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6 years ago
By Jean Marie Carey
By Jean Marie Carey
By Jean Marie Carey
By Jean Marie Carey
By Jean Marie Carey
By Jean Marie Carey
By Jean Marie Carey
By Jean Marie Carey

By Jean Marie Carey

Caracalla (born Marcus Aurelius Antoninus in 188), was assassinated on 8 April 217, after nearly 20 years as one of the most reviled Roman emperors. Caracalla had a career of drastic purges and murders, having his numerous real and perceived enemies executed, including his brother Geta in 211. To placate Roman soldiers, he doubled the inheritance tax paid only by citizens.

In 213 he fought the Alamanni and became Germanicus Maximus. Obsessed by Alexander the Great, he raised a Macedonian phalanx and went east in his footsteps, through Asia and Syria to Alexandria, where large numbers who had mocked him were killed. When his offer to marry a Parthian princess was rejected, he attacked Media. While preparing a further campaign he was murdered near Carrhae.

Caracalla oversaw numerous aggrandizing projects. Geta and Caracalla commissioned the construction of the Gymnasium Complex in Sardis, Turkey, which was in use until and through the early Byzantine period. The gymnasium was a huge construction located next to the synagogue in Sardis. The large area adjoining the synagogue on the north was the gymnasium’s palaestra. The eastern facade of the baths was restored between 1964 and 1973.

Caracalla had an equally sumptuous thermae built in Rome, decorated with original Greek sculptures, ornaments, and architectural elements. Because of his notoriety, the emperor was a popular subject, despite a decree of damnatio memoriae, for contemporary and also later artists. Coins bearing his likeness are highly collectible.

Reference: Anthony R. Birley. “Aurelius (RE 46) Antoninus (1), Marcus.” In The Oxford Classical Dictionary.: Oxford University Press, 2012. http://www.oxfordreference.com/view/10.1093/acref/9780199545568.001.0001/acref-9780199545568-e-986.

Gymnasium Complex, ca. 161-211; ruined circa 7th century; baths restored 1964-1973. Sardis, Turkey. Nr.s R50630177and R50630430. Shmuel Magal, Sites and Photos.

Herakles Farnese, Roman copy of a Greek original 330-320 BCE. Recovered from Baths of Caracalla, Rome, now in Museo nazionale di Napoli

Gioacchino Altobelli, Ruins of the Thermae of Caracalla, albumen print photographs, ca. 1865. George Eastman House, Rochester, New York.

Denarius with Caracalla (Spätrömischer Kontorniat), ca. 200. Münzkabinett, Staatliche Museen zu Berlin, Nr. 92.073.

Bull rhyton (black steatite; wooden horns originally gilded) from Crete: Second Palace Period. ca. 1400 BCE. From the Roman Baths of Caracalla. The Archive for Research on Archetypal Symbolism, Nr. 18082.

Portrait head of the Emperor Marcus Aurelius Antoninus (called Caracalla), ca. 230. The Metropolitan Museum of Art. Nr. 40.11.1a.

Further Reading: Janet DeLaine. The Baths Of Caracalla: A Study In The Design, Construction, and Economics of Large-Scale Building Projects In Imperial Rome. Portsmouth, Rhode Island: Journal of Roman Archaeology, 1997. 

Clare Rowan. Under Divine Auspices: Divine Ideology and the Visualisation Of Imperial Power In The Severan Period. Cambridge: Cambridge University Press, 2012. 

6 years ago
Gustave Moreau, 1826-1898

Gustave Moreau, 1826-1898

Hélène, n/d, gouache and watercolor on paper, 52x25 cm

Private Collection

6 years ago
The Reading Lesson. Knut Ekwall (Swedish, 1843-1912). Oil On Canvas.

The Reading Lesson. Knut Ekwall (Swedish, 1843-1912). Oil on canvas.

While the father reads and the child in the foreground is writing, the mother is providing instruction on reading to the other children.

5 years ago
Details From Venus And Her Satellites, 1835.
Details From Venus And Her Satellites, 1835.

Details from Venus and Her Satellites, 1835.

William Etty (British, 1787-1849)

Oil on panel

6 years ago
Newspaper Reading (1855). Reinhard Sebastian Zimmermann (German, 1815-1893). Oil On Canvas.

Newspaper Reading (1855). Reinhard Sebastian Zimmermann (German, 1815-1893). Oil on canvas.

A young woman reads a newspaper, perhaps to her father and dog, in a nicely appointed interior. The man holds what may be a snuff box. Both man and dog are very attentive to the news being read. Books sit on the desk to the rear.

6 years ago

Nada se le iguala al exquisito olor a pan recién horneado.

La Panadería  ♡

La Panadería  ♡

6 years ago

Demo-1: What’s the Deal?

Whether or not you caught the SpaceX Crew Dragon launch this past weekend, here’s your chance to learn why this mission, known as Demo-1, is such a big deal.

The First of its Kind

Demo-1 is the first flight test of an American spacecraft designed for humans built and operated by a commercial company. 

Liftoff

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The SpaceX Crew Dragon lifted off at 2:49 a.m. EST Saturday, March 2, on the company’s Falcon 9 rocket from Kennedy Space Center. 

This was the first time in history a commercially-built American crew spacecraft and rocket launched from American soil. 

Docking the Dragon

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After making 18 orbits of Earth, the Crew Dragon spacecraft successfully attached to the International Space Station’s Harmony module at 5:51 a.m. EST Sunday, March 3. The Crew Dragon used the station’s new international docking adapter for the first time since astronauts installed it in August 2016. 

The docking phase, in addition to the return and recovery of Crew Dragon, are critical to understanding the system’s ability to support crew flights.

A New Era in Human Spaceflight

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Although the test is uncrewed, that doesn’t mean the Crew Dragon is empty. Along for the ride was Ripley, a lifelike test device outfitted with sensors to provide data about potential effects on future astronauts. (There is also a plush Earth doll strapped inside that can float in the microgravity!)

Astronauts on the International Space Station welcomed the Crew Dragon spacecraft in a ceremony onboard. NASA Astronaut Anne McClain from inside Crew Dragon said, “Welcome to a new era in human spaceflight.”

Inside the Dragon

For future operational missions, Crew Dragon will be able to launch as many as four crew members and carry more than 220 pounds of cargo. This will increase the number of astronauts who are able to live onboard the station, which will create more time for research in the unique microgravity environment.

SpaceX and NASA

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Elon Musk, CEO and lead designer at SpaceX, expressed appreciation for NASA’s support: “SpaceX would not be here without NASA, without the incredible work that was done before SpaceX even started and without the support after SpaceX did start.”

Preparation for Demo-2

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NASA and SpaceX will use data from Demo-1 to further prepare for Demo-2, the crewed flight test that will carry NASA astronauts and Doug Hurley and Bob Behnken to the International Space Station. NASA will validate the performance of SpaceX’s systems before putting crew on board for the Demo-2 flight, currently targeted for July 2019.

Undocking

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The Crew Dragon is designed to stay docked to station for up to 210 days, although the spacecraft used for this flight test will remain docked to the space station for only five days, departing Friday, March 8. (We will be providing live coverage — don’t miss it!)

Demo-1: So What?

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Demo-1 is a big deal because it demonstrates NASA and commercial companies working together to advance future space exploration! With Demo-1’s success, NASA and SpaceX will begin to prepare to safely fly astronauts to the orbital laboratory.

Follow along with mission updates with the Space Station blog.

Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com

6 years ago
Gentle Spring (pre 1865). Frederick Sandys (English, 1829-1904). Oil On Canvas. The Ashmolean Museum

Gentle Spring (pre 1865). Frederick Sandys (English, 1829-1904). Oil on canvas. The Ashmolean Museum of Art and Archaeology. Exhibited at the Royal Academy in 1865 accompanied in the catalogue by a sonnet by the artist’s friend, Charles Algernon Swinburne. The figure was painted in the garden of the poet and novelist, George Meredith. She represents Proserpina returning from the land of the dead. Sandys joined Rossetti’s circle in 1857 and lived with him in Cheyne Walk for most of 1866.

5 years ago
I Would Die For Kiioritori Honestly
I Would Die For Kiioritori Honestly
I Would Die For Kiioritori Honestly
I Would Die For Kiioritori Honestly
I Would Die For Kiioritori Honestly
I Would Die For Kiioritori Honestly
I Would Die For Kiioritori Honestly

i would die for kiioritori honestly

7 years ago
Circle Of Artemisia Gentileschi (Italian, 1593 - C. 1656): Mary Magdalene, Holding A Skull (via Sotheby’s)

Circle of Artemisia Gentileschi (Italian, 1593 - c. 1656): Mary Magdalene, holding a skull (via Sotheby’s)

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teddyglez1976 - Rincón de Sibaritas
Rincón de Sibaritas

Dedicado a los finos amantes de las bellas artes y el estilo exquisito del buen comer.

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