Harry Isn’t Quite Out Of His Teens When It Fully Hits Him—the War, The Blood And The Guts Spread

Harry isn’t quite out of his teens when it fully hits him—the war, the blood and the guts spread across the corridors of Hogwarts, the screams and sobs, the nightmares, the shadows that never seem to leave him.

It’s too much.

He gets a flat in London—Muggle London. Hermione and the Weasleys give him space. Kingsley ensures the wizarding world gives him privacy. Not that some aren’t reluctant. Rita Skeeter releases articles every day, wondering when their Boy Who Lived will return.

But Harry doesn’t see those articles.

He tries to forget who he is for awhile.

His flat is cozy. He stuffs it with plants and paintings and books. He has a cat (or three). He wears sweaters and blazers with corduroy pants. He goes to the market every morning to buy fruits and vegetables. That’s where he meets the kindly old woman who lives down the street.

She lived through World War II and so many other wars, wars that Harry has never experienced but can only imagine.

She goes to his house and she goes to hers. There’s always tea and small cakes and dinners and cocoa—apparently she believes that a teenager needs cocoa—and baking and reading and knitting.

Harry uses magic to brew the cocoa one day, not realizing that she’s standing in the doorway. She calms him by telling him that she knows all about magic. 

Their conversations shift after that. They talk about their favorite creatures and how hard it was to watch them perish before their eyes. They talk about the wall that seemingly gave way to let them enter the magical world. They talk about lions and friends and family and love and betrayals and life and death.

“When did you leave?” Harry asks one day.

She pauses, a hand resting on his cat’s head. After a moment, she looks up with a heaviness in her eyes, a heaviness that Harry sees when he looks in the mirror everyday. 

“I was young,” she says. “Younger than you are now. But I had already grown up. I didn’t want to leave, not really, but it became too much.”

“Do you regret it?”

“Some days I do, some days I don’t.” 

“Yeah…”

It’s a few months later, when he’s helping her shovel the first snow from her walkway, that he asks, “Did you ever try going back?”

“Even if I wanted to, I couldn’t,” she says, shoving a cup of cocoa into his hands. “I was shut out as soon as I hesitated.”

He pauses, nearly dropping the cocoa, before whispering, “That’s horrible.”

“What about you?” She escorts him inside, her cane tapping against the floor that he’s magically heated to warm her feet. “Would you be welcomed back?”

“Oh, yeah,” Harry says. “Til they turn on me because they don’t like the color of my shirt or because I sneezed the wrong way or because—you name it.”

She laughs and he smiles.

“Imagine that,” she softly says. “Rulers of our worlds and we’re not even allowed in them.”

“Imagine that.”

He does go back to the wizarding world, of course, but he never forgets his London flat. He visits the street from time to time, knowing that Susan Pevensie will be there, ready to push a cup of cocoa into his hands.

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— Warlock, probably

4 years ago

And now for a different kind of robot! 

4 years ago

im reading about cowboy phrases and sayings and like 95% of them are just solid life advice

5 years ago

Brendon talking about the BLM movement.

5 years ago
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After More Than 6 Years Of Procrastination…
After More Than 6 Years Of Procrastination…
After More Than 6 Years Of Procrastination…
After More Than 6 Years Of Procrastination…
After More Than 6 Years Of Procrastination…
After More Than 6 Years Of Procrastination…

After more than 6 years of procrastination…

…it is finished.  

Stay tuned for the sequel tomorrow and happy May the Fourth!

2 years ago

I always feel so worried about anyone I know who's 22-23 because I know those ages are the most hyped up yet shatteringly lonely times for most young adults when they expect so much from themselves and have been set up to fail at the same time but don't see that yet because they did everything they were supposed to and have probably started to feel so lonely and don't understand why seeing friends is suddenly getting way harder and time is going faster than ever

Those are like the speed batting ages where you are swinging so hard so fast trying to get this and you're striking out and even when you do hit you realize your just running in a circle and it starts to weigh on you and no one else is acknowledging it.

If you're 22-23 it's okay keep going, please try and remember to eat and sleep well and that there's nothing for you to win at, and you're not done changing no matter how set things feel

4 years ago
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Alethiometer

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AUDIO POR DIOSSSSSS!!!!

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2 years ago

Why I’m Mad About Eddie

Okay, so, like I said earlier, I’m not mad about the fact that Eddie died, the fact that he died is NOT the source of my anger. I’m mad about the poor storytelling that led to it not even being a good death, after they set it up to be a GREAT death. I’m mad (furious) because I deserve to be heartbroken over his death, I deserve to have bawled my eyes out, I deserve the catharsis of a good character death, not this rage burning in me over the disservices done.

If you’re mad about it but can’t quite place why you’re mad (instead of heartbroken, like we deserve to be, I deserve to be suffering a raw, gaping wound in my chest right now!!!), maybe this will help.

I want to be clear at the start here that the following is not an analysis of Eddie as a person, none of this is going to be treating him as if he were a real person. This is about Eddie as a tool of the plot, as a tool of the writers, as a character within a story being told by people that should be able to do their jobs better. If you see me saying things like “Eddie did X” or “Eddie thought X” the intent is not that Eddie, the person, performed these actions, but rather that the writers wrote him as performing these actions.

So with that, let’s proceed.

The core of my problem with Eddie’s death is that the manner in which he died is trying to sell us the opposite message to what the narration showed us to that point. The way the death is set up, the writers are trying to sell us on the message “Eddie is a coward that becomes a hero when he stops running away.” Unfortunately for the writers, that’s NOT what the rest of the narration has shown us, so that message ends up feeling empty.

So let’s look at that. When does Eddie run away?

Keep reading

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