سكتش اليوم الاسود - أسوأ حظ في العالم - SNL بالعربي

سكتش اليوم الاسود - أسوأ حظ في العالم - SNL بالعربي

More Posts from Sugarvsbitter and Others

9 years ago
Ever Wonder How Internet Cables Under The Sea That Connects Continents Together? This Is How They Put

Ever wonder how internet cables under the sea that connects continents together? This is how they put the cables. Awesome and interesting to know :) 

9 years ago
Living Being - The Aurora From The ISS By ESA Astronaut Alexander Gerst

Living being - the aurora from the ISS by ESA astronaut Alexander Gerst

js

11 years ago
140528 cr MayGreen_Bb
140528 cr MayGreen_Bb
140528 cr MayGreen_Bb

140528 cr MayGreen_Bb

A fan spotted Wu Yifan at Beijing FU WAI HOSPITAL today. He was at the cardiologist.

Fu Wai Hospital is the largest hospital specialized in treatment, prevention and research in cardiovascular diseases.

The doctor said why he still performing with his heart condition like that…

Take care dear..

Update:  “140528 Wu Yi Fan wasn’t alone at the hospital, he was with his mother (cr: Xizi希子) via.Becca

5 years ago
@mjcodez.

@mjcodez.

10 years ago
In The Name Of Allah The Most Gracious The Most Merciful

In the name of allah the most gracious the most merciful <3 ♥


Tags
6 years ago
Thomas Cole (1801-1848) The Course Of Empire: “The Savage State” (1834) “The Arcadian” (1834)
Thomas Cole (1801-1848) The Course Of Empire: “The Savage State” (1834) “The Arcadian” (1834)
Thomas Cole (1801-1848) The Course Of Empire: “The Savage State” (1834) “The Arcadian” (1834)
Thomas Cole (1801-1848) The Course Of Empire: “The Savage State” (1834) “The Arcadian” (1834)
Thomas Cole (1801-1848) The Course Of Empire: “The Savage State” (1834) “The Arcadian” (1834)

Thomas Cole (1801-1848) The Course of Empire: “The Savage State” (1834) “The Arcadian” (1834) “The Consummation of Empire” (1836) “Destruction” (1836) “Desolation” (1836) Oil on canvas Owned by the New-York Historical Society

The Course of Empire is a five-part series of paintings created by Thomas Cole in the years 1833–36.

The series of paintings depicts the growth and fall of an imaginary city, situated on the lower end of a river valley, near its meeting with a bay of the sea. The valley is distinctly identifiable in each of the paintings, in part because of an unusual landmark: a large boulder is precariously situated atop a crag overlooking the valley.

sugarvsbitter - Gone&Came
Gone&Came

One way ticket to Andromida~

191 posts

Explore Tumblr Blog
Search Through Tumblr Tags