i didnt know fifty fifty had debuted with the new members until ten mins ago but im so happy for them 🥹
Snow Hare from Perfect World
hi! here’s a list of almost every single anaysis Thing I’ve come across in like two months of being insane about the scottish play. Most are about lady macbeth/the gender theme btw.
‘He has no children’: The centring of grief in The Show Must Go Online’s Macbeth - Gemma Allred: on the misogyny that frequently surrounds conversations around Lady Macbeth
this post by @amillionmillionvoices: Same topic as the previous one, but goes more in depth, explains ladymac’s motivations as mostly coming from love not self-serving ambition.
this post by @dukeofbookingham: also explains the prior point very prettily— that ladymac is (mostly) motivated by love, but also makes the case that many of it is guilt born from not fulfilling societal expectations
On the character of Lady Macbeth - Dr. Emil Pfundheler: paper that explains the same point made in the previous post, using the text to explain. Written in 1873 so explains gender as a dichotomy, but once you take that out, its points are very good.
Characteristics of women: moral, political, and historical - Anna Jameson: aka Why Lady Macbeth is not inherently evil— same topic and the other two, but focuses a bit on the fact that she is A Woman. Not my favorite, but worth reading I suppose. Also includes analyses of many female Shakespeare characters. It does include some very bad history in the beginning— Gruoch did not orchestrate Duncan’s murder. That’s something Hector Boece made up.
Lady Macbeth: “Infirm of purpose” (from The Woman’s Part: Feminist Criticism of Shakespeare) - Joan Larsen Klein: on how she both fits and doesn’t fit the idea of a reinassance wife— doesn’t fit because she isn’t aligned to god (this read more like a Christian analysis than a feminist one if I’m being honest), but fits them because she behaves like one, only subverts them because she’s like, the evil murder girl version of the Wife. The essay right after this one is also very good.
The Hysteria of Lady Macbeth: required reading if you wanna play her Btw not kidding. Analyzes her character thru the lens of freudian psychology. Screws up the text of the play a bit but provides an actual in-depth explanation of how sonnambulism works. Note that “hysteria” is not a current psychological diagnosis, but a symptom of other conditions. Still extremely interesting.
The Macbeths - G. K. Chesterton: analysis of their relationship, makes some interesting point on the differences of the nature of their ambition and desire to kill the king
Shakespeare’s tragic frontier; the world of his final tragedies - Willard Farnham: this one is long but oh boy does it go deep. Talks about the lore of the witches, explains historical context to find out how the real events were so screwed up, makes an interesting point about Macbeth’s conscience against Lady Macbeth’s, and lastly talks about the tragic world of Macbeth compared to other tragedies.
Women’s fantasy of manhood: a Shakespearean theme - D. W. Harding: exactly what it says on the tin, using ladymac and her skewed (and I’d call romanticized) idea of what a man is that she pushes on Macbeth. So yeah, talks about the gender theme. Also talks about Goneril from Lear, Cleopatra, and Volumnia from Coriolanus and how they fit the theme— although ladymac is the only one who goes downhill from it.
Unnatural women in William Shakespeare’s Macbeth - Elizabeth Klett: I’ll be honest I didn’t love this one a lot. Basically talks about how every woman in Macbeth defies gender roles. Doesn’t go too deep however. But the book has a ton of essays analyzing female characters in classic lit.
rant time again:
i have noticed this awful, discreet little plague within the jshk fandom where some, and i'm sorry (not) for saying it this way but it's true, dumbass fans will see anyone even merely suggest that mitsuba is feminine or genderqueer or would like wearing skirts or just isn't some perfectly masculine boy, and say "no that's not true he hates being seen as feminine," even spreading outright misinformation that he said this in the manga (no he fucking didn't) and it's just.... bitch *what*? that is not fucking true. just because he was bullied for looking feminine doesn't mean he hates looking feminine as a result. the ENTIRE POINT of the mitsuba arc is that those bullies were *wrong* and he should've just been himself instead of sanding down his personality to cater to the people who hate his true self. and mind you, this is the boy that actively wears his medium length bright fucking pink hair in a ponytail & brags about how cute he is 24/7. he actively presents himself as feminine, someone who hates the idea of being percieved as girly wouldn't fucking do that. he *enjoys* his femininity, you dumb fucks.
and while we're here, let me get to the *real* point. why do you automatically assume that a character who is percieved as feminine, and more broadly, a character who is percieved as QUEER, has to hate themselves? why do you assume this despite evidence to the contrary, despite *the story itself* telling you otherwise? why do you assume that? is it because you see someone breaking free from gender norms & heteronormativity as inherently negative and something they *must* hate deep down? is that the reason? tell me, what is your fucking reason? why do you see this beautiful little boy being openly queer and *happy about it, loving who he is* and assume he must hate himself, that him being queer is a flaw he must want to "fix"? why the *fuck* do you think that? it's horrible. do fucking better oh my god i hate you people so much
RANDOM SHIT I FOUND ON THE GROUND
(13th Oct 2023)
1.
rounded white rock
2.
OXX highlighter stick, still has product in it
3.
two rubber, one much more used than the other
hope y'all had a good day, and a good weekend!!
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Gaza is full of oppression #The worst is yet to come #Genocide #A resilient people
nurse she's doing it again (pose practice with the distinguished innovators)
💎Today's Miku "figure" is:💎
MAYLA Iconique Ear Objet earring sets ver. (2025)