So I Was Playing Around With The Idea Of A TTS Reader, Ya Know Maybe Hearing My Work Read Aloud Will

Now here's a serious question: in Valisthea, are dragoons (and everyone if they have the training) able to naturally jump like this, or do they have to be using magic - perhaps Light magic specifically? Some of Dion's attack jumps are specifically using Light magic to create the shockwave, but in this instance we see he doesn't have to be doing a Jump/Dive attack to be able to just launch himself further than any regular jump should manage.

One of the more hilarious things in the game is that the jump button for Clive makes him jump like a NORMAL PERSON. Unlike in, say FF13 (the sequels especially where there is a designated jump button), he can't naturally launch himself from a dead stop to arguably higher than his own height (magically enhanced or not). I question the inclusion of a jump button if it's going to be so useless and you have Garuda powers to launch you in the air if necessary.

So does that mean in Sanbreque, with their prejudices against Bearers, technically the dragoons are using some kind of magic-infused armor or weapons while still not wielding actual magic themselves? Is Dion the only one capable of using a Jump/Dive without it needing to be an attack? Is this why Dion always has his spear when he Primes - to help him focus his magic? When shit went down in Twinside, he Primed *without* holding his spear, but it was present when he eventually De-primed, suggesting that it is somehow tied to his Prime (or the devs needed him to have his spear in the next cutscene and didn't want us to think about it that hard).

Sidenote: why did the game feel it necessary to tease Dion dying here? Did it feel like that to anyone else? Like "I will be with you anon" as the last man to fight to buy the ship enough time to eacape...and he does - proving in the process that he is far better to be the last man buying the ship time when Clive's escape against the Sleipnirs ended with him barely clinging to the Enterprise and telling Mid to punch it. Dion is able to actually jump a long distance even when the ship is taking off. Cool. But why focus on Dion buying them a few extra seconds? Just to show off for ONE scene? Why did it feel like they were teasing that he might not make it...when he easily does?

Anyway, I rant as always

DION LESAGE ↳ Elusive Jump

Baby like 🫨

Quanyinweek2024 - day 1: kids -

Xie Lian steals Ming Yue from Quanyin lol

Well a whole 2 people asked for it and who am I to deny the masses?

I....it'll be a happy ending eventually. Maybe

It's hit 1200 pages guys I am not okay

Very underrated dramatic moment you see, but I'm just distracted by the fact that Jin Guangyao has lost his right hand at this point so I'ma assume the novel image is mirrored for dramatic effect.

There that's better.

I need more "Lan Xichen gets a happy ending" fics is what I'm saying. Should I post a 900 page fanfic that I've invested too much of my time into?

Yessss but like Laurent is also STILL trapped in a cycle of misery when Damen first comes along. For the duration of the first book, Laurent has, by no means, escaped the Regent's grasp on him. Not only was he emotionally and sexually abused during the most vulnerable point in his life (losing both his father and his older brother who were these brilliant paragon kings in his eyes that he felt he could never live up to), but the Regent has been playing a careful game with Laurent all this time even after he gained some level of agency in his life.

Damen and Laurent are enemies-to-lovers of course, but Laurent has an extremely long way to go. Damen only goes to Laurent in the first place because he manages to discern that Laurent is the lesser of two evils - the Regent will betray him the moment he gets what he wants, but Laurent proves himself honorable enough to help Damen get some slaves to a better place even at the risk of his own reputation. The Regent is looking for every reason possible to strip Laurent of his rightful-heir position, and Damen ends up having to choose to risk himself even when he's in a delicate position as a slave when he decides to take Laurent's side.

It cannot be stressed enough: Every single person Laurent gets close to and begins to trust is either ruined, killed, or turns against him thanks to the Regent, and that changes when Damen comes along. At first, it seems like Damen is protecting Laurent so desperately because Laurent is the only chance he has at surviving and gaining some level of favor while he's in enemy territory - but Damen DOES make some escape attempts, he DOES talk back, be DOES do dangerous things. Damen was not necessarily a good person before he met Laurent either, having to be humbled by his position. The fact that Damen is also the man who killed his brother doesn't exactly make Laurent any happier about being forced to work with him.

However, Damen is useful. He's strong, he's smart (having the knowledge and training of a foreign prince that Laurent can use), and he's determined to keep Laurent alive. It's a good alliance, even if it's extremely risky - he figured out pretty quickly who Damen really was, and it's natural for him to expect Damen to betray him the moment he has an advantage and no longer needs Laurent to help him from his slave position. Everyone else has. He's stuck in this constant state of wondering just when every connection he lets into his heart will snap and break him ever further. That's why even when he and Damen share their first romantic scenes, Laurent is still tricky and borderline hurtful towards Damen; they're not instantly lovey-dovey the moment they share their feelings because Laurent can't shake off the pain of knowing he could lose Damen in so many ways - either from Damen getting hurt or taken by outside forces, or worse, Damen himself choosing to abandon him.

But the thing is, Damen proves him wrong over and over and over. Laurent admits later how terrifying it was for him to be falling in love with Damen, because Damen kept proving how he cared about Laurent genuinely and was strong enough to stand by him even against the odds. He goes out of his way to save Laurent's life, goes out of his way to choose him over the Regent, goes out of his way to make an alliance with him rather than turning on his enemy once he gets back to his own people.

The second book gives Laurent a breath of fresh air, as he's no longer in the Regent's domain where he constantly had to be on guard. He fights off a few assassinations, with Damen proving his loyalties over and over, even when Laurent occasionally abandons and even outright betrays him to put Damen at a distance. Damen stands by him anyway, Damen proves he's not only going to stand by Laurent when Laurent is important to him, but also staying with him even when he doesn't have to.

Laurent was terrified that once Damen's cuffs came off, once he was no longer a slave and was back into a prince - a king, even - Laurent would stand no chance. He's been dreaming all these years about being able to beat Damen and avenge his brother, but after the two of them have an ugly scuffle, Laurent admits painfully that he knows he'd never be able to beat Damen in a fight. Laurent is good, he's willing to fight dirty, what he lacks in physical might he makes up for with his tactics. He uses everything he learns from Damen to eventually become self-sufficient, trying to not need Damen anymore. Laurent is good at what he does, but he's never felt like he's enough - he's always on the defensive with his uncle, and here comes Damen also out-doing him even when he's stuck as a slave. Both of them were captive princes in their own way, but Laurent sees how Damen seems to be so much better than him at surviving in shackles.

However, then Damen is determined to treat Laurent as his equal. He gives one of his slave cuffs to Laurent as a sign of their equal status. Instead of shedding the memory of his slavery, he holds onto them and makes them a symbol of his connection and dedication with Laurent. It's him shackling himself to Laurent to say that he's not going to let Laurent get away. His time as a slave was an awful low point, but at the same time it's what brought him to Laurent, and now it binds them together.

Damen doesn't just SEE the true Laurent, he isn't just "the different one" who is just LIKE that, and he certainly doesn't begin as a paragon of goodness that Laurent needs to learn to be more like. Damen himself changes as he opens himself up to Laurent as well and begins to find something worth more than all he had known before. Damen proves himself over and over through his actions, tolerating even the worst parts of Laurent, wanting to see past the betrayals and his cold attitude and his sharp tongue and actually get to know Laurent as he is. He knows there's a kind, scared, broken man hidden behind so many walls that Laurent can NEVER truly drop; he can never REALLY open up and go back to the happy child he once was. And that's okay. He wants to eliminate all the threats that Laurent needs those walls for, and that means being strong enough for the both of them.

In the end, Damen ends up wanting to see Laurent free to choose how he lives his life and even CHOOSE to be happy about it. He wants Laurent to know he's worthy of it, that Damen can help him find it. He doesn't just want to do everything FOR Laurent; he wants Laurent to finally see that he's strong enough to win even if it means he needs help. Damen, meanwhile, learns about the nuances of people like Laurent and how to value the lives of those suffering, to find a way to use his power to make things better. Both of them are what the other needed to become the better versions of themselves, and isn't that just the best romance you can get?

I think Laurent is such an appealing character because he is so emblematic of those people who are broken but still want to be worthy of love. 

Laurent, to me, is a variation on a type of person I’m familiar with. The clever, gifted, introverted child who struggles socially, weighed down by a big brain and oddly adult preoccupations. The one who becomes fractured through trauma, ends up hiding behind a pointed, cold, even cruel, demeanour as self-protection. I bet most of us know that person (some of us might even be that person). It’s not a good persona to have felt forced to adopt. But beautiful, barbed-tongued Laurent makes it seem more palatable than it is.

Truth is, he’s in a bad place before Damen. Laurent is that person who holds everyone at arms length, mistrustful of being hurt and abandoned, but somehow still forges ahead on a path towards some goal they’re determined to win as it gives them purpose, even when they can’t even really envision a future for themselves (where will they be in ten years time? Who will they be? They have no answer). The one who finds romantic relationships so agonising, they often choose to absent themselves from them, because they come hand in hand with unbearable vulnerability, and who don’t know how to feel sexual desire without the past intruding, and without feeling like they’re giving something up or losing somehow, who suspect they might be permanently ruined.

Laurent’s mind is like a steel trap, and it makes it easy to look down on others (not something others find particularly likeable). Is the type who can separate out the deep moral integrity that forms the bedrock of who they are, from the more flimsy, politer, social kind of morality which they tossed out the window in the name of survival (hard to make friends when you do that). The kind of person who is haunted by shame and filled with secret self-loathing, who uses humour to cope, and feels stuck in a state of arrested development even though they had to grow up too fast. The sort who can lose their temper so badly they cross lines no-one else can, but will die for the people they love. Who can seem flippant and facetious yet exhausting in their intensity.

And then good, honourable, warm-hearted Damen comes along and sees him.

This Normal Boy (who is really an Exceptional Boy), clothed in the body of his enemy. This towering stereotype of attractive athleticism, this strong warrior prince, well-loved, well-liked, who should be stupid and selfish, a repellent, violent aggressor, but is instead an intellectual equal, honourable and caring and kind. Who makes sex an act of love, of giving and taking in equal measure, makes it slow and tender and meaningful and pleasurable, adjusting exactly to how Laurent likes it, makes it no longer something to fear. 

Damen who guides Laurent back to his own heart, is the light to his dark, and softens those lethal edges. Who laughs with him, matching bon mot for bon mot. Who loves Laurent, for all his faults, who sees him at his very, very worst, all that ugly, vicious darkness laid bare, and still gives him his heart, and will never abandon him. Who heals him.

The books are the ultimate broken person’s fantasy, honestly. That if we see a glimmer of ourselves in Laurent, then maybe a Damen is out there who could show us how it could be.

This is really cute tho

Finally here it is!

Yes I "Lionkinged" Dion and Terence.

Just imagine a moment in their later teen years on an excursion in the Greatwoods.

It's corny, yes, but seriously after everything they went through in the game? They -deserve to be silly normal dudes in love.

Guys, why we debating whether or not LQ has or doesn't have a beak when the answer is obvious?

The Long Quiet is as versatile as Shifty. He's like schrondinger's beak. He both has one and doesn't have one until the need arises for an answer. He has one when he wants one, he has none when he doesn't want one.

Based on the Dragon and the Princess ending, I like to believe every single face of the LQ chooses whether they have a beak or not. And thus I present my hypothesis on the beak statuses of our best boys:

Hero has a beak but doesn't know it or consciously acknowledge it, too distracted by the narrative, that's just his nose wdym, he's doing his best your honor

Opportuntist is pro beak, though perhaps he conceals it until he gets the upper hand

Smitten is no beak because kisses, will only manifest a beak by accident when he's being sinister but would never admit it

Cold is no beak since bro doesn't feel enough for a beak to manifest

Broken is no beak, he's too wimpy for a beak - or alternatively, has a beak if his goddess wants it, anything to please her really

Stubborn seems like a beak guy to me. He'd use it to peck the Adversary's eyes or smth, just so long as it's another weapon to bash against his enemy

Hunted probably no beak, since he ain't no animal, but teeth? Yes, necessary part of survival you see

Paranoid probably no beak, too scared of it getting in the way during a crucial moment and potentially blocking that very necessary 3% of his vision and distracting him for a milisecond too long

Skeptic is the opposite, pro beak because he knows it's there and he wants to keep it in sight at all times because if it disappears that shit's sus

Contrarian IS the schrondinger, he is both pro and no beak at all times. He's half beak. He's demi beak. He is MADE of beak. He doesn't even know what a beak is. He threw the beak out the window

Cheated doesn't care about the damn beak, it's all a crock of shit anyway - just wait, he'll have a beak and then suddenly it's an inconvenience, but the moment he DOESN'T have a beak he'll find a reason to need it, just you wait and see, it'll happen--!

What I'm saying is, all your fanart is valid and all you'all's opinions are correct, have a nice day

You ever just look at the cover of a book and be like "I want that outfit. Why can I not have that outfit? How dare you look so great in that outfit when I can't look that great even if I had that outfit irl?"

Today’s episode was heartbreaking

We’ve seen so much of Xie Lian’s pain

So much of the fall of XianLe

But now

Will you tell me that it was all his fault?

The “consequence of his actions”?

So what should we blame him for?

For being a child against the most powerful and cruel ancient evil?

The one that lived 1000 years, destroyed all the gods and deceived the entire world?

Or was he too stubborn and not listened to other people?

Well let me tell you

XIE LIAN WAS NEVER WRONG FOR NOT LISTENING TO OTHERS.

Who should he have listened to?

That very evil that told him not to try and help his people?

His guoshi who knew everything and told him nothing but to sacrifice an innocent child in “penance” to that very evil?

Should he have crushed all youngans in one go, kill the poor starving people, led to desparation?

Should he have told his own desperate people that their cure was in murder and watch the inevitable massacre?

The only thing

The only thing that he should have seriously done differently

His biggest, most fatal mistake

He did

BY LISTENING TO SOMEONE WHO TOLD HIM HE WAS WRONG

ONE TIME.

He listened to his father.

The King of Xian Le.

When at the very beginning of it all they had an argument

Where Xie Lian insisted they should melt his golden statues and let the starving homeless people into his shrines

That’s EXACTLY what they should’ve done, but they did not

Because guess what the father said

We can’t. Because we did not build the shrines and the statues.

People of Xian Le did.

Do you want to disregard your people by doing that?

SAID THE KING

Knowing VERY WELL that he is talking about THE ROYALTY OF XIAN LE.

THE RITCH PEOPLE OF XIAN LE.

THE ONES WHO LET HIM RULE.

THE ONES WHO EASILY MIGHT TAKE HIS POWER

AND LIFE AWAY

IF HE DISPLEASES THEM.

But he knows how to PHRASE IT RIGHT to his son who CHERISHES HIS PEOPLE NO MATTER THE STATUS.

And who might very much not know the intricacies behind the ruler’s chambers.

Because Xie Lian

Was

Never

Meant

TO RULE.

He was raised to be a Martial God.

To fight demons and grant wishes.

NOT

TO RULE

A COUNTRY

BUT GUESS WHO

WHO WAS SUPPOSED TO RULE THE COUNTRY????

WHO WAS SUPPOSED TO MAKE SURE A HUGE PART OF IT WON’T STARVE TO DEATH?????

THE KING

And his son had to

ABANDON HEAVEN

To come deal with his mess

You can try blaming Xie Lian for not listening to the prayers from that part of Xian Le.

But he did not NOT listen.

He DID NOT HEAR.

Because the prayers system of “the ritcher - the louder” is inherently corrupt.

And growing up in a wealthy capital

Xie Lian must’ve not even SUSPECTED that there’ll be a part of his country so poor that no offerings would be enough for him to hear the prayers.

He did not know.

BUT THE KING

DID.

There’s no way he didn’t.

Yet does anyone

Does anyone in the book

And outside, anyone of the readers

Ever thought to blame him?

No.

Not even once have i seen this take.

Not even i realised it until recently. Thanks to my dear friend @3luecactuz

And why?

Because Xie Lian tells us the story.

And he himself

Completely believes

That it was all his fault.

When his only real fault was in not standing his ground

Agains the only person

Who held authority in his eyes.

Who was the authority in his life from the very beginning of it.

Who, no matter the future arguments, was the person he loved.

His father.

In the face of the greatest crisis he’s ever seen

Under the pressure to make the right choice for so many innocent lives

He gives in and listenes to a person who he not only inherently trusts

But who objectively had much more experience and knowledge than him

Who’s flaws he has not yet seen clearly enough. And never will.

Because this person raised him to be

Perfect.

And he failed.

Because no one is perfect.

And he believed in it in the wrong time and place. He gave in.

Decided to look for another solution.

And gave the evil orchestrating his demise just enough time to pull the first string.

Of many.

So tell me.

Really, tell me.

Did he deserve this?

Should he have listened more?

Should he have?

Or maybe

Just maybe

He needed someone

Who could have told him

To do what he thinks is right.

AAAAHHHH they're so cute 🥰

Done at last~ _(:3

I've tried my best ahahahaha xD

Enjoy the food~

What I'm most curious about is how they handle Annabeth's insecurities as a "dumb blonde" or if it will be edited to basic doubt in her abilities as a girl? I can't wait to see a more accurate portrayal of the character growth and arcs, even if some are handled differently with modern-day sensitivities in mind.

I'm certain this actor is going to be amazing portraying Annabeth's core character, no matter what she looks like. Rick knows his characters best, and if there's a conflict from the original into the new form, I trust him to handle it better than anyone else.

Rick Riordan’s response to the racism and hatred directed at Leah after she was cast as Annabeth:

“Leah Jeffries is Annabeth Chase”

“This post is specifically for those who have a problem with the casting of Leah Jeffries as Annabeth Chase. It’s a shame such posts need to be written, but they do. First, let me be clear I am speaking here only for myself. These thoughts are mine alone. They do not necessarily reflect or represent the opinions of any part of Disney, the TV show, the production team, or the Jeffries family.

The response to the casting of Leah has been overwhelmingly positive and joyous, as it should be. Leah brings so much energy and enthusiasm to this role, so much of Annabeth’s strength. She will be a role model for new generations of girls who will see in her the kind hero they want to be.

If you have a problem with this casting, however, take it up with me. You have no one else to blame. Whatever else you take from this post, we should be able to agree that bullying and harassing a child online is inexcusably wrong. As strong as Leah is, as much as we have discussed the potential for this kind of reaction and the intense pressure this role will bring, the negative comments she has received online are out of line. They need to stop. Now.

I was quite clear a year ago, when we announced our first open casting, that we would be following Disney’s company policy on nondiscrimination: We are committed to diverse, inclusive casting. For every role, please submit qualified performers, without regard to disability, gender, race and ethnicity, age, color, national origin, sexual orientation, gender identity or any other basis prohibited by law. We did that. The casting process was long, intense, massive and exhaustive.

I have been clear, as the author, that I was looking for the best actors to inhabit and bring to life the personalities of these characters, and that physical appearance was secondary for me. We did that.  We took a year to do this process thoroughly and find the best of the best. This trio is the best. Leah Jeffries is Annabeth Chase.

Some of you have apparently felt offended or exasperated when your objections are called out online as racist. “But I am not racist,” you say. “It is not racist to want an actor who is accurate to the book’s description of the character!”

Let’s examine that statement.

You are upset/disappointed/frustrated/angry because a Black actor has been cast to play a character who was described as white in the books. “She doesn’t look the way I always imagined.”

You either are not aware, or have dismissed, Leah’s years of hard work honing her craft, her talent, her tenacity, her focus, her screen presence. You refuse to believe her selection could have been based on merit. Without having seen her play the part, you have pre-judged her (pre + judge = prejudice) and decided she must have been hired simply to fill a quota or tick a diversity box. And by the way, these criticisms have come from across the political spectrum, right and left.

You have decided that I couldn’t possibly mean what I have always said: That the true nature of the character lies in their personality. You feel I must have been coerced, brainwashed, bribed, threatened, whatever, or I as a white male author never would have chosen a Black actor for the part of this canonically white girl.

You refuse to believe me, the guy who wrote the books and created these characters, when I say that these actors are perfect for the roles because of the talent they bring and the way they used their auditions to expand, improve and electrify the lines they were given. Once you see Leah as Annabeth, she will become exactly the way you imagine Annabeth, assuming you give her that chance, but you refuse to credit that this may be true.

You are judging her appropriateness for this role solely and exclusively on how she looks. She is a Black girl playing someone who was described in the books as white.

Friends, that is racism.

And before you resort to the old kneejerk reaction — “I am not racist!” — let’s examine that statement too.

If I may quote from an excellent recent article in the Boston Globe about Dr. Khama Ennis, who created a program on implicit bias for the Massachusetts Board of Registration for Medicine in Boston: “To say a person doesn’t have bias is to say that person isn’t human. It’s how we navigate the world … based on what we’re taught and our own personal histories.”

Racism/colorism isn’t something we have or don’t have. I have it. You have it. We all do. And not just white people like me. All people. It’s either something we recognize and try to work on, or it’s something we deny. Saying “I am not racist!” is simply declaring that you deny your own biases and refuse to work on them.

The core message of Percy Jackson has always been that difference is strength. There is power in plurality. The things that distinguish us from one another are often our marks of individual greatness. You should never judge someone by how well they fit your preconceived notions. That neurodivergent kid who has failed out of six schools, for instance, may well be the son of Poseidon. Anyone can be a hero.

If you don’t get that, if you’re still upset about the casting of this marvelous trio, then it doesn’t matter how many times you have read the books. You didn’t learn anything from them.

Watch the show or don’t. That’s your call. But this will be an adaptation that I am proud of, and which fully honors the spirit of Percy Jackson and the Olympians, taking the bedtime story I told my son twenty years ago to make him feel better about being neurodivergent, and improving on it so that kids all over the world can continue to see themselves as heroes at Camp Half-Blood.”

(x)