Latest Posts by temple-of-bullets - Page 2
the commodification of friendship is the most annoying thing to come out of the internet in ages. like actually i love to break this to you but you're supposed to help your friends move even if it's hard work. or stay up with them when they're sad even if you're gonna lose sleep. you're supposed to listen to their fears and sorrows even if it means your own mind takes on a little bit of that weight. that's how you know that you care. they will drive you to the airport and then you will make them soup when they're sick. you're supposed to make small sacrifices for them and they are supposed to do that for you. and there's actually gonna be rough patches for both of you where the balance will be uneven and you will still be friends and it will not be unhealthy and they will not be abusive. life is not meant to be an endless prioritization of our own comfort if it was we would literally never get anywhere ever. jesus.
Sophia Myles in ‘Tristan & Isolde’ (2006).
obsessed with the fact that Ilya Repin had his friend Vselovod Garshin model for Ivan the Younger in this painting and his reasoning was "He just looks like he's going to die a tragic death". Garshin committed suicide 3 years later.
Phyllis Dalton was robbed of an Oscar for “Lawrence of Arabia” because nobody even entered her name in the competition. Her work was incredible, she designed hundreds and hundreds of costumes, went shopping in bazaars for fabrics, researched every army uniform, even found Allenby’s old tailor and had to make sure every costume was ready in time and in various variants.
reblog if the first musical you listened to was not Hamilton
And these... having led them here, have you no care for them?
I am unfortunately just like other guys. I like trashy horror, dog poems, cannibalism as a metaphor for obsessive devotion, religious imagery, people who use my name in a sentence, academic validation, lying for fun, being bisexual and bleeding out in the snow.
ilya repin ivan the terrible and his son ivan || hannibal 2x13 “mizumono”
Jean Ranc (1674–1735), Portrait of Barbara of Portugal (details)
During an interview about her incredible costumes for the film Crimson Peak (2015), Kate Hawley mentioned two paintings that particularly inspired her design of the leading female cast’s iconic attire. Proserpine by Dante Gabriel Rossetti (1874, top left) was taken into consideration for the character Lucille Sharpe, otherwise known as The Moth (top right). For Edith Cushing (bottom right), thought of as The Butterfly in contrast, The Bridesmaid by John Everett Millais (1851, bottom left) was said to have greatly influenced the character’s hauntingly beautiful look of cascading hair and the bridal-esque nightgown attire.
Herakles - Euripides x Hannibal NBC Season 1, Ep. 8 “Fromage”
Learn to love reading and research I promise you’ll never be bored again
2x07 || 3x06 || 3x08
is there any line more fucking metal than "i would've given my life away laughingly for you"? what a fucking brutal love confession! i would die for you and it wouldn't even matter because i would've done anything for your love. laughingly. laughingly! this brief sentence makes me insane
Princess Apostle Olga. 1893 The image of the iconostasis of the southern chapel in the choirs of Vladimir Cathedral -
Nesterov Mikhail Vasilievich
Hannibal 1.01 "Apéritif"
the classical art pins are up for pre-order! greerstothers.shop
The Hunt of the Unicorn / Unknown artist The Garden of Death / Hugo Simberg Le génie du mal / Guillaume Geefs
Halloween Week - Day 1 - Hannibal, NBC. “Have you seen blood in the moonlight?”
okay but hannibal closing his eyes to find will's scent and when he recognizes it IMMEDIATELY vide cor meum starts playing is insane i'm insane he's insane we're all insane
btw this is the translation:
everyone go die in a corner pls
might as well add the scene bc yes. yes.
Detail of 16th Century painting, School of Antwerp
Anatomical Eve, 17th century
Pandora (1896) and Circe Invidiosa (1892), by John William Waterhouse
“The Duet” (1883) (detail) by Pascal Dagnan-Bouveret (1852-1929).
Details (#3) of The Birth of Venus (ca. 1485), by Botticelli
St.-Matthäus-Kirchhof Cemetery in Schöneberg, Berlin, Germany
HERE WE ARE, IN THE OUROBOROS, DOING IT AGAIN. HOPING SOME DAY THIS DANMED CYCLE ENDS.