive, repetitive thoughts or themes that interfere with other forms of mental activity." Another working definition of it from the National Center for Biotechnology Information describes it as "a detrimental psychological process characterized by perseverative thinking around negative content that generates emotional discomfort" (Sansone & Sansone, 2012). The key to rumination is that though it can be self-reflective, it more often resembles brooding. Rumination is a feature of many different disorders, but most commonly associated with anxiety and depressive disorders.
Part of what sent Cloud spiraling was a pattern of ruminative thoughts in the absence of immediate external threats. He's living a peaceful life, but his survival mentality can't shut down easily. He has the time to ruminate on his past failures to the point of interfering with his ability to enjoy his life. If Cloud had used this rumination to put more effort into his job and his family, then he would've been using self-reflection. However, what he's fixated on is his own regrets, which created a pattern of brooding and pessimism. This type of regretful thinking surrounding death even has its own term.
Survivor guilt used to be a diagnosable disorder in the DSM-III, but the DSM-IV reconceptualized it as a symptom of PTSD and the DSM-5 removed it as a symptom entirely (Murray, Pethania, & Medin, 2021). I believe it's because survivor guilt isn't a well-defined or well-researched phenomenon, currently putting it in an undefined territory between a disorder and a symptom. Once there's more empirical research in the field exploring survivor guilt, it may be reintroduced into the DSM, but otherwise it's an open avenue of continuous exploration. Regardless, this doesn't make survivor guilt any less significant or valid in the field of mental health, especially since it is often a part of complex trauma and grief.
Despite the grayness surrounding survivor guilt as a term, I can't think of a better one to describe what Cloud went through. Definition debates aside, survivor guilt generally applies to people who "survived" a traumatic event when others did not. Even though guilt is already a common symptom of PTSD, people with survivor guilt usually feel responsible for another person's death or injury, even when they never really had any power or influence over the situation. Cloud ruminates over Zack and Aerith's deaths due to survivor guilt, and he explicitly states his survivor guilt over Aerith's death in AC. Though neither death was directly his fault, he feels responsible for them in different ways.
For Zack, he felt helpless about how his mako poisoning left him completely dependent on Zack. Zack didn't have to save Cloud. He didn't have to carry him across the world for a year, only to die when they nearly reached their destination. Cloud's guilt surrounding Zack's death is very much in the thought of "it should've been me." Cloud should've been the one to perish, or if Zack simply abandoned Cloud, perhaps he would've made it to Midgar alive.
For Aerith, Cloud feels a greater sense of responsibility for her wellbeing. Their dynamic was established with the notion of Cloud being her bodyguard, as someone whose job is to protect her. Yet, he hurt her at the Temple of the Ancients, and he almost struck her when the party finally reunites with her at the Forgotten City. He was doing the exact opposite of what he was supposed to do. To cap it off, Sephiroth impales Aerith right before Cloud's eyes. Was Jenova preventing him from moving forward to try and save her? Or was Cloud just too paralyzed in the moment to act? Cloud would probably never truly know the answer.
Even when Tifa urges him to think of the present, Cloud feels weighed down by the past. He also asks Vincent if sins can be forgiven, showing that he feels deeply responsible for the deaths he could not prevent. We know that neither Zack's nor Aerith's deaths were Cloud's responsibility, yet he shoulders them anyway as though the blood was on his own hands. Survivor guilt is tough because it always concerns something that happened in the past that can't be changed. It's a product of rumination, of thought patterns stuck on the what-ifs and should-haves.
The reality is, Cloud will very likely continue to struggle with this guilt throughout his life. He will never be able to answer the what-ifs, and never know what the should-haves could've done to change the course of history. If Cloud's going through a particularly tough emotional patch, he might fall back a bit into his old pattern of rumination. The dual process model of grief, depicted above, portrays how healing from grief is not a linear, one-way process. Rather, it can be a lifelong process where Cloud must grow around his grief, rather than letting it become a fixture in his life.
So, how do we know that Cloud is truly on the way to healing at the end of the day? At the very end of AC, after all the credits have rolled, we hear one final exchange between Cloud and Denzel.
Denzel: Is this somebody’s grave? Cloud: No. This is where a hero began his journey.
If I'm not mistaken, this may be the first and only time we've seen Cloud truly acknowledge himself as a hero. While this line can also refer to Zack ("Would you say I [finally] became a hero?"), this also clearly refers to the moment that Cloud took on Zack's legacy, therefore his hero's journey by extension. This is a far cry from "I'm not fit to help anyone."
The other beautiful aspect of this final scene is that it visually shows up how Cloud dealt with his guilt and grief. Look at Zack's final resting place at the start of AC compared to after. Before, Zack's grave was more or less neglected. The buster sword was left to rust and the ground is completely barren. The wolf, meant to represent Cloud's guilt and regret, is present there. Afterwards, when Cloud took the buster sword away, flowers bloomed in its place. The wolf is also no longer present. I like to think of this as a representation of how Cloud made the transition from guilt over Zack's death to celebrating Zack's life. Celebrating the life of a loved one who passed is one of the key ways to work through grief over loss in a healthy way. Rather than fixating on the what-ifs and regrets, grief work focuses on how to honor the loved one and keep their memory close.
The final shot then, with the buster sword placed in the tranquil Sector 5 church, is nothing less than a memorial to Zack and Aerith. The buster sword is clean again and free of rust, now in a sheltered place surrounded by Aerith's healing rain. It is now surrounded by life, in the place where Cloud was welcomed back by his loved ones and resolved to move forward. He can now think of the beautiful parts of Zack and Aerith's lives and cherish their memories, rather than ruminate on them. I can't say that Cloud's journey is a pinnacle example of healing from guilt and grief, but it certainly has a beautifully symbolic depiction of what healing looks like.
FFVII Original Game, Advent Children (sequel), and Crisis Core (prequel) are written by Kazushige Nojima…. so it’s not surprised to see how he wrote both pairings in similar way as I found these parallels:
Zack and Aerith
The two characters deeply involved with Aerith were Zack, who would become her lover (koibito), and Tseng, her guardian. (CC: FFVII Complete Guide)
One day, Zack is suddenly landed in a church in the slum. His cheerfulness and dependability capture Aerith’s heart and they’re being in a (koibito) lovers-like relationship. Although they can only see each other periodically, their thoughts keep them close in spirit. (Aerith’s profile, CC: FFVII Ultimania, pg. 22)
Cloud and Tifa
“Is Tifa your girlfriend (koibito)?” (Aerith asking Cloud, FFVII Remake Chapter 8)
There are many dimensions to Tifa’s character. She’s like a mother, also a sweetheart (koibito), and a close ally in battle (Advent Children Reunion Files book, pg. 19~ Nomura’s interview)
Aerith about 16 years old Zack:
“He’s strong, kinda funny, and there’s something special about him.” (Crisis Core Chapter 5 - First Date)
Tifa about 14 years old Cloud:
“You were so small then … and cute.” (Original Game scene 116 - Cloud Dark Past)
Zack and Aerith
For when they meet again on their next date, Zack’s specific suggestion was Aerith wearing pink. Aerith–who continued to wait for Zack’s return–starts to wear pink after making this promise (CC: FFVII Complete Guide–Keyword Collection)
Cloud and Tifa
Believing in Cloud’s promise, Tifa’s waiting to see Cloud become a SOLDIER like Sephiroth. Tifa dresses herself in a pretty and sexy look. Does she do that to spirit up herself in preparing for a touching reunion? (Tifa Lockhart Character Profile from CC: FFVII Ultimania)
Zerith: Aerith asked Cloud about Zack in SOLDIER in the Playground (FF7 Remake)
“Did you have any SOLDIER friends? Any war buddies? So Cloud, you were SOLDIER 1st Class, right? Weird. Just that you were in the same rank with the first guy I ever loved.”
Cloti: Tifa asked Zack about Cloud in SOLDIER via mails (Crisis Core)
“Are there any blond guys in SOLDIER? Well, it’s just a dream… Any girl would love to have a blond SOLDIER guy protect her when she’s in a pinch. I almost forgot. Please don’t tell anyone in SOLDIER that I asked about the blond guy. Okay?”
Zack and Aerith – the cloudy & azure sky
Zack think of Aerith: “I wish I could show this sky to…” (Crisis Core DMW Cloud Scene #4: Cloudy Sky)
Aerith think of Zack: “He was like a cloud drifting through the skies. As we peered skyward through the rafters of a heavenless Midgar, we made a promise. And that was the last time we spoke.” (Crisis Core 1st Official Trailer)
Cloud and Tifa – the starry & night sky
Cloud think of Tifa: “I was just thinking about the past.” (Crisis Core DMW Cloud Scene #3: Starry Night At The Well)
Tifa think of Cloud: “Like the sky that night, the heavens were filled with stars. Did you imagine the sky? The stars were gorgeous. It was just Cloud and I. We talked at the well.” (Original Game scene 116 - Cloud’s Dark Past)
Zack and Aerith – CC Chapter 013: I Promise
Aerith: Hello… (calling by phone) Zack: Aerith! Aerith: Finally, got through to you! Zack: Ah, sorry about this but I’m in the middle of something right now. I’ll give you a call a little later . Aerith: No. it’s okay. You don’t have to. Zack: I understand. I’ll come visit. Aerith: I’ll be waiting. Zack: I’Il see you. It’s a promise.
Cloud and Tifa – OG scene 6: A Childhood Promise
Tifa: You said you wanna tell me something. Cloud: This summer… I wanna leave this town to Midgar. I wanna join SOLDIER… like Sephiroth. Tifa: Is it tough being SOLDIER, isn’t it? Cloud: Yeah, I probably could not go back to this town for a while. Tifa: Hey, why don’t we make a promise? Mmm… if you really get famous and I’m ever in a bind, you’ll come save me, alright? Whenever I’m in a trouble, my hero will come rescue me. Cloud: Alright, I promise.
Zack and Aerith – CC Chapter 8: 23 Little Luxuries
Aerith: “When you come back from your assignment, let’s go sell flowers under the sky together. I won’t be afraid if you’re with me.”
Zack: “Yeah, I’ll go with you. That’s a promise.”
Cloud and Tifa – OG Scene 136: Understanding
Tifa: “But, it’s alright even if no one comes back. As long as I’m with you… As long as you’re by my side… I won’t give up even if I’m scared.”
Cloud: “Afterall, I promised. That if anything were to ever happen to you, I would come to help.”
Zack and Aerith
Zack and Aerith meet by chance in a church in the Slums. They become intimate with each other. (FFVII 10th Anniversary Ultimania Compilation Timeline)
From the boy’s profile
Having fallen into the sector 5 slum church during a mission, Zack has a fateful meeting with Aerith, a young girl who was tending to flowers in the church. They share a “puratonikku koi” / chaste romantic love, satisfied just to be together. Those joyous days seemed like they would last forever… (Zack’s Profile, CC: FFVII Ultimania, pg. 13)
From the girl’s profile
CC shows her meeting and relationship with Zack, and the budding love between them. However, fate would tear the couple apart. (Aerith’s Dengeki Profile)
At that chosen day, she accidentally met Zack, SOLDIER 1st Class, and they were attracted to each other. (Aerith’s Profile, FFVII 10th Anniversary Ultimania)
The destined encounter with Zack makes them becomes the irreplaceable existence to each other. (Aerith’s profile, CC: FFVII Ultimania)
His cheerfulness and dependability capture Aerith’s heart and they’re being in a lovers-like relationship. (Aerith’s profile, CC: FFVII Ultimania)
Cloud and Tifa
When their companions disperse to the places where people important to them await, Cloud and Tifa, who remain, reveal their feelings for each other together. (FFVII Ultimania Omega, pg. 198; story summary)
When Cloud and Tifa remain behind alone, in their final hours, together they disclose their feelings for each other. (FF 20th Anniversary Ultimania File 2: Scenario guide, FFVII Story Summary, pg. 232)
From the boy’s profile
Declares that the team should dissolve in the final hours before the final battle, and communicates his feelings together with Tifa, who remains behind at the airship with him. (Cloud’s Profile, FFVII Ultimania Omega, pg. 15)
From the girl’s profile
She ventured into Lifestream together with Cloud. Amidst the course of him trying to ascertain his memories, they became aware of the thoughts/feelings which each other was holding. (Tifa’s Profile, FFVII 10th Anniversary Ultimania. pg. 42-47)
In FF7, Tifa is the only one who knows Cloud’s childhood, and furthermore, she holds the key to people involved in the story of Nibelheim’s burning down, which is also depicted in CC. She and Cloud came to realize their feelings for each other in the end of the story, and live together in AC and DC.(CC:FFVII Ultimania, Tifa Lockhart Profile)
For many years, Cloud and Tifa have been holding favor for one another. At last facing the impending final battle with Sephiroth, they confirm together their feelings of desire toward partnership. (Tifa’s Profile, FF 25th Memorial Ultimania)
Zack and Aerith – Afterlife
Zack Profile in FFVII 10th Anniversary Ultimania: In order to help Cloud recover, he assured him from the Lifestream together with Aerith.
Aerith Profile in ACC Dengeki: She joined the Lifestream, but even then she carries on watching over the planet and Cloud. At all times, her first love Zack is always by her side.
Both are mentioned: …She starts to leave, together with the friend who had given his life to Cloud. Cloud no longer has to suffer in loneliness. And so they too go back to where they belong. Back to the current of life flowing around the planet. (FFVII 10th Anniversary Ultimania–Revised Edition, ACC Playback)
Cloud and Tifa – Living World
Cloud Profile in FFVII 10th Anniversary Ultimania: With the help of his friends, he defeated Bahamut SHIN, which Kadaj’s gang had summoned. He defeated Sephiroth after his Advent, and returned to Tifa and the children.
Tifa Profile in ACC Dengeki: At the end of a long struggle, she gently welcomes back Cloud on his return home after settling things with himself.
Both are mentioned: “Inside, I felt one thing was for sure: Cloud and Tifa would be together. Everybody would be living back home where they belonged.” (Kazushige Nojima-the scriptwriter, Advent Children Reunion Files book)
Zack and Aerith described in ACC
For Cloud, they were people whom he can never forget. The two irreplaceable people; Zack, “who was sent to death because protecting me” and Aerith, “who met a tragic fate as I couldn’t protect her” became “the unforgivable sins” in his heart.
(Advent Children Complete Post Card Book)
Cloud and Tifa described in CC
Cloud and Tifa are childhood friends, both born in Nibelheim. When Cloud leaves the village, he calls Tifa out to the water tower and promises that he will become a SOLDIER. At the same time, he is also made by Tifa to promise that he will come to rescue her if she is ever in trouble.
Following this, the pair experience many hardships, such as the Nibelheim incident which also appears in CC, and the Jenova War in FFVII, and through these the distance between them shortens. And in AC they live together, with Barret’s daughter Marlene, and a boy named Denzel. Though there was also a period later where Cloud lived away from them after having contracted Geostigma, they finally reach a commune with each over and return to living together once again. In DC, they rush together to Vincent’s aid, in his battle against Deep Ground SOLDIER.
(CC:FFVII Complete Guide Book)
Welcome to the third chapter of my FF7 analysis. I am writing these posts as one long rumination under the assumption that you have read the prior chapters. If you are new here (thanks for coming!), please head to the following masterlink before proceeding further: https://hartmonkey.tumblr.com/post/674955243020238848/a-complete-analysis-of-final-fantasy-vii
Last chapter we briefly noted Cloud, Tifa and Barret’s train trip to Mako Reactor 5. This chapter will take a deep look into their individual motivations and personalities as revealed throughout the mission. Before examining this venture, let’s backtrack just a little to an often overlooked moment. I’d left it out last chapter for it feeds into the combat system we are about to embrace – a system that is in every way married to FF7’s lore (the external worldbuilding) and arcs pertaining to individual characters. This moment is where Barret asks Cloud to give the tutorial on using Materia.
Continua a leggere
Thank you for the tag!
Now I’m even more convinced that they were meant to be a pair.
Before writing the post I checked a list of OG accessories to see if there was anything similar to the “Crescent Moon Charm”. I noticed the “Earrings” and the small moons inside them, however I didn’t mention them in my post because I’m convinced they have nothing to do with the “Charm”.
“Earrings” recur in other FF entries and they are always used to increase Magic. In the specific case of the original FFVII, the stat is MAGIC +10.
The “Earrings” accessories in FFVII Remake have the same use: “Earrings” boost Magic by 5%, “Platinum Earrings” by 10%. The design changed a little but they still include the shape of a moon and the curled metal pattern.
The “Crescent Moon Charm” has a totally different use, it reduces damage taken when equipped by non-active characters. It has nothing to do with magic. And there was no other accessory in the OG with similar use.
The charm was created after Tifa’s earring of the OG, with a new use and, yes, probably it was meant to play a role in the scene between Tifa and Marle. I really hope said deleted scene will be in the Intergrade. From the trailer it seems it’s going to fill that annoying hole between the scene where Tifa and Barret escape from the Reactor and the one where Tifa goes to Wall Market.
Naysayers should understand that coincidences don’t exist in fiction. Fiction tries to recreate reality, but it’s NOT reality. If something in fiction seems to be an odd coincidence then it’s not a coincidence at all.
If designers spent time and energies to create a brand new charm, make it identical to Tifa’s earring, describe it in a way that refers to the concept of love and relate it with the idea of protection - that’s the leading theme of Cloud and Tifa’s arc - IT’S NOT CASUAL.
It’s such a nice and meaningful detail!
It’s not new to #clotination that the Crescent Moon Charm from FFVIIR is the same as the earring from Tifa’s mature dress and her OG dress, and they’re likely from the same pair because it’s just too perfect to be a coincidence. See: this Tweet, this recent, highly-recommended Tumblr post by @skystarsflowers , and this shameless self-promotion reblog from last year with the OG concept art.
I’ve seen some naysayers try to wave it away by saying that because there are three Crescent Moon Charms in the game (Marle’s gift, Tifa’s outfit, and the Whack a Box prize), “it’s not like it’s meant to be an earring or something, it’s probably just a normal in-world item and it’s just a coincidence that Tifa decided to wear it as an earring.” Weak, I know.
However, the side by side comparison of the inventory image vs. Tifa’s earring helped me notice something: they are absolutely earrings and they absolutely make a perfect pair.
(Source: the aforementioned Tweet)
Continua a leggere
As a side to - for all my efforts - an objective analysis of the one of the greatest masterpieces in fiction, this post has been on the back of my mind for a while. I did not initially want to do this post. But with all the enmity and spitefulness accumulated in the FF7 fanbase that has warped perceptions of its heroines into ludicrous caricatures over the years, it saddens me to feel that it is now a must. I am, of course, talking about the misconceptions of Cloud’s character, and the false notions & unwarranted hate surrounding Aerith and Tifa.
For anyone interested, this post is in 5 parts, linked below:
Part 1: The misconceptions around Cloud Strife
https://outbythehighwind.tumblr.com/post/640346131917946880/the-misconceptions-of-ff7-a-cloud-aerith-tifa
Part 2: Cloud’s relationship to Aerith
https://outbythehighwind.tumblr.com/post/640346297225904128/the-misconceptions-of-ff7-a-cloud-aerith-tifa
Part 3: Cloud’s relationship to Tifa
https://outbythehighwind.tumblr.com/post/640346303037112320/the-misconceptions-of-ff7-a-cloud-aerith-tifa
Part 4: Aerith and Tifa in their relationships to Cloud
https://outbythehighwind.tumblr.com/post/640346307697967104/the-misconceptions-of-ff7-a-cloud-aerith-tifa
Part 5: Aerith and Tifa as FF7′s heroines
https://outbythehighwind.tumblr.com/post/640346343012024320/the-misconceptions-of-ff7-a-cloud-aerith-tifa
Hardcore FFVII fan sharing theories & fanart, sometimes silly stuff ⋆ AuDHD ⋆ She/her ⋆ INTP ⋆ Atheist ⋆ Non-native English speaker, be merciful with my odd way of writing ⋆ Twitter @TerraFatalis
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