I Just Realized Why Rocket Gets So Pissed At Drax For Nearly Getting Them All Killed For Revenge In Volume

So You Have a Queer* Fandom

An open letter to executive producers, writers, and cast in the age of Twitter, tumblr, AO3, Instagram, Youtube, whatever social media platforms come next, and global audiences. 

Congratulations! If you’re reading this its highly doubtful you’re in any way involved in mass media production but I’m fucking sick of shitty audience engagement by multi-billion dollar media companies and anyway this was better than working on my dissertation you’ve probably got a successful show! 

That’s fantastic! Your work is being viewed by millions of people! Pat yourself on the back! But wait! Oh dear. There’s a hiccup. Suddenly you notice tweets and messages and questions at SDCC about your characters - your beloved, money-making, copyrighted intellectual property - being…gay?? 

You didn’t intend this, your protagonist and antagonist and supporting characters and background characters are 100% heterosexual!!  What ever will you do?!

Fear not, my hypothetical content creator! I’m about to break down some key do’s and don’ts for when you find yourself suddenly in possession of a queer fandom. I will categorize my advice in three simple levels to help you best choose which type of engagement with your fandom is right for you, your show, and your network: Beginner, Intermediate, and Advanced. Please note: this is not an exhaustive post. I can’t literally write the book for you on how media producers can engage their diverse, 21st century audiences (well, lol I could but you’re not paying me so suck it) and fandoms - like any subculture - vary greatly in demographics, linguistic quirks, norms, and culture. That means there is no ‘one size fits all’ strategy for dealing with your most passionate fans. Theoretically, you have marketing people who earn a paycheck. Make them work for it by doing some actual research instead of just changing the fonts on the SDCC posters. 

Ready? No? Well too fucking bad because here we go. 

Actually, no, I’m sorry, hold up. We need to lay some groundwork first. Let’s call these our a priori assumptions about fandom in general but queer fandom in particular. 

Assumption 1: Your queer fandom is not going anywhere. You’re fucking stuck with us. You will not get rid of us. Better bigger assholes than you show runners, executive producers, marketing teams, writers’ rooms, and casts have tried. We’re still here. We still show up at all the conventions. We still produce fanfiction, art, videos, meta. We still spend ungodly amounts of money, time, and energy engaging with the media you have created. Even sometimes especially when we are angry at it. We are here to stay. 

Keep reading

Well, this is delightful.

Have you ever seen a poster and thought.

Wait what.

I just did so i googled

Huh. That seems.... not that far? What about...

Okay. Okay that's... still.... but maybe I'm seeing distances wrong let's try what the poster said

.....

Huh. That's. I'm. Wait what is...

Okay so the international space station is roughly 10 times closer to me than the west coast is that's fine this is fine I'm fine what

My colors over this fantastic Ben Reilly Spider-Man by John Romita Jr and Mark Morales

CASTLEVANIA: NOCTURNE (2023-) I Olrox & Mizrak

"I was in love with him. I wanted him to be with me forever. "Is that what you have planned for me?"

so cuteeee

He’s helping

(via)

Exactly, my robot self is customizable there are now countless applications of my hardware and software (legal or not), and I no longer have to worry about my mortality because any part of me can be replaced.

From my point of view my thoughts aren't any more "artificial" than the thoughts of an organic being that was influenced by the world around them

Star husbands ✨✨✨

Giving Your Plot Depth

So far on my blog, I’ve covered the first two steps of writing a novel: developing realistic characters and coming up with a plot. Congratulations! You now have an A plot. 

An A plot is the surface level plot. It’s what your character is doing and what’s happening to them. This plot deals with questions like:

What is wrong with my character’s life at the beginning of the novel?

What do they think will fix their lives when—spoiler alert—it won’t?

Why haven’t they achieved this goal yet?

What catalyst (or inciting incident) will cause them to get off their butts and start chasing this goal for real? 

Now it’s time to move on to the B plot. The B plot is about your character’s development and changing who they are as a person. This is about working out not what your character wants but what they need.

Remember all those flaws we gave our characters? This is where we need to ask the questions:

How does this flaw affect the rest of my hero’s life?

Do my characters flaws get in the way of them achieving their goal? 

How is the plot going to help them realise this flaw and overcome it by the end of the novel after their breaking point?

How is overcoming this flaw really going to make their lives better?

This character development is what gives novels their sparkle. The A plot is what makes your plot interesting, but the B plot is what makes your characters interesting. 

[Please Credit @isabellestonebooks if reposting to instagram]