I Don't Really Believe In Separating The Art From The Artist, But I Remember How Much It Hurt When I

Shit the Sims are becoming aware!! Quick trap em' in the pool

me tweaking out trying to find that one good fanfic

This shit right here I would watch the movie and the TV show spinoff

“I will train these new teen superheroes like the nation wanted, make sure they will survive and win. But I promise you General, someday I will drag you to hell for conscripting these kids into child soldiers.”

best brownies in the known universe (at least, according to my grandma)

some year and a half ago when i was getting ready to move out i combed through all the family recipes that lay lost to time and one of the ones that i found was my grandmas brownie recipe. idk where she got it from (nor can i ask cause she has dementia) and its a printed out email she sent to my mom in june 2000. but by george these the best brownies i have ever tasted. would she be pleased that i am sharing this recipe with my vast following? absolutely.

YOU WILL NEED:

5 tablespoons butter (unsalted) 1 ounce unsweetened baking chocolate (or as much as your heart desires) 2/3 cup unsweetened good cocoa powder 1 cup sugar (white) (superfine preferred, normal works fine) 1 cup sifted white flour (can use gluten free) 1/2 teaspoon baking powder as much cinnamon as your heart desires (your heart needs to desire at least some cinnamon. its essential to the recipe) 3 egg whites 1 egg splash of vanilla extract (again, non negotiable step!)

preheat your oven to 325 degrees. grease a square baking pan (9x9 preferably).

in a small saucepan over medium heat melt the butter and baking chocolate. while that is melting, sift together the flour, baking powder and cinnamon into a small bowl. once the butter and chocolate is done melting add the cocoa powder and cook it together for 1 minute. add in the sugar and stir. it will get very thick. this is correct.

set that aside to cool. while thats cooling take a large bowl and put in your egg whites, egg and vanilla. beat it up with preferably a whisk but you can use a fork if youre fresh out of whisks. once the chocolate is cool enough to not scramble your eggs dump it in the eggs and mix it together. add the flour in gradually and keep mixing until its smooth and happy.

spread into your greased baking pan. put it in the oven for EXACLTLY 18 MINUTES. very crucial step. they will come out slightly under done. that is what we want. as they cool they will continue to cook in the pan. we dont want them to get hard and sad. they are not good when they are hard and sad. do not overbake them. you will be sad.

slice them up and as the official last step on the original recipe says: EAT ENJOY AND MAKE MORE! (theyre very good with mint chocolate chip ice cream)

Got anything for dialogue

Writing Dialogue 101

Dialogue is conversation, nothing more, nothing less. The catch is: diagloue is EDITED conversation. It must be more concise, purposeful and witty than the everyday sentences we speak, while sounding natural.

The Purpose of Dialogue

Diaglue is definitely a fiction elements that pops everything up and out. Thus, dialogue is going to have more impact than your normal paragraphs, in order to:

Characterizes/reveals motives

Sets the mood in the story

Intensifies the story conflict

Creates tension and suspense

Speeds up your scenes

Add bits of setting/backgronud

Communicates the theme

Matching the Dialogue to the Genre

The dialogue in a book should speak the reader's language. There is a type of voice that suits each genre/category of fiction, and we must understand what matches the reader expectations and rhythm of the plot we are writing.

Magical Dialogue

"Do not kill him even now. For he has not hurt me. And in any case I do not wish him to be slain in this evil mood. He was great once, of a nobel kind that we should not dare to raise our hands against." - The Lord of the Rings, J.R.R. Tolkein

"As much as I want you and want to be with you and part of you, I can't rear myself away from the realness of my responsiblities." - The Bridges of Madison County, Robert James Waller

This is the language of The Hobbit, Star Wars, The Lord of the Rings, The Wonderful Wizard of Oz.

When writing literary and mainstream fiction (that is targeted at the general public rather than a target audience), we need to go with what sounds real, even with a magical setting

Science fiction and fantasy can be more unreal, i.e. things like "May the Force Be With You."

In romance, magical dialogue takes on a differen form. It's magical in that it transcends the way we talk to each other in normal society. Magical in that all of it makes perfect sense and is said in such eloquent langauge that we marvel at it while at the same time knowing that if we are left to ourselves, we would say something absolutely banal.

Cryptic Dialogue

"You know, the condom is the glass slipper of our generation. You slip it on when you meet a stranger. You dance all night, then you throw it away. The condom, I mean. Not the stranger." - Fight Club, Chuck Palahniuk

This is the dialogue in literary and religious stories that dealw ith abstract ideas and vague concepts and has double meanings. Readers aren't meant to understand theses right away.

These bits of dialogue plant sublimnal messages in the reader's mind that help communicate the theme later on, ultimately making sense.

Cryptic dialogue is difficult to do well. If we're not careful, we'll end up sounding preachy, moralistic and dogmatic.

You need to be able to view the world in different perspectives.

Descriptive Dialogue

The literary, fantasy and historical story often relies on dialogue for worldbuilding (expplaining history, magic rules, etc.)

The author's goal in descriptive dialogue is to provide the reader with information. However, the character's goal cannot be sacrificed for the author's. Dialogue can still have tension and suspense and can be inserted into a scene of action so the story doesn't bog down while the readers get some info.

Shadowy Dialogue

In shadowy dialogue, the character's job is to keep the reader suspended in a state of terror/suspense. Then you periodically tighten and loosen the tension.

The key here is uncertainty. The reader cannot trust the speaker, so we're always questioning him, wondering whether he's speaking truthfully or is presenting the full picture.

Keep the tone as dark of possible, using action and background as supporting tools.

Make it cryptic, or even better, offering an omnious threat of what is to come.

Provocative Dialogue

This is the type of dialogue that conveys the theme, talking about the "universla truth" your book is trying to convey.

Readers like to be challenged in their thinking, provoked to consider other ways of thinking, and shaken up in their belief systems with a fresh perspective about the world.

Consider this example from To Kill A Mockingbird:

"...but there is one way in this country in which all men are created equal - there is one humna institution that makes a pauper the equal of a Rockfeller, the stupid man the equal of an Einstein, and the ignornant man the equal of any college president."

There is no way we can read this and not think about something that is bigger than our daily lives.

Make your readers squirm, and shock them out of their comfort zones.

Uncencored Dialogue

Uncencored dialogue in YA stories are of young people, but that doesn't mean it's filled with hip-hop words and slag.

While adults cencor themselves when they speak, teenagers haven't yet learned that skill so their dialogue is more raw, edgy and honest.

Readers of YA novels expect realism, so make it as authentic as possible. The last thing we want to is for our characters to be brash and honest, but NOT sound like they've just stepped out of Planet Way Cool.

For example:

"What if he doesn't like me back?" "You are too much of a chicken to do anything aboutit but mope."

As an adult, how often do you admit fear of rejection out loud to another, or call out your friend to her face? In YA-type of dialogue though, we can just write what comes into these characters' minds.

So that sums up the different types of dialogue. Consider the nature of your plot, what your readers and the genre of the story you are writing to choose an appropriate way for your characters to speak!

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‼️Emergency please don't skip‼️

🇵🇸 save family lost their home ,dreams and everything in Gaza 🇵🇸

This is my home before the war and after the war how it became💔💔💔

Before: After:

We have been through many wars before, but this war was not like the ones before it. Our lives were turned upside down. We became displaced from one place to another. We are the Anas family, residents of northern Gaza, specifically in the Shujaiya area. In the first week of the war, we fled our home because everyone considered our home to be in a dangerous area. We moved to the Rimal area, specifically in the middle of Gaza. There, we received the news that our home, which contained all our beautiful memories, was bombed. Suddenly, it was gone!!! Just thinking that your home, which you worked hard on and built from scratch and took a lot of your life, was gone in less than a second ! After a while, we left the sands to the Al-Zawaida area because of the heavy shelling. We stayed there for about two weeks, and then the terrorist army asked us to go to Rafah. We actually fled for the fourth time to Rafah and stayed there for two months, some of the most difficult days of our lives, as there was no way or means to live a normal life. 😔😔 After that, because of the invasion of Rafah, we moved to Deir al-Balah. Now, we are in very difficult and oppressive circumstances.

We are asking you with all shame to support and stand by us in these difficult circumstances that everyone knows because we lost our home, our work and any stable source of income. Thank you all.

🔗 🔗 Gofundme link for donations 👇👇👇👇🔗 🔗

gofundme.com

Donate to Help Anas family in Gaza ,Save us from war and bombing, organized by Moaz MUHAISEN

Hello everyone, We are the Anas family, consisting of 5 m… Moaz MUHAISEN needs your support for Help Anas family in Gaza ,Save us fr

Please, we are in dire need of you and your support. If you cannot donate, you can share☹️❤️🥹

Even $5 will make a big difference and save us!

Verified by : @nabulsi

As a child a hero stood by as your family was slaughtered, too afraid to intervene. Now as an adult you are a hero yourself. One day the government assigns you a partner to take down a villain, the exact one who killed your family and your partner is the hero who allowed it to happen.

First neil gaiman book !

I am sick, dizzy, and can barely think but you know what would be WILD?

If the DC universe was an echo of Danny’s world. What if the continents of their planet shifted enough where Amity is now in New Jersey and had then become Gotham.

And when Danny died underneath the portal a part of his death fractured and imprinted itself into those various worlds. One of them being Gotham, where Danny’s home ironically used to be where Wayne Manor used to be.

So just imagine it, you’re coming back from patrol, grimy, sweaty, and with questionable intentions by dressing as an overgrown bat when suddenly the lights dim. It dims and brings darkness, only enough light to catch the beady marble eyes of the bats you fear.

And then electricity jumps in the middle of the room, flinging itself around like an agitated snake in wide open circles.

Everyone is backing away, some weary, some cursing, some just half way out of their own suit.

And then a child — barely as old as your youngest now, flickers to life before you, screaming and screaming, wailing in pain as the scent of burning flesh mingles into the air. You can see the boy, black hair and blue eyes that underneath the bright light that burns them is causing black to turn white, and blue to turn green.

The electricity crackles and when the boy is about the drop, limp, certainly lifeless, he vanishes as if nothing had ever been there.

But he comes back, he always comes back, in the moment of calm and in the moment of despair, echoing that painful wailing of death.

It’s so wrong.

It’s very, very wrong.

It didn’t even matter anymore why the boy showed up, only that this moment of pain continues to haunt the cave of heroes.

Continuously haunting, even as some whispered apologizes when the boy appeared. Continuously haunting, even as some provided songs of comfort when the boy appeared. Continuously haunting, even as stories of Gotham are told and promises (though uncertain and flimsy at best) are spoken to the wailing boy who always drops fast and disappears just as quickly.

Always, it was the same.

Until one day it wasn’t.

The electricity crackled like it always did. A spark, and then a calamity of light. And the boy would be there, uncurling himself into a tense position as he would wail.

But not this time.

Instead the boy curled himself in the air, calm as can be, almost as if he were sleeping. Even the electricity that they have learned to dance away from was calm, gentle, like ocean waves.

And when the electricity vanished, the boy did not, instead dropping to the floor where Dick was quick to catch him, grunting in preparation of weight only to show alarm at how thin the boy truly was.

On that face that has haunted them all for months is just a boy, sleeping, and scarred. A boy breathing very slow, slower than what they would like, but here in the physical realm with them.

Dick brushed back bangs of black hair, and slowly, ever so slowly, glazed blue eyes stared back.