Not To Alarm Anyone But Is Anybody Else Worried About How Everybody Is Fucking Stupid

From the book Organizing Solutions for People with ADHD:

Putting a coat on the back of a chair by the door is fine, but if you prefer, use coat hooks and a large catch-all basket for dropping keys, hats, gloves.

Small bookcase end-table next to the couch to store craft projects, books, and other things being worked on for easy access.

Add a storage unit near the dining room table to transition between eating and working there.

Daily toiletry items should be stored in a basket that you can move easily

Extra toiletries and medicine cabinet items go in open shelf/basket storage so they can be seen and used easily. If items no longer fit, purge the excess. Don’t obscure the view!

If you disrobe in the bathroom, place a tall hamper in there.

Keep a set of cleaning supplies in each bathroom

leonard cohen, "one of these days"

Jane B. par Agnès V. / Jane B. by Agnès V. (1988) | dir. Agnès Varda

collection of chromogenic prints belonging to an unnamed gay couple in the 1970s (via)

Burt Glinn Sammy Davis, Jr, New York City 1959

"I'm colored, Jewish and Puerto Rican. When I move into a neighborhood, I wipe it out!" sammy Davis, Jr

“Joe Pera Builds a Chair With You.” Joe Pera Talks With You, season 03, episode 09, Adult Swim, 2021.

Be Here Now, Ram Dass, Lama Foundation, New York, 1973

Joan Baez photographed by David Redfern.

Staff Pick of the Week

My first pick as a staff member at UWM’s Special Collections is The Women Who Hate Me by Dorothy Allison (b. 1949), published by Long Haul Press in Brooklyn, 1983. This small, intimate book of poetry also features illustrations by Laurie McLaughlin.

Born in Greenville, South Carolina to a fifteen-year-old unwed mother, Allison grew up in a very poor, working-class family in the 1950s. Her burgeoning lesbian identity and strained/abusive relationship with her stepfather left her feeling ostracized and out of place. After attending Florida Presbyterian college and the New School of Social Research for anthropology, she found solace in a community of other feminists and eventually made a career for herself developing stories and poems often based on her experiences. She would receive mainstream recognition at the publishing at her 1992 novel, Bastard Out of Carolina.

What cannot be overlooked in Allison’s writing is her honesty and ability to lay everything bare; to articulate what is seen but never said, as gut-wrenching and brutal as it may be. With themes of sexual abuse, child abuse, class struggle, women, feminism, lesbianism, and family throughout, she dedicates this collection of poetry to “the women who hate me who made me angry enough to write these poems,” and “for the women who love me who read the poems and helped me pull all the pieces together.”

- Grant, Special Collections Undergraduate Intern