how silly it is to tie your own noose
I heard the song "Frontier Psychiatrist" by The Avalanches and it immediately reminded me of your Bill- the artists make songs out of clips from old movies, and I feel like this one is a perfect mix of chaos, tragedy, Bill's childhood, and the Theraprism.
On that note, is there a specific genre of Earth music or an artist that Bill would listen to? We know there was music in Euclydia, but is there any flavor of human music he likes? (Or would at least tolerate?)
Boy are you ever in luck because I have a whole post about what (mostly human) musical genres I think Bill would canonically like. And an addendum. And what he'd think about dreamcore. And a few specific bands I was asked about. And the ONLY Lemon Demon song I'd ever add to his (and Mabel's) playlist. And I made a playlist of what I think he'd listen to, although it's really more of a small sampling of the kind of nonsense he'd play. And what songs he'd like playing on the piano, which is a different question from what he listens to. And a further addendum to the initial posts about his tastes, plus a mention of how, in fic, Bill's tastes would change due to being stuck with the humans. And a little summary of most of the above.
(And as long as this post is turning into a masterpost for my musical taste headcanons, I'm going to add my post about the Mystery Shack gang's musical preferences and Ford and Mabel's similar tastes and songs Ford would like but doesn't know about and a smattering of stray thoughts including about Gideon's tastes and Gideon's tastes part 2 and Gideon's tastes part 3 goddammit. And the next time I try to find all my GF music headcanon posts, I'll run into this post first and save myself time searching for the rest.)
Based on the info we have from canon:
we know he thinks non-musical (to us) sounds make for some damn good music, but understands the difference between music he likes and objectively "good music" by human standards
he's into mid-20th-century music—but one of the first human songs he specifically highlighted as good was garage rock and he really hit his stride infiltrating the human music industry with motown, so I tilt him closer to the 60s than the 40s
he's into fun party music, which drowns out the screams in his soul
he doesn't say he hates country music, but he really gives off those vibes
He's heard listening to a fair amount of EDM despite claiming synth music is "painful," so I put the dividing line for "good electronica" and "painful electronica" around 1990 and have him steer away from new wave in particular
Addictive earworms are his enemy, and I like to imagine him battling them like how medieval scholars drew knights battling giant snails
He's fairly fluent in popular music in general and can casually drop song references into conversations with humans.
Outside the info we have from canon, I imagine he's pretty easy to get into new music as long as it's "fun"—he doesn't like broody downer sad songs—but I think getting him into 3 or 4 mad-at-the-world-and-your-parents early '00s alt-rock bands would fix him.
man who are these people...
Did you know that sheep’s could purr?
✨cute sheep fact of the day✨
(And thank you to that person who told me I mixed up the twins names, I always seem to get them confused half the time 🤣)
They’re talking about their girlfriends
another gravity falls animation! :3 hope yall enjoy!
We are introduced to Bill Seacaster almost immediately, and immediately know what he's about. He's an infamous pirate known around the world for his awful deeds. He's filthy rich and most importantly, he LOVES his son.
We are introduced to Pok Gukgak only in passing. A small note of riz's long-dead father. And he's left as that for a while, because why would he be anything more. But then he is more, he's so much more. He's a badass and a spy.
Almost immediately we learn that Bill Seacaster is widely known for horrible things, and eventually we learn that Pok Gukgak was never known for all he gave.
With learning about Pok Gukgak comes learning about his death, which as all things involving Riz are, is a mystery. Riz slowly uncovers the pieces to a long warn-out fuzzy picture and even when he thinks he has it all there's always more. He was sick, no he died in a shipwreck, no he was eaten by a dragon, his partner lured him there. Pok Gukgak's death is avenged because of course it is. Riz's goal is to be like him and if he was a hero it's what he would've wanted, it's what he would've done.
Bill Seacaster's death is no mystery. Fabian is intimately familiar with the details. He was right there, he made it happen. Resurrection and incredible feats of healing are very possible in Solace. If Fabian hadn't stabbed him and Bill hadn't blown up, it was very possible that he would've survived. But he didn't survive because Fabian killed him because that's what his dad wanted, that's what he would've done.
Fabian Seacaster has to live up to his father's legacy. Even as he haunts the fiery levels of hell, his memory is still very much alive. Fabian has to live up to his father's legacy, something so very hard to do when his father's name is so boldly written upon the face of the world. The best thing Fabian can do is write his own as a footnote.
Riz Gukgak has to live up to his father's memory. He was a great man who did great things. Right? Riz Gukgak has to live up to his father's memory, a task so impossible as his very name was practically forgotten in the flaming belly of a dragon. Maybe his dad is in hell, maybe he deserves to be there. Why would Riz know? Why would he know anything?
He's nothing like him. He's nothing like him. How can you be like a man who seemingly everyone knows? How can you be like a man you barely knew?
He's nothing like him, but he's like himself. His friends don't need his dad to help save their lives, the world doesn't need his dad to protect it.
They're nothing like their dads but everything like them at the same time. They are notorious and unknown, heroes who do some unsavory things. Their dads are gone but they're right here.
Gravity Falls: The Finale