Soft heavenly eyes gazed into me Transcending space and time And I was a rendered still There were no words for me to find at all Or as I stood there beside myself I could see you and no one else
EUPHORIA S02E07 | “The Theater and It’s Double”
The first feminist gesture is to say: “Ok. They’re looking at me. But I’m looking at them.” The act of deciding to look, of deciding that the world is not defined by how people see me, but by how I see them.” -Agnès Varda
Apart from You (Mikio Naruse, 1933)
Okay, I AM GOING TO NEED ALL THE RINA EDITORS ATTENTION HERE, So guys give the song a listen and by the end of the season make the edits please with a cherry on top. okay thank you.
This song has NO business being that good like come ON.
If you are female growing up in these systems of female repression, if you have been a “good girl” or awkward, religious, agreeable, or nice for much of your life, you must master the parts of you afraid for other people to see you as aroused, desirable or sexual—loving sex or sexually-awakened because you fear being preyed upon or seen as bad or called a whore. So much personal power and mysteries of universe wake up inside when you are no longer afraid of being harmed, drugged, humiliated, or degraded for feeling naturally sexual in your body, hard nipples bouncing breasts wet ass sensitive pussy frequency, which has less to do with another person and more to do with the quality of your own health and wellness. -India Ame‘ye
Miss Dior
A 1951 press visual of the Miss Dior bottle
via elle.com
Edith Head’s original costume designs for Grace Kelly — in Rear Window (1954) & To Catch a Thief (1955)
Black, like the black underwear of the Parisian whore, the long black stockings of the cancan dancers, the wide black garters of the women especially created to satisfy men’s most perverse caprices, the tight little black corsets which set off the breasts and push them up towards men’s lips, the black boots of flagellation scenes in French novels.
Marcel, Anaïs Nin