My, My...

Living Weapon Whumpee that doesn't know what to do when Caretaker rescues them.

They only know fighting, and violence, and even sometimes order people around when their handler allows them, what are they supposed to do if Caretaker doesn't need them?

Caretaker is a good person, and they have a lot of security like guards 24/7 and cameras monitoring their house, why would they need Whumpee?

They say they want to help, to make Whumpee get better; but how is Whumpee supposed to be better when they can be useful?

Caretaker doesn't need them. They are safe, and that's a good thing. Then why do they feel so impotent?

If only Caretaker needed them. Or if they lacked guards, then at least Whumpee could be of some use. But no.

They are useless, and when Caretaker sees that, they are going to get rid of Whumpee.

So I just saw a post by a random personal blog that said “don’t follow me if we never even had a conversation before” and?????? Not to be rude but literally what the fuck??????????

I’ve had people (non-pornbots) try to strike conversation out of nowhere in my DMs recently, and now I’m wondering if they were doing that because they wanted to follow me and thought they needed to interact first. I feel compelled to say, just in case, that it’s totally okay to follow this blog (or my side blog, for that matter) even if we’ve never talked before.

Also, I’m legit confused. Is this how follow culture works right now? It was worded like it’s common sense but is that really a thing?

Day V

My take on this:

"I'll be your waitress tonight. My name is Dorian. So, what can I start you two off with?"

Zené held his tongue as Marie ordered water and a glass of chardonnay. Zené just ordered a water, wanting Dorian to leave as quickly as possible. Dorian was Spike, a villain who liked to make his life miserable, coming up with some plan or another or just stealing something from the Embassy. He wasn't supposed to know her secret identity. It wasn't in her file. But he did. She wasn't supposed to know his. He was a hero. But she did.

"It looked like you knew that waitress. Who is she?"

"Just, uh, somebody I see sometimes. I come here, she waits my tables, she comes to the junkyard, says hi as she drops off some scraps or something."

"Oh, what do you do?"

"Um... Crusher operator at the junkyard. Half the time I'm rescuing perfectly good cars from people who think a dent's worth trashing 30+ thousand dollars of first car material. I'm also the unofficial salesman. Cheapskate parents'll come to the junkyard to buy some clunker, I sell a beauty of a '97 Camaro for $2,000. Half the time when it comes back, it's totaled. Fun times."

"Oh, that's nice."

"Yeah."

Dorian came back with menus and the drinks, then promptly left. Zené looked at the menu, so it wouldn't seem so awkward for Marie even though he already knew what he wanted.

"What do you recommend, Zené? I've never really been to a fancy restaurant."

"Oh. Well my go to is alfredo, either chicken or shrimp, or a well-done t-bone or sirloin. Expensive, but worth the convenience."

"Hmm." Marie flipped through the menu, locating the items he mentioned, rocking her head back and forth trying to decide. "I think I'll go sirloin with the special on the side"

"That's a great choice. Their specials are always amazing." About 15 minutes later, Dorian came back.

"Y'all know whatcha want?"

"Yeah. What's the special today?" Marie asked.

"We have chili soup and we have Naomi's Concoction, basically an alfredo casserole."

"Oooh. I'll have a side of, what was it, Naomi's Concoction? with a sirloin medium-well."

"Alright, medium-well. And for you, sir?"

"Chicken and shrimp alfredo, all in one, with a side of the chili special."

"Alright! Comin' right up."

Dorian walked off with a mischievous pep in her step. Zené noticed and sighed. Yet another date to-be-crashed. Just great. The only thing to do now was wait. Dorian never crashed his dates the same way twice. The first one was a simple case of bullying. Dorian came to the cafe as a "friend", making fun of everything the girl did. Another was an assassination as he walked the girl home. There were a few others, but each time Dorian was behind it and each time she made sure Zené knew.

Innocently, she brought the food to the table after about 20 minutes, the average time it took any amount of food to be made at The Golden Goose.

Zené dug in. He refused to stress out over what could be when he had no proof. Instead, he wanted to get it over with and he wanted to enjoy himself.

Dorian came by a couple times, as any good waitress should, not carrying any poisons or venoms on her. Marie commented on how good the food was and Dixie smiled politely.

Zené and Marie finished eating and sat back, full. Before long, Marie excused herself to go to the bathroom and that's when Dorian's plan sprang into action. She has planned it thoroughly, and was able to get her shift ended then. She changed into her normal clothes and sat where Marie was sitting, across from Zené.

"What're you doing? Aren't you on the clock?" Zené hissed.

"Nope, just got off. Works when you own the company."

"What-? You own this?"

"Yeah. How do you think I fund my villainy?"

Zené opened his mouth to respond, then closed it, nodding in acceptance.

"That girl. Marie. You'd really choose her over me?"

"Uh, yeah. You're a villain. I'm a hero. There's a big difference between us. I'm not gonna get with somebody who I'm gonna have to fight in the morning."

"Y'know, you wouldn't have to if we were married."

"No. And you know why."

"Let me guess: morality?"

"Precisely."

"Well, then it would be a shame if I stole you from your date, wouldn't it?"

Zené's brow furrowed. "What do you mean by that?"

"You know what I mean. So don't try to deny it. I know your nature. And I will use it to my advantage every time."

Marie came out of the bathroom and took stock of what she saw before launching into a tirade.

"Get out of my seat. That boy is mine. And if I see you with him again, I just might do something you'll regret."

"Oh really?" Dorian hummed, chuckling, "You'll do something I'll regret? I would love to see that." She slinked around the table and latched onto Zené's arm, who, with a miserable attempt, tried to get her off. Tried to get away. But she held fast and kept him anchored to the spot.

Marie threw a punch and Zené sighed. No civilian had the prowess to be a villain of Dorian's caliber.

Dorian caught Marie's arm and pressed her to the table calmly, yet firmly. She handed the half-empty bottle of chardonnay to Dixie, who took a swig, then said, "I get what I want no matter what, so I recommend you don't make this any bigger of a scene than it already is and leave. Let me have my man, and you can take whoever else you want." She let Marie go, who sulked out of there, and the rest of the patrons clapped at how decisively and quietly it was handled. Dorian bowed, then took Zené by the hand and left.

The next day, Zené went about his day like nothing had happened. Until he was summoned, privately of course, by Dorian. Well, by Spike. So he went in as Generator.

"What do you want?"

"Nothing, really. I've just noticed that your dates have looked more and more like me lately. Is that on purpose?" Generator thought about it. It hadn't been on purpose. But when your type is tall chubby hourglass goth, you look for that more than anything else. Generator set his jaw, annoyed by her accuracy.

"You can't just keep crashing my dates!" Generator blurted.

"Well, I mean, I keep doing it, so "can't" I don't think, is the operative word here." Generator scoffed.

"Stop crashing my dates."

"Oh, you don't go on them looking for a version of me that'll fit your moral code? Someone who looks like me and acts like me and who's similar enough that you can mold to be me without it being me?"

"...No."

"You don't want me to just claim you right then and there, pinning you to the table so we get removed and I take you to my place and we continue where we left off?"

"N-No."

"Oh. Then I'll stop."

"Wh-What?"

"I'll stop crashing your dates and flirting with you and we can go back to our hero/villain relationship while you find someone to marry. That's what you want, right? Of course, you could always say please."

"Say please?"

"Yeah. Say please and I'll pin you to the wall, kiss you breathless, and screw your pretty little brains into oblivion." Spike closed the gap, pouring two glasses of strawberry wine on her way. She offered one glass and Generator took it, taking a sip. It was good. Spike downed her glass, then set it on a nearby table. She advanced and Generator found his back hit a wall abnormally quickly. He took another sip of the wine.

"Just say you don't want this. It's that simple."

"No," Generator whispered. His nature made lying nearly impossible. It caused him to shake, like he was high or something. All that fixed it was the truth. Now, he could fool a lie detector and he could worm his way around the shaking, but he preferred not to lie.

The wine glass started to shudder, threatening to spill. He took another sip. Spike took the drink from him and set it on the table before settling her hand on the wall by his left shoulder. Generator knew one way to fix the shaking that was threatening to erupt out of him.

"Please~" he gasped, eyes unfocused as a wicked grin grew on Spike's face. She kissed him and he melted into it, supporting himself with her shoulder. She pressed him into the wall and got started on a hickey while he moaned and shuddered as the need overwhelmed him.

From then on, the only dates were with her in her office or her house.

Hi! Absolutely love your writing :) Would you be willing to do a enemies to lovers but with hero x villain? Maybe with like a controlling villain and the hero secretly likes it but is defiant externally? Sorry idk if that made sense lol

Thank you in advance though if you're able to!

"You can't just keep crashing my dates."

The villain glanced over their shoulder, raising an eyebrow in a mimicry of an emotion that didn't quite reach their eyes. "No?"

"No." The hero stalked closer, stopping in front of the villain, in time for them to turn. "I'm not yours."

"No?"

"No!" The hero's heart gave a little skip, at the possibility that the villain would then look at them and then say (in a growl, or devastatingly matter-of-fact, or in a teasing purr) 'yes, you are' or 'you're most certainly mine'. The villain had done it before.

The villain tilted their head, offering the hero one of the two glasses of wine they had just poured.

The hero took it, anticipating.

The villain didn't say anything, simply watching them as they took a steady sip.

The hero's face burned but they refused, stubbornly, to look away.

The villain set their glass down on the counter behind them. No rush.

The hero imagined the villain grabbing them, kissing them, as they had done before too. Twirling them, glass flying and wine sloshing, and pressing them up against the nearest flat surface. They would change every no to yes and please and more.

They both knew the routine, the dance of it. It didn't need saying.

"Your dates look increasingly like me," the villain murmured. "Have you noticed?" Their hands stayed, agonisingly, at their sides, as they leaned lazy against the counter.

The hero blinked, not expecting the comment. They took a sip of the wine instead of replying, hoping that perhaps an equally steady silence might come across as cool and mysterious instead of flabbergasted.

The villain smiled. "Say please."

"W-what?"

"Say please if you want me to screw your pretty brains out until you can't think straight."

The hero spluttered. "That's not - I'm not - that's not why I'm here." They undoubtedly would say please, but it had never been so close to the start, so when there wasn't any excuse they could possibly give for the desperate needing of it.

"No?"

"No." The hero swallowed.

"So you don't go on your little dates just to wind me up?" The villain finally straightened, taking a step closer.

The hero stepped back, but didn't run, didn't want to. Mesmerised. Their mouth felt very dry. "No." Such a lie.

The villain's smile grew. "You don't secretly wish I'd kiss you, claim you, in front of all of them?"

"No." The hero jutted their chin up. "I'm not a thing to be claimed."

The villain advanced; the hero back-tracked.

"You don't," the villain continued, a honeyed murmur, "say no, because you love all the ways I can persuade you. Because then you can pretend you don't want this. Because you like watching me take control of you."

The hero's back hit the wall. Miraculously, the wine didn't spill, still clutched uselessly in one hand.

"No."

"Mm." The villain set their palms on either side of the hero's shoulders, and the hero felt the very air between them might start vibrating with the urge to close the gap. "Perhaps I'll never crash one of your dates again then."

The thought was unbearable. The villain was bluffing, right? They had to be bluffing.

The hero wet their lips. The villain's gaze dropped to follow the movement, then flicked back up to the hero's eyes.

"You're a bastard," the hero whispered, because it was true and it wasn't no.

"Why yes," the villain's eyes gleamed, "I am." They waited.

The hero's stomach squirmed. "Are you actually going to make me say it?"

"I thought I didn't control you. I thought you weren't mine."

The hero shivered.

"So how could I," the villain leaned in to the hero's ear, still not quite touching, "possibly make you do anything?"

"...please."

"What was that, love?"

"I hate you."

"Do you?" The villain's lips finally pressed against their skin, kissing down their neck.

"Yes. So much." The hero's head fell back, offering more of their throat. The wine glass drooped in their hand.

"Don't spill on my floor."

The wine glass righted with titan concentration. There was nowhere to put it down.

The villain kissed them; soft, so soft, a promise of so much more to come.

"Would you like me to stop?" the villain asked against their lips.

"...no."

"No?"

"No."

The villain hummed and kissed them again, a little harder. The wine glass wobbled treacherously in the hero's hand once more. The hero's other hand clutched the villain's shoulder.

"I think we're done with the stage in our relationship where you pretend to date other people," the villain said, when they pulled back, breathless. They caught the hero's chin, and their stare was, for a moment, serious.

The hero scrambled past the kiss-drunk haze, brow furrowing. "It's actually bothering you?"

"No," the villain said, in the same tone that the hero said no, meaning yes.

"Okay." The hero leaned in to kiss them, just once, reassuring.

Tension eased out of the villain's shoulders. The wicked playfulness returned, and they shoved the hero back against the wall again. The next kiss was a consuming, hungry thing, and the hero could only chase after more than they were given, gasping.

The villain nipped the hero's neck, before giving a chiding click of their tongue. It once again sent an anticipatory shiver of delight down the hero's spine.

"Oh, would you look at that," the villain said, with soft and bewitching menace. "You spilled my wine. However shall I make you pay me back for that?"

"Make me?" The hero bit their lip. "You think you can make me do anything? Please."

The villain grinned.

There were no more dates with other people after that.

You, a retired villian by choice, have just received new about your grandchild, a hero, being falsely accused of crimes he didn't commit causing you to demonstrate why you retired.

Botanical Names Part I

Names you can choose for your characters. Taken from the little signs in a botanical garden. So they are names of plants.

Adoxa

Potentilla

Fraxinus

Stellaria

Valeriana

Iris

Tulipa

Syringa

Danthonia

Avena

Silene

Irsine

Amaranthus

Barbarea

Cleome

Nigella

Erica

Arbutus

Malva

Calluna

Viola

Phyllis

Majorana

Salvia

Morina

Petunia

Calliandra

Veronica

Gilia

Juniper

More names!

You are an immortal, having to deal with the rather troublesome rumour that your blood grants immortal life. However, what those after your blood don’t know is that since you can’t die, you are an excellent host to several deadly bacteria and viruses-all existing peacefully in your blood.

“how did you know i was a sub?”

baby I looked at you for 0.3 seconds before you got flustered and shy, cleared your throat, and looked away. you literally almost slipped trying to volunteer to grab something for me. I saw your eyes flutter shut when I leaned in to whisper something. I heard that sharp intake of breath when I told you that you were doing so good.

so go ahead, straighten your posture now. try to delude yourself that you’re not obvious. but you know as well as I do that it really doesn’t matter that you’re taller than me, bigger than me. it’s still just one look from me before you’re on your knees. it’s still my fingers leaving marks along your pretty skin. my voice taunting you, my lips swallowing your whimpers.

my hands working you over until you’re dripping, desperate for more. you like that, baby? feels good, doesn’t it? my pretty sub. so strong. so needy.

my kisses leaving an imprint on your brain that’ll outlast any bruise or scar. permanently rewiring your brain until all you can think about is how to please me, how to be good for me.

the world looks at you and sees someone composed, capable. but you know that you’re naught but a toy for me. ardent and willing. good sub.

let me show you how nice it feels to surrender. let me tease out your moans and your arousal until you’re pulsating and gasping. let me show you what pleasure is meant to feel like.

Writing extreme emotions

How to convey specific feelings in an in-character way

—Body language

How do they behave? Are they jumping around and cheering, or do they quietly shake their fist in rage as they stare through the other people? Depending on the character, one can mean a lot more than another. For example, a quiet, shy character getting worked up means a lot more to the audience because we get to see a new side to them

—Breathing

Obviously everyone breathes. But irregular breathing patterns (especially when they’re noticed by someone who’s not the MC) can tell a lot about what their reaction is. Are they losing their breath from laughing to the point where they begin to laugh and cry? Or is the world spinning around them as they begin to hyperventilate, going lightheaded and feeling overwhelmed?

—How they interact with their location

Are they throwing things, staring straight through all of the beautiful scenery, or are the bright colors blinding them? The more public and busy the location is, the less they may feel inclined to really act out, or maybe part of it is that they’re so emotional that they don’t care. Just try to keep the setting in mind for any dramatic, emotional scenes.

—Other people’s reactions

Consider how much the outburst is out-of-character when thinking about reactions. Do people run to console the anti-hero when they break down into tears, or do they stand there awkwardly not knowing what to do? Or, does this happen so often that others know exactly what to say and do, or are they so tired that they stand in the corner, defeated?

—Remember to stay in character

If you want this scene to stand out, you need to remember the characters themselves. Everybody gets emotional and breaks down, and when you can make it true to the character, you will make it real to the audience

"How do you write such realistic dialogue-" I TALK TO MYSELF. I TALK TO MYSELF AND I PRETEND I AM THE ONE SAYING THE LINE. LIKE SANITY IS SLOWLY SLIPPING FROM BETWEEN MY FINGERS WITH EVERY MEASLY WORD THEY TYPE OUT. THAT IS HOW.

"Yeah, and it's super cute and silly until the spunky little sidekick dies because they think they're grown up enough to handle the job I've spent the last 20 years struggling with. Not. Happening."

Writing Prompt #2923

"Come on! Everyone needs a spunky little sidekick!"

"Yeah, and it's super cute and silly until the spunky little sidekick dies because they think they're grown up enough to handle the job I've spent the last 20 years doing. Not. Happening."