I Love Papas Cute Silly Moves. 🥰

i need a fucking minute

More content of Seb from The Associated Press

I loooooove this I need more desperately

Hitchin' a ride

Or two times you told John Egan no, and the one time you said yes.

Part 1 of Are You Going My Way?

John "Bucky" Egan x female!reader Words: 7k Warnings: mentions of blood, wounds, hospitals

It gets dark early in winter in East Anglia. By the time you leave the ward, it’s pitch dark despite it barely being past dinner time. Huddled in your dark blue wool cape, you trudge along the side of the road, holding a small torch to light your way. There’s a cold, biting wind tonight, and it feels like it’s going through every layer you’re wearing, straight through your bones. Breath shuddering, you pick up your pace, the gravel barrier between the road and the grass crunching under your standard-issue brown boots. The faster you get back to the nurse’s barracks, the faster you’re out of this wind and soaking your sore feet and cold toes.

Thorpe Abbots sprawls strangely, but you usually don’t mind. The quiet walk at the end of the long shifts in the operating room, rounds on the intensive care ward, cleaning, and inventory is your moment of solace. A moment where you can finally let the smile fall off your face, where you can grit out the curses you've bitten back all day, the crinkle in time when you are allowing the tears to well up and drip down your face silently.

There is no textbook or training to prepare you for the horrific reality. Torn flesh, burns, and the blood. The fear and agony. The pained screaming. The blind panic.

You have never felt more that you are where you need to be, yet you are so completely and utterly powerless.

A light catches your eye, reflecting on the trees around you in a ghostly flicker. Glancing over your shoulder, the light floats through the darkness, gliding towards you. The soft ding of a bicycle bell pulls you out of your reverie. Turning fully, the light casting off your torch finally illuminates the figure on the bicycle. 

“Major Egan,” You greet him, trying to keep the surprise out of your voice. He has no reason to be here. There’s nothing down this road but the building with the nurses’ quarters. It’s not the first time you’ve encountered Major Egan somewhere he has no reason to be. But you, as an army nurse and merely a first lieutenant, are not about to question him on that.

“You shouldn’t be walking here alone at night, lieutenant,” He tells you, stopping next to you. You stop, too, taking a good look at him—because why wouldn’t you—as he gets off his bike. 

A little too friendly, a little too forward. His bright, sharp blue eyes are contrasted by luscious dark curls and that devilish smile. Tall, broad-shouldered, and moving with a confident grace, he is hard to miss. And if you were to somehow overlook him in a crowd, he commands, demands, attention. There is something dangerously magnetic about him, something electric.

You best keep your distance.

“Don’t worry about me, please, Major,” You reply politely. “It’s not late, and I know the way,” 

“Are you done for today?” He asks conversationally, smiling, his eyes crinkling happily. The tips of his ears are red from the cold. In the middle of a quiet road, in the dark, in freezing temperatures, it’s an odd place for polite conversation.

“Yes, I’m heading back to my quarters,” You smile. “Long day,” You add, hoping to cut the conversation short, desperately trying to suppress the full body shiver from the cold. You notice with some envy that Major Egan seems wonderfully unbothered by the biting wind in his sheepskin jacket. You nod at him, turning back in the direction you had been heading, gingerly taking a step. Hopefully, he gets the hint.

“I could give you a ride,” 

You stop dead in your tracks, looking back at him wide-eyed. 

“I’m heading in the same direction, so you’d get there quicker,” He beams at you with that brilliant smile, patting the carrier at the back of the bike. Instinctively, you start shaking your head, trying to keep yourself from vocalizing your thoughts.

You’d be out of the wind. You’d be in the warm faster. You’d have to get close to Major Egan and hold on to him. You bet that that sheepskin jacket is nice and warm. You bet Major Egan is nice and warm.

“Isn’t that the bike you almost lost an eye for?” Your sense of self-preservation is stronger, has to be stronger, than any magnetic force or joking flirtation from Major John Egan.

“Almost?” He seems surprised you brought it up but recovers quickly. “I remember it differently — it was a bullseye, not my eye,” 

He looks at you like he’s expecting you to laugh with him, but you just blink in disbelief. That’s an awful joke. For a mere second, in the reflected light of your torch, you see his smile falter—he’s smart; he knew that was a dud. You purse your lips.

“I suppose I like my rides without stories of near-eye trauma attached,” You muse. It’s such a flimsy excuse.  

“Do you think it’s bad luck?” It’s a chillingly honest question, and all cheer has suddenly disappeared from his voice. You pause to think. It hadn’t really occurred to you that Major Egan might be a particularly superstitious man; somehow, he didn’t seem the type. But in these times, superstition creeps up on even the most staunch rationalists.

“Luck has nothing to do with it, Major,” you finally admit, eyeing him carefully. He frowns, suddenly unsure of the gravity of the conversation through his own too-candid question. “I would just hate to encourage any of that sort of behavior,” You add lightly.

“So, you would have accepted if I had a different bike?” He sounds on the precipice of hopeful, but the laughter in his voice is evident again. He changes so quickly and bounces back from everything in a mere second — it’s all a joke, after all. He’ll do you a favor and then jokingly ask for a kiss. And then maybe another. And then he’ll move on to whatever or whoever catches his eye next. 

You wrinkle your nose. No. You’re not interested, you repeat to yourself. If you were, you might as well have stayed at home and practiced your good graces at dinner parties. You joined the Army Nurse Corps because you wanted to do something, mean something.

“I’m going now,” You clench your jaw to stop your teeth from clattering. “Good night, Major Egan,”

“Suit yourself, lieutenant,” He grins, undeterred, as he watches you turn on your heel, huddling into yourself to protect yourself from the wind. Truthfully, Bucky wasn’t expecting that you would accept his offer. If anything, he wanted to see how you’d react: your replies are always calm and composed, so very proper, but you have a bad poker face. From the way you scrunch up your nose in annoyance to how the corner of your mouth sometimes threatens to pull into a smile at his jokes. And Bucky notices that your gaze lingers just slightly longer than would be polite, although nothing coming out of your mouth would corroborate that. It’s adorable. It’s intriguing. And he knows you won’t make it easy on him.

But that’s not why he keeps thinking about you. That’s not why he goes out of his way to look for you.

You suddenly took root in his thoughts only a few weeks back. It had been a bad day. Worse than Bucky had seen in a while, there had been many bad days lately. 

Being Air Exec has some perks, mostly that other people don’t really question why he’s wandering the halls of the infirmary at the dead of night. In the hallway, set up on provisional cots, medics are asleep, still fully dressed. They just collapsed on the first soft spot the moment they could. He can hardly blame them.

His footsteps echo through the dark rooms. The wounded men in the beds are fast asleep — it’s eerily quiet except for the occasional snore. 

He’s not sure why he’s here. Maybe it’s to assuage some of the guilt he’s feeling — he’s fine after all. He didn’t go up with them, after all. Maybe because he needs to see the pain with his own eyes, afraid that he’ll forget.

The doctor on duty is doing rounds, his desk empty, when Bucky slips through the swinging double doors to where the heaviest casualties are put up. The air in the room feels different—heavier. It’s not quiet—labored breathing, raspy, sometimes gurgling, groans of pain in artificial sleep. He really shouldn’t be here. 

All beds are full.

It’s been a really bad day.

It’s there that he notices you first: sitting on the floor, arms crossed and tucked up against yourself, head leaning against the wall, and legs bent at an uncomfortable angle. In the first second, he thinks someone fell out of their bed. But as Bucky gets closer, he recognizes you — the seersucker cotton dress, the matching cap now crumpled and skewed on your head, and the clearly scuffed and dirty white oxfords. You are one of the OR nurses.

He’s seen you around, just in passing. In chaos between casualties, just from the corner of his eye. Sometimes, you showed up at dances or parties, and Bucky had noticed your cute laugh from across the room, the way your entire face lit up when you smiled. And he knows he’s not the only one who has noticed the delightful sway of your hips as you walk, evident even through your dress uniform. But you made damn sure to make yourself unavailable by sticking with your girlfriends. He’s never seen you accept a drink or dance with someone.

Your mouth is slightly open as you breathe deeply, your form cast in the pale moonlight peeking through the sides of the blinds. Bucky wouldn’t let a woman sleep on the floor in normal circumstances, but in this case, waking you up would be cruel — there isn’t a bed free in the whole hospital. And even bad sleep is better than no sleep.

He moves past you carefully, mentally putting names to all the men here. Those that made it. That’s a good thing, right? They made it. Bucky doesn’t recognize the figure moaning in pain louder and louder, hands desperately grasping at the neatly tucked-in covers —  his entire head is covered with a thick layer of white bandages, not even leaving a slit for his eyes, just a small opening for his mouth. He hesitates before his curiosity takes over and moves by the side of the bed to look closer. It’s a good thing, right?

He should do something to help him.

Bucky is so lost in thought that he doesn’t notice you brushing past him. He almost jumps out of his skin when your torch suddenly clicks on at the foot of the bed. You are bleary-eyed, blinking rapidly as your eyes fly over the patient chart. 

“He is due for a new round of pain medication,” You state softly, voice still thick with sleep, before looking up at Bucky. “Major,” is all you say in acknowledgment of him.

“Nurse—lieutenant,” He mumbles in reply, increasingly on edge from the patient’s distress. “What are you—” Before he can start running his mouth in confused ramble, you trust the torch at him.

“Hold this, please, Major,” Your voice is barely above a whisper, yet it cuts through the noises easily in its steadiness and calmness. The small torch is now in his hand, your fingers brushing over his palm unintentionally as you move through the dark. It’s like a small spark burned the spot where your fingertip touches his skin. “Up, please,”

Bucky complies, shining the light from a high angle as you prepare a syringe. You look exhausted, but nothing in your movement betrays that. Clinical, precise, and so calm. He watches you speak softly to your patient, your free hand wrapped loosely around his wrist, a syringe poised in the other. But the patient is struggling harder, too panicked, and in too much pain. 

It happens in a split second.

The patient sits up so quickly that Bucky almost stumbles back in surprise. The patient now has an iron grip on your lower arm, white knuckles, moving in a blind frenzy, pulling you clean off your feet, half over the bed. You yelp in as much surprise as in pain as your knee collides with the metal bed frame. Your face is contorted in pain as you struggle back, trying to regain your footing. 

“It’s okay, I’m here to help you,” You keep repeating patiently. Never let them know you are scared: they can’t calm down if you are not in control.

Your voice doesn’t waver one bit. Bucky clenches the small torch between his teeth, trying to free your arm from the patient’s grip. 

“N- no” You breathe, clearly in pain now. “Please, Major, just help me to hold him still,” 

You are still holding the syringe, poised to strike. Grabbing the patient by the shoulder and forcing him back against the pillow. In the struggle, the torch falls from his mouth. It clatters on the tile floor and rolls away. He is so focused on his task that it’s almost by surprise when the struggle ends within a few seconds, and the patient drifts off again. He never saw you give the injection.

You both stand there, breathing heavily. Bucky bends down to retrieve the torch from the floor. It’s still shining, although it flickers uncertainly with every move. When he straightens back up, he catches you looking at your arm, the brown sleeve of your vest rolled up messily. When you realize he’s looking at you, you pull the sleeve back down and busy yourself tucking the patient back in. But Bucky has seen the angry red fingerprints imprinted on your forearm.

“Thank you, Major Egan,” Not a quiver in your tone, although your breathing has barely slowed down. “It’s probably best you go now,” 

“Are you alright?” He cannot help but ask, gaze traveling to your arm. He can’t help but notice you must have been issued a vest a size up, as the sleeves are a bit too long on you. It’s adorable.

“Please don’t worry about me,” You reply, smiling, but it’s clearly a deflection. The corners of your mouth are quirked up, but your eyes just spell tired. “You should try to get some rest, Major. The sun will be up soon,”

There is a certain sense of irony in you telling him that. At least he has a bed to go to, you think wryly. You start walking towards the ward exit, signaling he should follow you. 

“Will you be okay here by yourself, lieutenant?” It’s not his place to worry about you, but you are just… you. And these men are in pain, scared, and -

“The doctor will be back from his rounds soon,” Your soft voice pulls Bucky from his thoughts. You stand at the door, holding it open for him. If he hadn’t just seen that chaos happen, he would have never guessed by your demeanor anything happened.  As he passes you, you salute him. He salutes you back, gazing over to you. The tips of your fingers are shaking. 

The thought is sudden and overwhelming: he wants to lace his fingers through yours, pull you against him, and hold you until you stop shaking.

“Goodnight, Major,” You whisper with a pointed look. You want him out of here so you can check on your throbbing knee and painful arm away from his prying eyes.

“Goodnight, lieutenant,” He replies, tearing his eyes away from you.

***

In early spring, it seems like the rain never stops, from semi-permanent drizzle to raindrops rhythmically ticking against the window pane to the torrential downpour you find yourself in now. The drab-colored trench coat is putting up a valiant fight to keep you dry.

You’re holding your purse over your head but to no avail. The cold trickle of water from your sodden hair travels down your spine. You’re trailing behind your friends, who are making good time through the storm. Water sloshes in your left boot, making it heavy, the drenched woolen sock rubbing painfully against your foot. 

Then you hear it. The all too-happy ding of a bicycle bell. 

You try to walk faster, gritting your teeth, but Major Egan has caught up with you in just seconds. You don’t stop to greet him, just glancing over at him with narrowed eyes. Gracefully, he jumps off the bike, matching your pace by foot easily. His dark curls are plastered to his forehead, his cap sagging under the weight of the water it must have absorbed. He shouldn’t look this good, sopping wet, especially when you feel so wretched.

“Lieutenant, I could get you where you need to be a whole lot quicker,” he calls out.

“No, thank you, Major,” Your tone is polite, but you keep walking, falling behind further and further from your friends as your left boot squelches with every step. You know he noticed. 

“You’re really not going to take me up on the offer? Even in this downpour?” 

“Most drops miss,” You can’t keep the scowl off your face as you march on. 

“You are so unbelievably stubborn,” He laughs. You don’t think you’re stubborn; you just don’t like feeling like your hand is being forced. 

“I don’t need you to save me, Major.” You tell him evenly, finally stopping and turning to him. You know your friends noticed you stopping but probably figured they were doing you a favor and kept going. 

Bucky regards you carefully — you look miserable. The curl has long been rained out of your hair; rivulets of water running down your face, dripping on the collar of your trench coat. The steep downturn of the corners of your mouth pretty much just seals the deal. But despite all the evidence, you would never admit you’re anything but fine. 

“Save you?” He sounds incredulous. Like the thought never even crossed his mind. 

You bite your lip — you might have said too much. But you are afraid that he might ask you for something if you owe Major Egan a favor. He will ask you for something. And you won’t be strong enough to tell him no maybe because you want him to ask. Who wouldn’t?

You’ve seen him look at you from across the room before, and when you scrape together the courage to meet his gaze, it’s like electricity. Short, intense, and almost painful. And then he looks away, his attention turning so fleetingly. It leaves a bitter taste in your mouth.

“Forget it,” You mumble, clearly embarrassed. Closing your eyes for a moment and taking a deep breath, you wish nothing about this moment was happening right now. When you peek through your lashes at Major Egan, you note he looks concerned.

“For what it’s worth,” He clears his throat, not a trace of humor in his voice. “I never considered you to require saving, lieutenant.” 

You keep looking at him sharply, finally shaking your head. “You have a funny way of showing it.” 

There is something deeply absurd about the whole conversation. Just tell him no. Just bid him goodnight and leave. Why are you even entertaining him with your feelings on this? And it’s clearly entertainment to him.

“I’m going to my quarters now, Major,” You state, feeling the need to be polite despite your increasingly impolite feelings about the situation. “And you’re going in the wrong direction,” You add pointedly as you start walking again. It feels like you have an entire puddle in your boot now.

“So what would you prefer, lieutenant? A more classic approach?” That devastatingly handsome grin is back on his face again as he walks beside you. How is that what he took from your last statement? Your shoulders sag when you feel the butterflies in your stomach. “At the next dance, I buy you a drink and sweep you off your feet on the dance floor?” 

“I might be more agreeable when it’s not freezing or raining,” You sigh like it’s paining you to admit it. Maybe he’s imagining it, but Bucky likes to think he saw the shadow of a smile pass over your face as you say it, even though your voice is painfully neutral. 

“Is that a yes?” Again, that hopeful edge. 

“No,” You reply curtly, but you feel bad the moment you say it because you see his smile fall — he’s staring at you somewhere between confusion and growing frustration. It’s making you feel bad. A horrible little selfish part of you wants him to only smile at you. Major Egan could light up a room with that smile — he regularly does. The selfish little monster in you wants to be the reason that he smiles like that. 

“Ask me again at the dance, Major,” You amend carefully.

The way his face breaks out in that broad, beaming smile makes you weak at the knees. 

***

Bucky is on pins and needles tonight. Even Buck, usually so even-tempered, is getting irritated with him. Drumming his fingers on the bar, tapping his foot not to the beat of the music but to blow off some of the anxious energy. People are flittering in and out of the hall, but there is no sign of you yet. He’s going through his whiskey too quickly, and it’s doing very little to calm his anticipation.

After an hour of only half-listening to the conversation going on around him, constantly glancing at his watch, he finally sees the pack of nurses come in. Bucky’s heart drops a little because you aren’t with the group. You’re always with that group. Knocking back the rest of his drink, he resolutely makes his way to the table now occupied by five gossiping nurses. All eyes are on him as he approaches.

“Good evening, ladies,” He smiles, eyes searching the table. All chairs are occupied — clearly, your friends aren’t saving you a seat. A chorus of good evenings and giggles comes in reply.

“How can we help you, Major Egan?” A blonde nurse asks, peering up through her lashes.

“I’m actually looking for my favorite nurse,” He replies easily, holding his smile despite feeling mildly annoyed. When he mentiones your name, another chorus of giggles. 

“I thought I was your favorite nurse,” One of the girls pipes up. The girls burst out laughing.

“She’s on the night shift,” An earnest, young-looking nurse cuts in, pushing up her glasses. Bucky doesn’t really recognize her — she must be quite new. “I asked to switch shifts because I haven’t been to a dance here before.”

“You should have found someone from the afternoon shift,” the blonde nurse sighs in a bored tone. “The poor girl is putting in a double shift now,”

“No one else would switch with me,” The bespectacled nurse defends herself with a small voice.

Bucky should be annoyed. Did you scheme this out on purpose? You run so hot and cold between your lingering looks and thinly veiled barbs. But then again. Of course, you would switch shifts with the new girl out of kindness. You slept on the floor to stay close to those most needed care. Doc sang your praises in the officer’s mess regularly for staying late to finish inventory, covering in emergencies, and keeping the OR running smoothly. Kindly caring for everyone around you.

He should be annoyed. But instead, he feels jealous. It’s a horrible feeling. But you cared more about the new girl than him? Is it really so bad that he wants your kind attention aimed at him? That he wants to be your choice? You wouldn’t even give him a shot. 

It just won’t do. But now, at least, he knows where to find you.

At the end of the dark hall, a faint light. A lone lamp on a lone desk, with a lone nurse sitting at it. You hear him coming, of course. Your bright eyes look straight at him as he emerges from the darkness. You are already getting up out of your chair, ready to greet him, notes and medical textbook forgotten on the desk.

“Good evening, Major Egan,” you greet him, your voice soft. Your gentle tone carries sweetly through the quiet hall. You didn’t expect him to come find you. It feels far too serious, far too earnest. You haven’t seen or spoken to Major Egan for over a week now, and for your own sake, you decide that he hadn’t been serious—that you hadn’t been serious. It was just banter.

Truthfully, you were slightly relieved the new girl asked you to switch shifts. But as you sat at the duty desk by yourself, blankly staring at the pages of your medical textbook, your stomach twisted painfully with regret. 

“Good evening, lieutenant -” you cut him off with a sharp shush, tapping your index finger against your lips. You step a bit closer to him, voice a sweet whisper. “Please keep it down,” 

A beat of silence as you’re both clearly uncomfortable in the strange situation you have suddenly found yourself in.

“How can I help you, Major?” You whisper politely as your eyes nervously, guiltily, dart around the room—anywhere but him. He looks sharp in his dress uniform. He smells nice. He clearly made an effort. And you’re standing here in your day-old hospital uniform. Self-consciously, you try to straighten the standard-issue white and brown stripe wrap-around dress. 

“I came looking for my favorite nurse,” Bucky replies sincerely, eyes boring into yours. 

“Then you must not be looking for me,” The words tumble out before you can stop yourself. Bucky nearly bursts out laughing at the pained look that crosses your face as you clamp your mouth shut. 

“I was waiting for you to show up at the dance,” He says with that same heavy sincerity. His stance is casual, hands in pockets and shoulders relaxed. But the way he fidgets — tapping and shuffling his foot — as he waits for you to reply hints that he is not nearly as calm as he’d like to appear.

“I had to stay,” You reply, still avoiding his gaze. It’s a half-truth. You could have said no. But the new girl seemed to want to go to the dance more badly than you did. It felt unfair. And you had convinced yourself quite thoroughly that Major Egan wouldn’t care or notice anyway.

Another silence falls. Neither quite sure where to go from here.

“How are the boys doing?” Bucky asks conversationally, reaching out to the large doors leading into the intensive care unit. On a whim, you grab his hand before he touches the handle, your fingers gently wrapping over the top of his large hand. He stills, and for a moment, you think he’ll shake your hand off his. But instead, he waits in acceptance.

“It won’t help you,” You whisper. It took you a while to figure out why Major Egan was in the hospital that night. When people spoke of him, they spoke of how much he cared for his men — a heavy burden to bear.

“Help me?” His voice is suddenly loud. He is offended at the notion that he’s doing it for himself and offended that you called him out like that. He opens his mouth again to argue with you.

Startled by the volume, your brain misfires fully, and instead of replying, your free hand reaches out to his face, your index finger landing on his soft lips to silence him. He stares at you wide-eyed. You are sure you look as shocked as he does. You try to gather your thoughts quickly.

“I - I understand,” You implore him in an urgent whisper, finally looking at him. Bucky sees his own sorrow reflected in your eyes. 

Sometimes, you can only wait. There is no next round of medicine; there is no operation that will help. Waiting for the body to do its work can be frustrating and maddeningly slow.

“But there is nothing you can do now, so going in won’t help you or them,” You swallow. Why is your finger still on his lips, and why is he letting you do that? “They need to rest. You need to rest.”

His fingers lace through yours as he steps closer. It’s inappropriate how close he is standing to you. It’s inappropriate how the tips of your fingers caress the seam of his lips. It’s inappropriate how your hand has latched onto his, his thumb drawing lazy circles on the pulse point of your wrist.

“I don’t need rest.” His voice is soft and close. The intimacy of his lips moving against your fingers is intense, each breath setting your nerve endings on fire. He leans into your touch, trailing from the corner of his mouth to his jaw. Finally, you look at him.

“Then what do you need?” Your question comes automatically. Always looking for how to help. Always so kind. He could melt into your soft touch, warm voice, and how you look at him so sweetly.

“I need to know when you’re done here so I can sweep you off your feet,” His eyes meet yours, keenly following your every move. 

You want to take a step back and break the increasingly feverish connection, away from his oddly earnest confession, but Bucky pulls you closer with a small tug on your hand. Your head is swimming; your heart is hammering in your chest. You shouldn’t entertain any of this, but it feels like your heart is pouring out of your mouth.

“My shift ends at 0500,” 

Bucky grins at you—not in a teasing way, but with that infectious broad smile—the one you cannot help but smile back. It gives you butterflies. You’re smiling at him now, beautifully, genuinely. It feels like a victory to Bucky.

“I’ll keep the party going if you promise me the last dance.” His voice is low and inviting; he is reeling you in further with every word.

“Don’t torture everyone on my account, please,” You feebly try to inject some levity into the situation. You know yourself well enough: you are no match for John Egan and his attentions. From sparks across the room, now it’s like you’ve touched the live wire, and the current has a hold on you. That’s why you always avoided him so.  

“Torture? Darling, it’s a party,” He needles you gently, eyes glinting merrily. “Only you would equate that to torture.” 

“Major -,” “Bucky,” He interjects. You blink at him, biting your lip. 

“Bucky, please,” The moment you utter his name, so beguilingly, so breathlessly, he presses your palm against his face fully, his hand covering yours. He needs you closer. The golden buttons of his jacket brush against the front of your dress. His lips press against the soft flesh of your hand as he studies your reaction. The hitch in your breath is embarrassingly loud to your ears. 

“Please, what?” 

“Don’t torment me like this,” It sounds even more pathetic when you say it out loud. And exactly as you’d expect, the admission of your weakness, the slightest chink in your armor, is an in for him. 

“How do I torment you, exactly?” His voice is so warm, so encouraging. 

“You take far too much pleasure in making fun of me, for one,” You try to play it off in a last-ditch attempt. But under his heated gaze, his breath brushing on the sensitive skin of your wrist, you falter. You frown before you utter in a small voice: “It’s not nice how you toy with me, Bucky, because it’s obvious that… that it’s just a joke to you, and your idea of a joke could get me dismissed, and sent home,”

You look down at your shoes, embarrassed. You want to pull away, but Bucky is not allowing you an inch of slack.

“It’s not a joke to me.” He sounds surprised. You look up at him, unable to keep the skepticism off your face. “It wasn’t a joke from that night I saw how calmly you handled that panicked patient, the moment you saluted me with those shaky fingers, and then every time you denied my help, you stubborn, stubborn girl,” His face is so close to yours now; a finger tracing down the side of your neck, down, just along the collar of your dress, leaving goosebumps in its wake. The way your hand rests on his cheek, you could pull him even closer if you wanted to. “I’ve wanted to grab hold of you, wrap you around me-”

Footsteps. You pull back from Bucky with a jerky movement, who mercifully releases you immediately, stumbling back two steps, almost hitting the desk with your legs. It’s strangely cold suddenly without his hands wrapped around yours, without him so close you could feel the warmth radiating off his body. Blood is rushing in your ears. Bucky looks too collected, but to your relief, you spy a faint blush creeping up his neck. 

So it wasn’t just you.

Hands folded, you take another furtive step back behind the desk, making sure there’s a respectable distance between you as the doctor on duty turns the corner. Bucky and the doctor start talking in low voices, but you are not listening. In your mind, you keep returning to his words, trying to put the puzzle pieces together. 

That night on the ward. That was the first time you spoke and saw each other in more than passing. That’s when Bucky suddenly formed this habit of popping in places he had no business of being. Places you happened to frequent. You really hadn’t been vain enough to consider that the common denominator in those situations was you. It had to be a coincidence that he had just turned into a joke. 

“Nurse,” The doctor turns to you, handing you his clipboard. You nearly jump out of your skin, being so lost in thought. “Please update the log,”

“Yes, doctor,” You nod, trying not to look as flustered as you feel. The men start leaving, still talking. 

“Good night, lieutenant,” Bucky turns to you, unable to keep the cocky smile off his face. Before he turns, he winks at you. It makes your knees so weak you nearly collapse back into your chair. Covering your face with your hands, you try to focus, but the smile won’t come off your face.

Seven more hours until your shift ends.

***

It’s a misty summer morning, dew covering every inch. The sun is just breaking through the clouds, and it’s promising to be a beautiful day.

When you leave the infirmary, you blink against the early morning sun. It’s still so early that few people are around. You hesitate. Surely, the party is not still going on. You wouldn’t put it past Bucky to actually do it. Rubbing your eyes and yawning, you’re unsure if you could even stay on your feet long enough for a dance.  

Luckily, you don’t have to make a choice. 

The sound of the bicycle bell makes you smile now. Bucky’s looking remarkably fresh and well-rested. The party clearly didn’t go that far into the night. He dressed for duty, his signature sheepskin jacket hanging open.

“Are you going my way, darling?” 

You purse your lips because you’re fighting to keep the smile off your tired face. You don’t stand a chance. You dart over to him like you are pulled by a magnetic force, the live current arching between you.

Sliding onto the back of the bike, you grab handfuls of the thick sheepskin to steady yourself, trying to find your equilibrium. Bucky’s large, warm hands encircle your wrists and easily pull your hands off his jacket. Instead, he gently nudges you forward by your arms, tucking them under the side of his jacket, wrapping your arms around his waist. The side of your face is resting against his back. You can feel his heartbeat under your palm, resting just under his sternum; you move along with his every breath.

“Ready?” Bucky peers over his shoulder. 

“Hm–mh,” You hum in reply, face buried in the folds of Bucky’s jacket. “Drop me off before the last turn?” You mumble, gazing up at him pleadingly. “Matron will be awake and on the prowl by now,”

“Don’t worry, darling,” His free hand wraps over yours, pressing a kiss on your knuckles. “I’m not going to get you into any trouble,”

“I’m holding you to that,” You yawn, wrapping yourself around him tighter. You’re going to make the most of this moment — the quiet morning, the soft sheepskin, the smell of Bucky’s aftershave. 

You drift in and out of sleep, even though the trip by bike is tortuously short. After almost twenty hours on shift, you should be allowed this comfort. Whining in protest as Bucky starts to unlatch your arms from him, you feel his chuckle as much as you hear it. 

You slide off the back of the bike, ignoring where the metal was jabbing into your backside on the bumpy road, and rub your eyes, trying to get rid of the haze in your vision. A small yelp escapes you as Bucky tugs you against him by the tie at the waist of your wraparound seersucker dress. The bike lays forgotten in the grass by the side of the road. All the tension and anticipation from last night are suddenly back — you feel wide awake again.

Bucky’s fingers are resting lightly against your waist like he is testing the waters, slowly, gently guiding you closer to him until you are inches away from him. Automatically, your hands sneak back up his jacket, running up his sides to the front of his chest. He is so warm against the crisp morning air. 

“Are you going to ask me for a kiss now?” It comes out almost naively as you look up at him. God, you hope he says yes.

“I promised not to get you into trouble,” He teases gently, grinning, inclining his face closer anyway, his lips just ghosting over the corner of your mouth. He is rewarded with a shuddering sigh from you — his grip on your waist tightens, prompting you to close the remaining distance between you. 

“This, of course, is perfectly innocent,” Only you could be looking at him with those big eyes, full of want, your curious fingers roaming over his chest, and still speak so earnestly. Bucky buries his face in the crook of your neck, shaking from laughter. You wrap yourself around him, head buzzing. It’s like you’re short-circuiting, sparks flying with every move, every breath. 

Bucky nips at the sensitive flesh of your neck, hoping to elicit more of those small sounds from you. If it weren’t for the quiet morning, remnants of mist dissolving in the first light, he would have missed the softest moan of his name that falls from your lips. He could do this all day. Just explore every move of your body against his, every way you can say his name, every touch that brings you closer to him. You move in effortless synchronicity with him, purely on instinct. 

“Then it’s trouble you want, darling?” Bucky murmurs, pressing kisses along your jaw.

“It’s only trouble if we get caught,” You reply breathlessly. 

His finger is under your chin, tilting your face up to him, and finally, Bucky’s lips find yours. For a second, it’s just that: his lips pressed softly, almost chastely, against yours. You push yourself up on your tiptoes to get more leverage, wrapping your arm around his neck. Your other hand stays pressed against his chest, fisting his shirt, feeling how his heartbeat speeds up as you open your mouth for him with a sigh. Bucky doesn’t hesitate to deepen the kiss, cupping your face. His other hand is roaming boldly over your back, applying light pressure on your spine so you arch into him, skimming just over the curve of your behind, playfully tugging at the ribbon of your wraparound dress. He knows exactly what he is doing and how to get exactly what he wants from you, and you’re more than eager to please.

Your mouth starts to tentatively explore the column of his neck as he whispers your name longingly, encouraging your little adventure. When your lips touch a particularly sensitive spot right under his ear, Bucky hisses — you can feel his muscles clench. It’s exhilarating; he feels the sparks as much as you do. Bucky doesn’t allow you to bask in your small victory too long, greedily capturing your mouth with his again, wrapping you around him, tucking you against him. His soft touch turns feverish, grasping at your hip. You match in kind, nails grazing the nape of his neck, just along his hairline — anything to keep the tension, the current arching.

You can feel the sunshine on your skin and see it through closed eyes. Breathlessly, you pull away just a fraction — Bucky’s lips are still ghosting over yours. 

“What’s wrong, darling?” He asks so softly you’re unsure if you heard or felt the words against your lips.

“I have to go,” You mumble as you move to stand feet flat on the ground again. It’s like waking up from a dream. Time is getting away from you. You’re not ready to pull away from Bucky yet, wanting to stretch the moment out. You gently fix his collar, running your hands over his front once more, as much in an attempt to straighten out the wrinkles you left on his shirt as to feel him move under your palm again. When he steps away from you, you release a shuddering breath. You feel like you’ve just been hit by lighting. 

“I’ll come find you,” He winks at you, grinning. Bucky presses a kiss to your forehead, tucking a strand of hair behind your ear. The gesture feels intimate, more personal, than you could have imagined.

It was everything you feared happening when you said yes to John Egan. It was everything you dreamed it to be. As you watch him leave, you know that you’ll have a damn hard time giving that up. 

“I’ll be waiting.” 

note: this was literally supposed to be a quick 2k words fun meet cute kind of thing, just a quick adventure Morty, but oh god I'm in too deep. forgive me for this detour from Of All The Stars in The Sky, but it was necessary, you understand.

this is real and i'm not accepting to believe otherwise

i have nothing to say except i’m coping !

Camellia: Popia x f!reader - Chapter 1

Camellia: n. - A flower which symbolizes a deep desire or longing.

Summary: You are a translator for the Ministry. You receive a letter summoning you to the Abbey for a project involving an ancient diary with a mysterious author, but you find yourself wishing you were back home. That is, until you meet the charming Papa Emeritus the Fourth.

Word count: 4.4k

A/N: Hi all!! This is the first long-form fic I've ever written and decided to publish, so I hope you all enjoy!! The first chapter is mostly setup and scene building, so not a lot of interaction with our beloved Copia. But there will be more, I promise!!

Warnings: none for now but there will be some in later chapters.

AO3 Link

Prologue

“Will you help me move this box?” the Brother of Sin says. 

Wordlessly, the Sister of Sin stops what she’s doing and maneuvers through the crowded, dusty basement room to help the Brother. The two crouch down, bracing their hands against the box of books. It leaves behind a path carved into the layers of dust as it slides across the wooden floor. 

Once the box is pushed a few feet out of the way, the Sister lets go and, losing her balance, falls to her hands and knees from the crouching position. She cries out in surprise when her hand sinks through the floorboards as one of the slats gives way. The hole is only a few inches deep and filled with dirt and cobwebs, but the Sister’s hand falls onto something softer than wood. 

She lifts her hand to find that there’s a small leather-bound volume hidden face-down in the small crevice. The Sister can hardly imagine how long it has been there, with how thick the grime lies on the back cover. 

This room of the Abbey’s basement had been long forgotten, until Sister Imperator tasked these Siblings of Sin to clear out the room to make way for new storage. They had half expected to find a ruby-encrusted sarcophagus in the room, with how ancient and opulent the Abbey is. So far the only things of interest they have found are books—it seems that the only items stored in the room are books. 

The Sister gently removes the book from the hole in the floor and replaces the wooden slat. Even through her gloves she can tell that it is close to disintegrating. The distinct orange of rotten leather lines the edges of its binding and a few corners of pages fall to the ground. 

“What’s that?” The Brother asks. 

The Sister carefully turns the volume over so that she can read the front cover. It, too, is covered in dust, so she gently brushes it with her hand in order to read the embossed leather cover. Having been face-down in the crevice, the gold leaf illuminating the embossment is preserved and it shines in the low light of the basement. 

“It says…” the Sister squints to read the small letters, “...Elizabeth.” 

“Elizabeth? Who’s Elizabeth?” 

The Sister turns over the book once more. “I don’t know, just… Elizabeth.”

Chapter 1

The ride from the airport to the Abbey is a long one. The car you had been picked up in took you through the city and the suburbs, to the rural outskirts of civilization where the coniferous trees block much of the sunlight. The winding roads, dotted in late-afternoon sunbeams, feel endless as the car climbs into the hills. It’s been a silent ride, and rather awkward (at least, you feel that it’s been awkward) because the helmeted ghoul who drives the sleek black sedan has not said a word. 

You knew that the Abbey has ghouls. A few abbeys do, as they are big enough to warrant summoning help, but your home chapter is not. This is the first time you’ve met one. 

You wonder if they’re all so stoic, or if the driver simply doesn’t have anything to say. He isn’t impolite, but you wish he would say something, anything to make the drive a little more bearable. You want to ask him about the Abbey–what the Siblings are like, what Papa is like. How many Siblings live there full time? How big is the library? You’ve heard that the ghost of a former Papa haunts the corridors, is that true? Hundreds of questions brew in your mind, but the ghoul remains silent and you’re left feeling like an unwelcome guest in a strange country.

You already miss home. 

The Marseille abbey, your home for the better part of your adult life, is a medieval stone structure built on a hilltop south of the Marseille city proper. The ornate, stained-glass windows of its chapel face west over the Mediterranean so that the sunset streams into the room during Black Mass. The walls are old and drafty, and keep faded tapestries in a constant state of fluttering. The linens line the walls of the refectory in between tall, narrow windows which also overlook the sea. If it were not for the inverted crosses and scenes of the unjust fall of Lucifer, one might think the atmosphere in the chapel—and the rest of the small abbey—is almost holy.

The windows in the Sibling dormitories are small and south-facing, with deep stone sills and wood frames that have somehow managed to survive the ages (although they hardly open without a fight.) Your own dormitory windowsill is lined with personal prayer books. Each has about a hundred loose papers sticking out. They are your translation practice, your way of staying versed in every language you know, because you know the prayers by heart at this point. The papers are experiments: which language makes the prayer sound better, sound prettier? Which language makes the most sense? Which language makes the prayers the shortest, the longest? 

No matter which language you use, to you the prayers sound the most beautiful in your mother tongue. That is how you’d memorized them, after all. Yet… you wish there had been room in your single suitcase to take your prayer books with you. 

“We’re almost there,” the ghoul says, snapping you out of your homesick reverie. His voice is deep and softer than you’d expected. There’s no spurt of hellfire from his mouth as you’d half-thought there would be, and no low rumble in his words that might signify he’s more beast than man. The ghoul, despite his bug-eyed mask, seems shockingly human. 

He steers the car through tall wrought-iron gates which seem to open automatically. You can see the tall peak of the Abbey’s bell tower peeking through the trees, and suddenly the reality that you’re very, very far from home hits you. 

You unfold the crinkled envelope in your hands and reread the letter for the hundredth time that day. 

Dear Sister, 

I hope this letter finds you well. 

We at the Abbey have recently uncovered a very important document which we require your expertise to translate. However, this document is extremely fragile and cannot be transported in the post. Papa Emeritus IV and the rest of the Clergy request your presence at the Abbey as soon as possible. 

We expect this project to take several months. Enclosed is a one-way ticket for you to travel to the airport closest to us, from which a car will transport you to the Abbey. We will discuss plans for your return to Marseille when you are nearing the end of your work here.

We anxiously await your arrival. 

Sincerely, 

Sister Imperator

The letter itself is quite presumptuous. Sister Imperator had assumed you were not busy, and assumed that you would be able to drop everything and travel halfway across the world for a months-long project. And then to use Papa’s name to exaggerate the importance of this mysterious document which she hadn’t even disclosed the nature of? 

Well… you can’t exactly say no to the woman who practically runs the Ministry’s affairs. 

The car takes a bend in the Abbey’s endless driveway and emerges into a clearing. Sitting far back on a sprawling lawn is a massive, imposing stone structure. The rows of trimmed hedges and flower bushes do little to soften the gothic hardness of it. Two pointed bell towers loom over the steep roof of what must be the chapel, with stained glass windows stretching up at least two storeys. The central image is of Baphomet, in his iconographic pose. The setting sun glints off of his golden halo. Sweet Satan, you think, your eyes tracking the window as the car rounds the drive. Baphomet alone must be taller than the entire height of Marseille. 

The ghoul pulls the car to a stop in front of the wide steps leading up to wooden double doors. A woman stands there, her hands clasped in front of her and her back straight, like the matron of this grand palace. You suppose she is–the severity of her expression alone leads you to believe that it’s Sister Imperator who waits for you.

You step out into the chilly air and shut the car door behind yourself. The ghoul already has your suitcase in hand and gestures for you to walk up the stairs before him. You wish he’d let you carry your own suitcase, if only to give your hands something to do, but you are far too stunned to ask. Climbing the shallow stone steps feels like stepping into another world. A world in which you feel far too plain to exist. 

“Sister,” The woman greets with a smile. It doesn’t quite reach her eyes, which squint at you beneath slightly furrowed, well-groomed brows. She strikes you as someone who is all business, all the time. “How was your journey?” 

You return her smile as best you can. She speaks to you like you don’t understand English. “It went well, your dark eminence.” 

She seems a little surprised that you respond so fluently, but she quickly fixes her face into another warm grin. “I am glad to hear it,” she says. “Thank you for coming on such short notice. I’m sure you must understand that this document is very important, and quite fragile. We would not risk losing it in the post.” “Of course,” you nod. “If I may ask, Sister Imperator, what is this document? You did not disclose it in your letter.” You gesture to the envelope safely stored in your jacket pocket. 

Sister Imperator turns to step inside the slightly ajar wooden door and you assume she wants you to follow. The ghoul accompanies you over the threshold, but at the wave of a hand from Sister Imperator, he turns down a narrow corridor with your suitcase and disappears around a corner. 

You are still a bit too overwhelmed to thank him. Instead, you look at the woman beside you. “The ghoul will bring your luggage to a room we have prepared for your stay,” she explains at your silent question.

She continues down the main hall, deeper into the Abbey. Your footsteps echo through the atrium, bouncing up to the high, painted ceilings and off the stone walls. There are a few wooden benches pushed back against the wall, with pots of surprisingly lush houseplants on either side. Framed oil paintings line the walls: some depicting biblical scenes, some of landscapes, and a few large, dignified portraits. You can tell by the distinct Papal paints in each portrait that the subject is a Papa, and you wonder which one depicts Papa Emeritus IV. You’ve never seen an image of His Unholiness before. 

After a few moments of silence, Sister Imperator speaks again. “We found the document last month, in one of the storage rooms in the Abbey’s basement.” She likes to use the royal ‘we’ a lot, you think. 

She continues. “One of our archivists believes that it is at least five hundred years old. It is very fragile, you see, and so we ask that you handle it with the utmost care as you work with it. We would prefer it if you used gloves. And frankly, Sister, I believe that you would want to. The leather is fairly rotten.” You stay silent as you follow slightly behind her. You’ve worked with old, rotten books before. The pages nearly crumble apart in your hands and the leather splits easily, but it’s nothing you can’t handle. 

“We believe it is a journal—a diary, rather, of someone very important in the Ministry’s history.” You find it strange that she doesn’t immediately disclose whose diary it might be. “Who, if I may ask?” “Elizabeth.” Sister Imperator’s voice is clipped as she answers you. She gives no further explanation. Just Elizabeth. 

There are millions of women named Elizabeth in the world. It is very likely that there is more than one important Elizabeth in the Ministry’s history as well. It’s a fairly common name, especially five hundred years ago (if the archivist is correct). For all you know, this document could be some random Sister’s sexual logbook, and documenting her sinful indulgences was her way of praying to the Lord Below. 

You break out of your ponderance over possibilities when Sister Imperator turns a corner to walk down another, slightly narrower (but still wide) corridor. She speaks again. “The book is to be kept in a lockbox at all times when you are not working with it. Under no circumstances is it to be removed from the Abbey library without my express permission, or the permission of Papa. Is that understood?” 

“Yes, Sister,” you answer hastily. Her tone of voice as she lays down the law makes you feel as though you’ve already made a mistake. 

“Now. The reason we need you, Sister, is because none of our own archivists or translators can figure out what language the journal is written in.” 

This piques your interest, and also slightly flatters you. “What do you mean?” you ask.

She releases a long-suffering sigh. “The writing is jumbled. It is a mess of letters and sometimes numbers, with no spaces whatsoever.” 

The possibilities immediately start to stack in your mind. Latin from the Roman era tended not to use spaces, a practice called ‘scriptio continua’. Ancient Greek also did this… but wouldn’t the in-house translators be able to read it? 

“I cannot explain it well enough,” Sister Imperator says. “You will have to see, Sister.” 

The two of you come to another set of large double doors. Sister Imperator pushes one open and steps inside, holding it open for you. You slip past her into a huge, bright room, filled with hundreds and hundreds of bookshelves. Immediately you are hit with the scent of old books and parchment paper, and the gentle sounds of turning pages. To your left sits an ornate wooden desk with one Sibling standing behind it. They are sorting books onto a three-tiered cart, presumably to put them away in the correct order. You accidentally make eye contact, but they smile politely and you respond in kind with a little wave. 

You avert your gaze upward towards the open second floor, which wraps around the large atrium and is protected by a dark oak bannister. A few Siblings linger on the catwalk, carrying books or making their way towards the wide staircase that opens to your right. The bottom floor of the atrium houses several wooden tables where another smattering of Siblings sit. Most other tables are empty save for an abandoned book or two. 

The late evening glow shines down into the room from a large, circular skylight in the middle of the ceiling. There are desk lamps and overhead lights scattered about but none have been turned on yet. 

It reminds you of the University library.

“Come,” Sister Imperator says after allowing you to gaze around the massive library for a moment. “The lockbox is in the restricted section. You will receive your own key while you are here but you are required to return it, directly to myself or the Head Librarian, before you leave.”

She leads you up the carpeted staircase and deep into the bowels of the second floor. Towards the back corner, where the shelves are labeled ‘Fiction - Romance’, there is a wooden door tucked against the wall. A sign beneath its small glass window reads ‘RESTRICTED’. Sister Imperator fishes a rather noisy set of keys from her pocket and finds the correct one to unlock the door. She pushes it open with a squeak that feels loud in the quiet of the library. When both of you are in the room and the door is shut behind you, she removes an identical key from her keyring and hands it to you. “Your copy,” she says. “Do not lose it.” 

The room isn’t cramped, but it is small compared to the atrium. A few single-person desks sit along the back wall, while the walls on either side of you are lined with glass boxes. Each box is shaped similarly to a narrow cubby, and houses a single book. Printed labels on the front face of each box display a box number and the name of the volume stored inside. 

“Your key allows you to access any of these boxes,” Sister Imperator explains to you, “but I do not expect you to require any of them, except for the diary you’ll be working with. It is kept in box number seven, which is here,” she points to a box about halfway up the rightmost column of cubbies. Using her key (still attached to the incredibly jingly keyring), she gently unlocks the box and it glides out like a drawer. 

You step beside her to look down into the glass drawer. The diary is wrapped in white linen, but you can see the faint brown color of the leather through the cloth. “The archivist requests that you keep the white cloth under the book at all times,” Sister Imperator says. She reaches down into the box and gently retrieves the diary, careful not to jostle the cloth too much. “It will protect the leather from further decay.” You don’t need her to explain how preservation works, but you appreciate it anyway. It saves you from having to ask, or endure another awkward silence. 

She places the book down on a nearby table and slowly unwraps the cloth. Already you can see small flecks of brown and orange sticking to it where the leather has rotted, but it seems to be fairly well preserved in light of its age. On the front cover in small, embossed gold letters is the name Elizabeth. 

“Elizabeth,” you say, understanding. 

“Elizabeth,” Sister Imperator replies. “That is the only word we have managed to decipher. Hopefully you will be able to help us with the rest.”

You nod. “I believe I can.” 

She wraps the cloth loosely around the book once more, and returns it to its box. “I do not expect you to start tonight, Sister. We will give you time to settle, and have something to eat. But from tomorrow morning until you are done, this is your sole responsibility. Do you understand?” 

Her sudden, almost intimidating tone surprises you. You bite the inside of your cheek–a nasty habit you’ve had since you were a child. “I understand, your Dark Eminence,” you say with another nod. 

Her face softens, as does her stare. “Please, just Sister is fine,” she says. You follow her again as she begins to lead you out of the Restricted room. “I believe the dinner hour is to start soon. I will show you to your dormitory, and then leave you to get settled.” 

She brings you back through the library and the main hall towards where you’d seen the ghoul disappear with your luggage. The dormitory hall is a long, narrow corridor with windows on one side and doors on the other. Each door is marked with a number and a nameplate, and in between each door are wall sconces lit by incandescent bulbs. Halfway down the hall there is an opening to a stairwell which, you assume, leads up to the second floor of the dormitories. You walk past many, many doors, some of which have two nameplates, until you reach the very end of the hall where there are unmarked doors. Sister finds her keyring again and unlocks one, then removes the key and hands it to you. 

“These rooms here are the guest quarters. They are typically not suited for long-term stays but we have prepared yours to have everything you will need. If you need anything, ask Sibling Superior and they will make sure that you receive it.”

Sister Imperator turns to leave, but then turns around. “You know, Sister,” she says, with a curious look. “For someone of your expertise, I thought you would have been… older.” You can’t tell if it’s praise or suspicion in her voice. “Yes, well,” you stall. How are you supposed to explain that language just comes naturally to you and that it’s not your fault you’re not old and wrinkly? “I suppose once you learn one language, all the rest come easy. Especially romance languages.” 

“Hm,” Sister Imperator hums, sizing you up for a moment. “Find me at the end of the week and we will talk about your progress. I’m sure you will know your way around by then.” 

It seems her well of kindness has run dry.  

~~~

If the loud ringing of the bell didn’t tell you that the dinner hour had started, then the steadily rising sounds of a crowd did. You can hear the murmurs of conversation even through your closed door. A few Siblings emerge from the dormitory next to yours, their chatting and laughing growing quieter as they walk down the corridor towards the refectory. The old wood floorboards creak above you from the movement of Siblings who occupy the second floor. All around you there is an excited bustle, and yet you don’t feel like joining it. 

You have never liked crowds. Especially crowds of strangers. And these strangers all seem to know each other, if the echoes of loud conversations tell you anything. 

But your stomach does rumble, and you feel rather weak from a day of travel, so you decide that it’s best to eat something before you go to bed. Once the corridor seems clear again, you quietly slip out your door (patting your pocket to make sure you remembered your key) and make your way to the refectory. Sister Imperator hadn’t shown it to you but you can make an educated guess as to where it is. 

When you emerge into the main hall, you see a few Siblings occupying the wood benches that had been previously empty. They all hold trays or to-go boxes on their laps. Some speak animatedly, enthralling their friends with stories from their eventful day, while others sit quietly beside each other and eat. You think that it might be nice to sit somewhere to eat so that you feel a bit more connected to the Abbey, but all of the benches are occupied. The ever-growing roar from the refectory does not seem too appealing, either. 

The large room is across the main hall from the library. When you turn the corner you see that it’s not as grand as the atrium, and that it only occupies one level. There are sheer curtains hung over the windows, which allow the sunlight to illuminate the room but keeps it from growing too warm. Siblings, Clergy members, and ghouls alike sit at long wooden tables not unlike those of your home Abbey. But these tables alone are longer than the entire length of the Marseille refectory, and once again you’re reminded that you’re quite far from home. 

No, you can’t eat here. Not tonight. 

There is a long counter stretching nearly wall-to-wall to the left of the door, where a dwindling line of Siblings make their dinner selections. Whatever meal the kitchens had prepared smells delicious but you find that you don’t have the appetite for it. However, close to where you stand in the doorway and nestled in the space between the wall and the counter, are a few baskets of fruit arranged on a small table. The baskets are nearly empty, with the only indication of their contents being the small pops of color peeking through gaps in the woven pattern. 

Despite not wanting a hot meal, you are hungry, and so you enter the refectory and move towards the baskets. You opt for two good-sized oranges–although the bananas do look perfectly ripe–and turn to leave as quickly as you came. Your eyes briefly sweep over the crowd and land on a long table, perpendicular to all the others, situated on a platform at the opposite end of the refectory. The platform isn’t tall, but it is just enough to raise the table’s occupants slightly above the Siblings. The table is entirely composed of men, save for Sister Imperator, who seems to be talking to an older man with Papal paints and long blonde hair–is that Papa?

You look at the others occupying the table, and find that no less than three are also wearing Papal paints. 

Marseille is a tiny Abbey. At any given time, only about ten Siblings reside there at once. And so there is no need for an upper Clergyman to be stationed there. Instead, the Chapter is run by Bishop Beaumont, who (until now) is the highest ranking member of the Satanic Ministry you have ever met, let alone seen. 

So, to be faced with not one, but four Papas, all in the same room, makes your heart thump with nerves. You recognize them all from the portraits in the main hall, but in person they are all so much more… just more. And yet you still don’t know who is who. 

Of course, you know that all four of the most recent reigning Papas are brothers, the order of which was determined by age. The man who Sister Imperator is talking to must be Papa Emeritus I, or Papa Primo, as you’ve heard him called by Bishop Beaumont. The other three look relatively close in age, and so you truly have no idea which man currently holds the helm and steers the ship. 

You realize you’re staring when you make eye contact with one of the Papas. You nearly gasp in surprise, as if you shouldn’t even be on the same plane of existence as him… and yet your eyes met. Of course one of them would have caught you eventually, you think. You were practically ogling them from across the room. 

Hastily, you turn and make your way back out of the refectory and into the main hall. Your eyes fall on the nearest portrait. The Papal paints of the subject match the ones of the man you’d just been caught staring at. You blush as if his portrait could think, and had just caught you a second time. Your eyes flick down to the gold plate affixed to the frame, and read the words. 

PAPA EMERITUS IV.

this is so sweet i'm so cozy

Hey!!! I just finished reading song of Achilles and I have been crying for the better part of the last hour while reading, hence in serious need of some Bucky comfort. So how about college or lumberjack Bucky (cuz they’re my favorites) who don’t really understand the whole fuzz over books but still holding his girl while she sobs her chest out out about a book (you can change the book of you want), hot tears down her face, ugly crying yknow?

It’s okay if you don’t want to :)) Have a great day 💕💕💕

Pairing: lumberjack!bucky x reader (can be read separately from undisclosed, but also a little reference to it)

A/n: Okay sooo this was so sweet and I had to write a drabble for it!! All this angst I've been writing needs some comfort! :)

~~~

He hears the crying first. 

It’s a terrible sound that constricts his chest each time it meets his ears. Bucky would like to consider himself partially responsible for your tears becoming a rare occurrence, so when he hears them, he experiences an array of emotions—fear, panic, a twisted sort of heartbreak. 

At the front door of his home, Bucky strains his ears to confirm what he’s already dreading. Because maybe you weren’t crying. Maybe you were sick? That wasn’t much better, but at least it was a more concrete issue. 

When he hears the tissue box and the loud meow from Alpine—the closest thing to concern he’d ever heard from a cat—Bucky doesn’t even take his coat off before he’s barreling into your bedroom. 

You startle, puffy eyes darting up to him as he takes up space in the small room. 

And he’s devastated. You hadn’t looked like that in a long time, all tear-stained cheeks and frazzled hair. Bucky considers the multitude of reasons you could be so upset, but then decides it doesn't matter. Not when you’re looking at him like that. 

“Oh, honey,” he coos. His socks make soft sounds on the carpet as he walks over to you, but the action only sends more tears down your face. Bucky could collapse. “Sweetheart, what happened?” 

You don’t say much at first, opting to bury your face into his chest the second he makes contact with the bed. It’s too warm in here for the amount of clothes he’s wearing. Bucky doesn’t really care. You keep crying—Bucky keeps running his fingers through your hair. 

Each sob that leaves your lips sounds more broken than the last, breaking Bucky down bit by bit. He wants to fix this, make it better, but Bucky has never been good with words. He’d been trying, for you. He will try now. 

“Tell me what happened, sweet girl?” he mumbles into the skin of your temple, lips hesitant to leave your skin. He was always better with physical communication. He was also the best at loving you like this. 

Your breathing gets choppy as you try to calm down. Shallow puffs of air meet the stitching of his sweater, and he rocks you as a way to coax a more steady pattern into your lungs. Even though he was wrought with panic, you were okay. Bucky had you, so you were okay. 

“He—he died, Buck,” you eventually choke out. “He died and then there was no—there was nothing—” your words cut off again as more tears soak his chest. 

“Who?” he stresses, although his tone doesn’t give that away. “Who, honey? Someone you know?” 

“No,” you sob. The sound knocks the air from Bucky’s lungs. 

Taking inventory in his head, that means all of his friends are safe, all of your friends. It means your awful family is alive as well, and while that doesn't matter much to him, at least he knows it isn’t the source of your strife. But the pain in your voice, the way you were limp against him and fighting for air. 

Bucky couldn’t understand. 

“Tell me who. What has you so sad, hm?” he tries, voice dropping into an even gentler tone. 

You dig your fingers into Bucky’s jacket, pulling away after a moment. Bucky reaches for you, trying to chase your figure because he wasn’t done trying to make this better, he needs to make you better. But then you slap something into his lap and he’s confused again. 

“Them,” you all but sob, turning back into the material of his jacket. 

Bucky wraps an arm around your shoulders as he inspects the book on his thighs. He’s still lost, but your crying has morphed into sniffles so he asks, “What was that, sweet girl?” 

He’s packing it on with the endearments, but seeing you like this is brutal. 

“In the book,” you explain. “They were so in love. And then he died. And afterwards—Bucky it was awful.” 

Oh. 

A book. 

This is manageable, to Bucky. You’re not in pain and he can handle this. 

He hauls you closer into his chest. You shuffle until your frame is enclosed by his. Bucky’s size had always been something he found inconvenient until you came into his life. Because after that, he found it was good at making you feel safe. A way to protect you from anything. 

Even… a book? 

Surely a book. 

“Hey, it’s alright, I got you,” he hums.

“Never die,” you whisper, and Bucky's mouth twists uncomfortably. 

“I won’t.” 

I KEEP FORGETTING ABOUT MY WIPS I NEED TO GET IT TOGETHER I-

hi mae! i’ve recently become obsessed with herbal teas and i noticed you have mentioned chamomile and jasmine tea in your fics lol. i am wondering if you would be interested in writing a remus or poly!marauders fic with an american reader who loves herbal teas and they kinda tease her about it (in a loving way of course)? i love your fics and i hope you have a lovely day whenever you read this <3

I love herbal teas! I fully support this obsession honey. Thank you for requesting!

cw: british slander, i love y'all but i'm besmirching your brand <3 (based largely on my own experiences lol, so perhaps not fully accurate)

Remus Lupin x american!reader ♡ 614 words

“This is so disappointing,” you sigh at the sight of Remus’ cabinet. 

“What?” he asks from the couch. 

“You told me you had tea.” 

“I do have tea.” 

“No, you only have this.” You take the box of Yorkshire Tea out of the cabinet, brandishing it where Remus can see. “This shit is nasty. Rubbish, as your folk say.” 

“Oh,” he laughs, “so you sail all the way across the ocean, take our teas with you, denounce our government, and then come back here to criticize, is that it?” 

You look at him darkly. “This is what the Boston tea party was really about. I get it now.” 

Remus beckons you toward the couch. You go, abandoning the boiling kettle since apparently there’s no point in searching the kitchen for anything good to drink. It’s only once you sit down on the couch and he takes your hand into his lap that you realize your mistake. 

Remus has a mollifying effect on you. It’s tragic, really. All it takes is a look, a shift in his tone, a small touch like this, and you’re pliant and boneless for him. 

“What sort of teas do you prefer?” he asks you softly, tracing the lines of your palm.

“I usually keep a variety,” you tell him, matching his tone. “Like cinnamon, or passionflower, or rooibos…have you heard of any of those?” 

Remus smiles, slow and sweet. “I have. Would you like whipped cream and sprinkles on those as well?” 

You laugh, rolling your eyes. You try to take your hand back, but Remus holds fast (you don’t make it hard for him), grinning at you. 

“That is so not fair. Just because y’all like your tea bland—”

“Say that one more time for me? Who all?” 

“—doesn’t mean my tastes are somehow unrefined.” You fix him with a hard stare, though your smile is untamable. “You’re being posh.”

Remus looks amused. “Never been accused of that one before,” he says. 

“Have you ever tried jasmine tea with a little bit of sweet creamer in it?” You raise your eyebrows at him. “Remus, you’re really missing out.” 

“Alright.” He stands, taking your hand with him and giving it a tug when you don’t follow. “C’mon, up.” 

“Where are we going?”

“To make you a cuppa.” 

You giggle. “I can’t take you seriously when you call it that.” 

“Once you stop saying dude, we can talk about my diction.” 

“So mean,” you tsk, letting him pull you over in front of the kitchen counter. He pours the hot water from the kettle into a mug, placing a tea bag in it. 

“We’ll get this drinkable for you, love, don’t worry,” Remus murmurs, waiting until the tea is a deep brown before going to the fridge. He pours in heaps of milk and sugar, stirring with a look of mild distaste in his expression. “Alright, try.” 

You take the mug off the counter warily, blowing on it before putting it to your lips. 

You hum, and Remus lifts an eyebrow. 

“It’s…better.” 

“I’ve done my best,” he chuckles, taking it from you. “I’ve thrown all my principles and better sense out the window, and it’s still not up to your standards, hm?” 

“No, it’s not bad.” You steal the mug back, taking another sip and smacking your tongue against the roof of your mouth experimentally. “It’ll do.” 

Remus gives you an indulgent look. “I’m sure we can find you some jasmine tea if that’s what you want,” he offers. 

You shrug. “I was just at the grocery store, and I didn’t see any.” 

He tilts his head skyward, blowing out a long-suffering breath. “I think you mean the grocery, sweetheart.”

not so patiently, but RESPECTFULLY waiting for my favs to post more content so i can read fanfics all night long

favorites 🥰

Just One Kiss Masterlist

(photos not mine, storyboard very much mine)

Series Summary: Bucky Barnes has been chasing after you since he was ten years old, but you’re determined not to give in. How long can you hold out when all he’s asking for is just one kiss? (40′s happy ending AU)

Series Warnings: Language, excessive amount of fluff, slow burn, mutual pining

Part One - The Beginning

Part Two - A Walk Home

Part Three - Moving Day

Part Four - A Dance

Part Five - Girls’ Night

Part Six - The Fight

Part Seven - Christmas

Part Eight - The Question

Part Nine - First Date

Part Ten - Afternoon in the Park

Part Eleven - Last Date

Part Twelve - The Goodbye

Part Thirteen - The First Letters

Part Fourteen - Broken Silence

Part Fifteen - Finale

Epilogue Pieces

Bonus Material Masterlist

right where you left me

Summary: You died. Sebastian secretly had a portrait of you commissioned.

I profusely apologize for the pain.

Inspired by @sychenb for the prompt idea. Also crediting @sloanesallow for her headcanon about Sebastian keeping track of numbers.

(also sort of inspired by Unus Annus - iykyk - and Taylor Swift, if you couldn't guess by the title)

Tags: Angst, F!Reader POV (you), unreliable narrator, vague ship (Sebastian x reader/Ominis x reader), Sebastian was in love with you but never confessed, death, grief, ambiguous ending, overall the sads in general, I cried while writing this

AO3/Wattpad

It had been 279 days since you died.

At least, that’s what Sebastian tells you — your portrait, anyway. It was all that was left of you after the devastating battle you had fought and never walked away from. You hadn’t even known he’d had a portrait of you commissioned when you were alive until you woke up, your body cold, your face illuminated by the flickering candles of the Undercroft.

He comes to visit you every day — some days, he simply sits in front of you, cross-legged and silent. You creep into the frame and study him, the shadows on his face, a haunted look in his eye — unfamiliar. You can only recall a bright, talkative, charming boy with whom you were once close. You didn’t recognize him the first time he visited you, yet his presence brings you comfort.

On other days, you see traces of the boy he was before. He bursts in through the gate talking nonstop about everyone who misses you, about something he saw that you would have liked or that reminded him of you. Sometimes, he even brings you gifts and places them in front of your frame so you can admire them when he’s away.

That’s where he keeps you — hidden behind a wooden crate in the Undercroft like a sacred shrine, untouched by anyone but him. He only speaks with you when he is alone.

Another boy comes in on occasion, and you only know because of the sound of his voice and the pulsing red light of his wand that you can see from behind the pile of crates. Ominis, you remember Sebastian telling you, another friend from when you were alive. Sometimes they argue, other times they refuse to acknowledge each other. But Sebastian always keeps you tucked away, his own personal secret.

“It’s almost Christmas,” he sighs as he plops down in front of you. “300 days since you…well, since— ”

He could never bring himself to finish that sentence, even after almost a year. You never finish it for him.

“Are you going back to Feldcroft?” you ask, though you already know the answer.

He shakes his head. “I wouldn’t leave you here alone. I couldn’t do that to you.”

You knew he probably hadn’t been back since that dreadful day. He had only spoken of it once to refresh your memory. He never brought it up again.

“Sebastian,” you say, and he perks up at the sound of his name leaving your painted lips, “how come you always hide me away when Ominis comes in? Doesn’t he want to talk to me, too?”

His eyes flash with something — anger, perhaps, it was hard to tell from your two-dimensional world — and he stands, approaching your portrait. “He wouldn’t understand.”

“I’m only a portrait,” you tease, trying to lighten the mood. “It’s not like you’ve been practicing necromancy.”

It wasn’t the right thing to say, but you don’t completely understand why. He turns away from you, fists clenched, shoulders tense and hunched over, before running his fingers through his hair and repeating himself more adamantly. “He wouldn’t understand.”

You remember him uttering a similar statement throughout your short life at Hogwarts — secrets that only the two of you shared, unbeknownst to Ominis until it was too late. “Surely he misses me, too— ”

“Did you love him?”

The question takes you by surprise, though you think it’s not the first time he’s asked it. “What?”

Sebastian whirls to face you, his gaze intense, demanding. “Did you love him? Or did you love me?”

Your portrait blinks, confused. Truthfully, you hadn’t been alive nearly long enough to confirm your feelings for either of them, but you knew that both boys had been important to you during your last few months of life. The portrait of you had only been a time capsule of your fifteen-year-old self — undecided and immature. You’re not even certain if the emotions you feel now are real or remnants of what you experienced when you were alive. “I…I cared deeply for both of you if that’s what you’re asking.”

Your answer nearly breaks him, as if he’s heard it a million times before. He tugs at his hair, the movement causing him to look frenzied and mad. “That’s not what I asked! Who did you — ”

“Sebastian?”

The voice of the intruder causes both of you to freeze. Sebastian pulls himself out from behind the crate and holds a finger to his lips before pushing it in front of you once more.

“Over here, Ominis.”

You hear footsteps and see the red glow of the other boy’s wand, then shuffling as Sebastian strategically places himself in front of the wooden box. The echoing footsteps grow closer, and you straighten at Ominis’s frantic tone as he speaks.

“Who were you talking to?” he asks. “I…I thought I heard…her.”

“No one else is here but me,” Sebastian says, guarded.

You can practically feel Ominis’s internal struggle to believe him. You decide that there have been enough secrets between the three of you — you’re not going to let it carry on post-mortem.

“Ominis? Is that you?” you call out. You hear Sebastian press his body against the crate in front of you. Ominis pushes past him, and they both tumble into it, knocking it over and exposing your portrait.

Chaos ensues at Ominis’s realization. The two boys are shouting at each other in front of you as you are helpless to stop them — Ominis, for having yet another secret kept from him, and Sebastian, for defending his reasonings. You aren’t sure if it’s because of jealousy, grief, or some combination of the two, but all you want is for the noise to stop.

You call out helplessly from your portrait, wishing you could step between them, just as you had done time and time again all those months ago. Before everything had gone so wrong.

Suddenly, hot, angry tears are pouring down both of their faces, and you are overcome with just how useless you are at this moment — a fragmented memory, trapped within the confines of your magical canvas. You want nothing more than to hug each of them, to let them feel your arms around them in comfort and take their pain away.

But you are gone.

The two boys now stand solemn and silent in front of you. Ominis takes a step closer, his wand hovering over your portrait before he runs his fingers along the gilded frame. “Is it…really you?”

“No.” You can hear the flatness in Sebastian’s voice, how tired and worn he truly is. He repeats exactly what you thought only moments before as if to confirm it. “She hardly remembers what happened, or even who we are. She’s just a fragment. A memory.”

You want to argue that it is you, but you know that he’s right. You barely remembered your living self until Sebastian explained everything to you on his daily visits. Whispers of your personality still shine through on occasion, but you are otherwise simply existing.

Ominis sighs, and you can hear the weight behind it, as if he had been holding his breath and finally allowed himself to release it. He traces his fingers along the divots of the frame once more, and you try to will yourself to feel it.

The two boys exchange an unspoken conversation that thickens the tension in the air. They seem to come to an agreement, and you let out a small breath — if you can call it that — of relief when they sit down in front of you and appear to bask in your presence. You stay quiet and allow them this moment — it’s the only thing you can do.

The days that follow are the same. No longer is Sebastian coming in alone for covert meetings with your portrait. Now, you see both Sebastian and Ominis at the same time every single day, a religious appointment that they’ve set aside just for you. They take turns talking to you, even if they can only manage a few words, and you learn to appreciate their company, knowing that you were loved by both of them in life.

Just like old times, Sebastian says, and the three of you laugh.

Christmas approaches quickly, or that’s what they say when they come to visit a short while later. They bring your favorite things from when you were alive — chocolate frogs, flowers, even books, which Sebastian reads to you — and they tell you stories about you and the kind of person they knew you to be. You wonder if it’s true, or if they have created an idealistic image of you since you are no longer there with them. Not really.

Kind, they say that you were, thoughtful, loving, self-sacrificial, and maybe a bit idealistic. You were friends with both of them, after all, the mischievous pair that they were, before everything was taken away from them, before life was unfair. They try to smile for you and remind you that Christmas at the castle is a time for celebration, but you can tell that it’s a weak facade.

You smile back at them anyway.

The anniversary of your death approaches. Neither of them can bring themselves to say anything, aside from a few words to honor you. So the three of you sit in tearful silence, admiring the flowers that they decorated your portrait with. You think you can almost smell the sweet aroma of the bouquets.

Something changes in the air — you can sense it — though you aren’t sure what. You notice it when their visits become shorter, with fewer stories to tell, and fewer presents left in front of your frame. Sebastian and Ominis start showing up at separate times, stopping in for a brief hello before leaving with an excuse. You start to wonder what they are doing when they are gone, but you are unable to leave your frame — only one portrait of you was ever commissioned.

Soon, they start missing days, returning at a later time with profuse apologies about how life was busy, but they still miss you. Difficult classes, detention, studying for NEWTs, and preparing for a career — all of these seem to take precedence over you. But they still manage to make time in all of the hectic day-to-day activities, and you look forward to the days when they do come.

You wake up one morning and realize you are in a different location — Feldcroft, most likely, though you hadn’t seen it since that fateful day. Sebastian hangs your frame up on the wall, promising that he and Ominis will come to visit you more often now that they have graduated.

They don’t.

The length of time in between seeing them grows longer, you’re certain of it. Each time one of them arrives, they look a little bit different — sometimes they have longer hair, other times a bit of scruff around their chins, but they always come in looking more weathered than they had when you last saw them.

You realize that they are doing something that you will never again be able to join them in — growing older. You start to wonder about their lives outside of you, yet your painted mind cannot comprehend what an adult life looks like, forever frozen in your adolescent state. You find that you are unable to relate to any of their stories, and they seem to be holding back in what they choose to share.

I wish you were still here, they always say before they go, and you start to wonder if they mean it.

At long last, the visits from your once two closest friends become scarce, and you aren’t certain how much time has passed since someone last spoke to you. The bright flowers that once decorated your golden frame wither and die, and the little gifts they used to leave stay untouched and unopened. The tiny cottage in Feldcroft becomes a sepulcher of your essence — a permanent reminder that you are no longer among the living.

You can’t help but wonder if it was something you did, if their reasons for not returning were your fault. You can feel the stories that they used to tell you fading away, unable to retain the memories in your current form.

You decide that it’s time to rest.

In the quiet house, just south of Hogwarts, your portrait closes its eyes. You do not wake again.