You've Been Portal Jacked! Part 13

This old comic about personal experience with gifts. Idk brain just malfunctions when I have to show emotions and I thought that Donnie could relate?

.║\ ║▒\ put this on your blog ║▒▒\ ║░▒║ ║░▒║ ║░▒║ ║░▒║ ║░▒║ ║░▒║ to show others ║░▒║ ║░▒║ ║░▒║ ║░▒║ ║░▒║ ▓▓▓▓▓ [█▓] [█▓] you are gay [█▓]

I wanted to revisit sock princess

Ones hands can tell the story of how they’ve lived… and how far they have come.

I’m a sucker for Good Dad Splinter ever since I watched TMNT ‘03. That rat was gifted sapience and his immediate instinct was kindness. I love that for him.

Rise Splinter lived a rollercoaster of a life, but as a Hollywood star he remembered the names of all his stunt guys and coworkers, and as a prisoner he cared for the rat that shared his cell. His sons are very close and physically affectionate, I think that says something about how he cares? That’s just how I like to headcanon him :)

It’s interesting to explore the idea that a seemingly monstrous transformation is what pushed him to be a kinder human

Lil Mikey I made during philosophy class

Before you judge my line art, keep in mind that my hands were shaky from running late to school this morning lmao

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

he’s going The pisstance

he’s going For peed

this is the ONLY reason I’ll accept why Finn has that tattoo. Jake is FINE

ROTTMNT: Intellectuals AU

Kay with the random AU posting (again)

That episode where Raph, Mikey, and Leo become smarter than Don due to hijinks except it’s a whole AU where they were born smarter, with a reverse on ninpo and tech use

Raph, due to being the eldest and strongest, follows Splints into mechanics. Leo adores space (Jupiter Jim) and studies to become an astronaut. Mikey is.. well he’s pretty smart emotionally already so there’s not much difference besides knowing more psychological terms lmao.

Don on the other hand is.. unlucky so to speak. Still a prodigy, but has to work a loooot harder than his brothers. Having lost his passion in tech due to a severe inferiority complex, he’s the only one to pickup a ninpo weapon and explore the world of magic in a hands-on lens. Still loves tech and studies theory, just doesn’t have the motivation.

whats the difference between outlaws and inlaws