“But maybe ‘Fearless’ did present the opportunity for the grandest experiment out of the gate: to recreate something that pure and heartfelt, with all the meticulousness a studio master like Swift can put to that process now, without having it seem like she’s faking sincerity. Let the think-pieces proceed — because this is about six hundred different shades of meta. But, all craftiness and calculation aside, there’s a sweetness to the regression that’s not inconsequential. It harks back to a time when she only wondered if she could be fearless, before she learned it the harder way for sure.”
- Variety
THIS RIGHT HERE
Can we bring back the discussion of how Karlie is literally in the ME! MV ????
This random "man" is the only person falling from the sky that gets a whole close up for seemingly no reason and "he" is not credited ANYWHERE.
This is literally Karlie Kloss in disguise
Her features may have been altered, but the position of her features were not!
Like it's so obvious???? It is layers of makeup and prosthetics. In general you can tell that's not even a man + the hair is a dead giveaway that it's a disguise. And not a good one bcuz the intention WAS to be obvious
And then Taylor literally disguises herself as a man in The Man just to drive the point btw
It's the prosthetic nose and chin + the changed eyebrows and wig in BOTH for me.
Adding this edit I came across after bcuz it is better than the one I used and UNDENIABLE
RYAN GOSLING "I'm Just Ken" wins Best Original Song at the 29th Annual Critics' Choice Awards (January 14, 2024)
This gives me Beatles vibes, like the energy of the crowd and how the music unites them!!!! It is so beautiful to watch and the kind of power in this is so phenomenal. She’s playing their hearts and souls on music notes
Taylor Swift is building a bridge of light and love, a rainbow bridge uniting us all
Lead us to love 💕 🌈💕🌈💕
vma‘s who? this is a taylor swift concert
Judge magazine, July 1926
Displaced children have been forced to seek makeshift shelter in chicken coops after their tents succumbed to flooding. This tragic reality evokes painful echoes of history, reminiscent of the deplorable conditions endured by Jews during the Holocaust, confined to horse stalls and sleeping on wooden shelves never intended for humans.
The phrase “never again” lost its meaning shortly after World War II, as the world witnesses a disturbing repetition of past atrocities. Despite solemn vows, the world’s involvement in supplying arms only exacerbates the suffering of the oppressed. It serves as a stark reminder that complacency and inaction pave the way for history to repeat itself.